Screenings

  • I am Half Sick of Shadows : Nazaré Soares

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    Cinematic Ceremony about Love, Death and Revolution, a new work by Nazaré Soares. The audiovisual work fine-tunes perceptions of Earth and humankind’s disjointed and entangled processes; Nazare Soares in collaboration with Ada Hoel have created the audio-visual composition by translating traces found on used shooting targets. This premiere screening encompasses surround sound live scores composed by sound artist Ada Hoel in collaboration with Andreas Elvenes and will be performed live by Michael Francis Duch, Andreas Elvenes, Ada Hoel, Linnea Jansson and Nazare Soares.  The event is composed in four acts; silver, golden, bronze and Iron.

    Dates: 

    Monday, October 29, 2018 - 20:00

    Venue: 

  • Cineinfinito #69: Chris Welsby

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    Chris Welsby has been making and exhibiting work since 1969. His films and film/video installations have been exhijbited internationally, at major galleries such as the Tate and Hayward galleries in London, the Musée du Louvre and the Centre Georges Pompidou in Paris, the Museum of Modern Art in New York, the Carnegie Institute in Pittsburgh, and the Art Gallery of Ontario in Toronto.

    Dates: 

    Friday, October 19, 2018 - 17:00

    Venue: 

  • VISIONS : 22.10.2018 : Stefano Canapa + L'Abominable

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    In collaboration with la lumière collective et HORS CHAMP, VISIONS presents : Stefano Canapa + L'Abominable

    [Filmmaker present, Projection 16mm + HD]

    Inner Journey In Photochemicals Lands
    L'abominable 2000-2018
    [Works directed by and works programmed by Stefano Canapa]

    Dates: 

    Monday, October 22, 2018 - 20:00

    Venue: 

  • VariaVision: Klaus Lutz, The Beauty of my Island

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    This performative extension of the exhibition off this play (Atelier Impopulaire, Volksbühne Pavilion) is conceived as a happening to celebrate the life and work of the Swiss artist Klaus Lutz.

    Dates: 

    Tuesday, October 16, 2018 - 20:00

    Venue: 

  • The films of Gregory J. Markopoulos

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    Gregory J. Markopoulos (1928-92) was one of the most original filmmakers to emerge in post-war American cinema. His films, which encompass mythic themes, portraiture and studies of landscape and architecture, are celebrated for their extraordinary creativity, the sensuous use of colour and innovations in cinematic form. By employing complex editing techniques and spontaneous in-camera superimposition, he sought to unlock the mystery and energy contained within the single frame. As a contemporary of Maya Deren, Kenneth Anger and Jonas Mekas, Markopoulos was amongst those at the forefront of a movement that liberated cinema as an artistic mode of expression. Having made his first 16mm film (Psyche) as a student in 1947, he went on to produce several key works of the New American Cinema such as Twice a Man (1963) and The Illiac Passion (1964-67).

    Dates: 

    Wednesday, October 24, 2018 - 20:00

    Venue: 

  • Cinema Parenthèse #6: Michael Mazière

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    Michael Mazière is an artist, theorist and curator whose practice encompasses the production of artworks, the curation of exhibitions, lecturing and writing about artists’ film and video. He has been making films since the late 1970s up until today.

    Dates: 

    Friday, October 19, 2018 - 19:00

    Venue: 

  • ad hoc #13: Stephen Broomer's Potamkin

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    In 1933, at age 33, Harry Alan Potamkin died of complications related to starvation, at a time when he was one of the world's most respected film critics. In his writings, he advocated for a cinema that would simultaneously embrace the fractures and polyphony of modern life and the equitable social vision of left radical politics. This film-biography is assembled out of distorted fragments of films on which he had written, an impression of erupting consciousness.

    Dates: 

    Friday, November 16, 2018 - 19:00

    Venue: 

  • Film screening by Ariana Gerstein

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    Experimental filmmaker Ariana Gerstein will present a program of works in film and time assemblages by way of desktop scanners.

    Programme:

    - Close the Lid- 05:00
    :Home, Document, Scan

    Dates: 

    Thursday, October 4, 2018 - 19:00

    Venue: 

  • Sound/Image 2018

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    The Sound/Image colloquium explores the relationships between sounds and images, and the images which sounds can construct by themselves.

    Through a series of complementary strands – talks, screenings, loudspeaker orchestra concerts – we will bring together artists and experts to investigate sound and sound-image phenomena.

    Our special guest for 2018 is Denis Smalley who will present a concert of recent acousmatic compositions.

    Dates: 

    Saturday, November 10, 2018 - 10:00 to Sunday, November 11, 2018 - 22:00

    Venue: 

  • Claes Söderquist: Reflections on Landscape

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    Claes Söderquist is a prominent figure of Swedish experimental film whose visually appealing and personal films revolve around slow cinematic reflections on architecture, landscape, strata, time and space. With influences from and interests in Land-Art, minimalist music (like Charlemagne Palestine) and structural film processes, Söderquist's dystopian and desolate scenery is sometimes reminiscent of the films by Michael Snow and Larry Gottheim.

    Dates: 

    Tuesday, October 9, 2018 - 20:15

    Venue: 

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