For a short period in the 1970s, then-Chicago-based filmmaker Bruce Wood created several amazing and intensely beautiful black and white abstract films. And then he stopped; not an uncommon story. In recent years growing attention has been paid to "forgotten" regional filmmakers around the country - and Chicago is no exception. Hidden gems are being rediscovered and shining again years after they were made.
The enigmatic work of Swiis filmmaker and artist Klaus Lutz (1940-2009) lies somewhere between the meditations of a recluse and the fantasies of a utopia visionary. With reminiscences of Georges Méliès, Chaplin, the Russian avant-gardes and the Bauhaus, with a touch of futurism, his films are mysterious mental landscapes that tell almost mythological stories about a man who lives in a strange, solitary world.
Los Angeles Filmforum launches Ism, Ism, Ism: Experimental Cinema in Latin America (Ismo, Ismo, Ismo: Cine Experimental en América Latina) this weekend, Sept 22-24, at REDCAT! Ism, Ism, Ism is an unprecedented, five-month film series —the first in the U.S.—that surveys Latin America’s vibrant experimental production from the 1930s through today.
Friday, September 22, 2017 (All day) to Sunday, September 24, 2017 (All day)
In this expanded cinema event featuring 21 artists and organized in collaboration with Microscope Gallery and taking place at the Parrish Art Museum, the New York based Optipus collective and orchestra will perform The Watery Owl of Minerva, a new live multi-projection and sound performance composed by Bradley Eros.
Alchemy Film and Moving Image Festival is an international festival of experimental film and artists’ moving image. Submissions of artists’ and experimental film from any part of the world are welcome – we celebrate a diverse range of works: the visually experimental, quietly poetic, formally radical, psycho-geographical, politically activist, culturally subversive, psycho-spiritual, the alchemically volatile, the underground and bizarre. Conventional or commercial-style narrative dramas, animations and documentaries are less likely likely to be successful – unless they are truly original in form and content.
This month DIM Cinema arranges a series of studio visits, beginning with Jem Cohen’s short portrait of the sculptor Ann Truitt (1921-2004) and ending with the ceremonial liberation of Jay DeFeo’s painting The White Rose, weighing over 2,300 pounds, from her second-floor studio in San Francisco. In between, and in their respective studios, Sarah Pucill plays with the blinds, Bruce Nauman walks in an exaggerated manner, and Ken Jacobs goes psychological-psychedelic.
Expanding Film is a new grouping of filmmakers and artists working with the moving image based in York. We welcome work which is personal, radical, DIY, expanded, performance-based, mixed media, unfinished and, above all, experimental.