The Moving Image Salon is a monthly gathering in London for artists working in the fields of moving image and experimental filmmaking. It is intended as a relaxed and open space for conversation and exchange about contemporary moving image practices, a networking event and critical forum.
Dates:
Friday, July 26, 2019 - 15:00 to Saturday, July 27, 2019 - 14:55
One of the original camera-journalist-cum-independent-videomakers, Skip Blumberg’s practice is situated between discourses of art, journalism, activism, and guerilla filmmaking. He is a founding member of the Videofreex, a pioneering New York video collective for countercultural movements from 1969 to 1978. This “Culture Beat” program provides just a small sampling of Skip’s prolific output, from his "on-the-ground" participatory style to his travels around the world as an artist, producer, and correspondent.
Dates:
Wednesday, July 10, 2019 - 19:00 to Thursday, July 11, 2019 - 18:55
Clouds and Solitude Waves: The Films of Chris H LynnJuly 14th at Librairie Avant Garde in Nanjing, ChinaJoin Chris H Lynn for a night of digital moving images and silent super 8 films that explore visual and aural spaces in urban and rural landscapes and lyrical passages and drifting hours on super 8 film
Established in 1987, Images Festival is the longest running and most influential moving image festival in Canada. Our ON SCREEN program is an annual survey dedicated to contemporary artist’s film and video presented in a cinema context and to moving image in all its forms.
Images presents work that counters dominant mainstream narratives and provides alternative ways of thinking and seeing that expands the understanding of media art through our programming and education-based initiatives.
Over the course of his long writing career, Yasunari Kawabata produced more than one hundred “palm of the hand stories”: pieces often under a page in length that adopt a brisk writing style. This collection of avant-garde moving image works approach the short form with tantamount innovation, featuring miniature subjects, handmade special effects and personal perspectives, crafting small-scale productions that speak to the full richness of sensory experience.
James Robertson Jennings, usually referred to professionally as Jim Jennings (b. 1951), is an American experimental filmmaker and photographer. His films have been screened at some dozen solo shows in the United States and Europe, from the Museum of Modern Art in New York City and the San Francisco Cinematheque to the Oberhausen Film Festival in Germany, International Film Festival Rotterdam in the Netherlands and the Viennale in Austria.
Avant-garde filmmaker and curator Vivian Ostrovsky takes us from three star Michelin restaurants to food festivals in the South of France, via childhood memories in the 1960s Brazil and USSR with a selection of three short films – Nikita Kino, Eat and *** (Trois étoiles) – shot between 1987 and 2002.
Followed by a Q&A with director Vivian Ostrovsky
This screening is part of the Great Exhibition Road Festival and echoes the Food: Bigger than the Plate exhibition at the V&A.