Screenings

Film Language: Gábor Bódy

By Marcos Ortega on Thu, 12/12/2019 - 14:08

CINEMA PARENTHÈSE in collaboration with BALASSI INSTITUTE, CULTURAL SERVICE OF THE EMBASSY OF HUNGARY IN BRUSSELS, and CINÉ CLUB DE I'INSAS presents a program focused on GÁBOR BÓDY (1946–1985), one of the most outstanding and unusual personalities from the Hungarian and European cinema of the 70s and 80s – multi-sided, fascinating and dazzling. Through his films, lectures, video works, installations and tours Bódy became a universal source of inspiration and ideas among filmmakers and film lovers.
Dates:
Monday, December 16, 2019 - 19:00
Venue:
Ciné Club de I'INSAS - Bruxelles, Belgium
BURNING: Ceremony, War, Art. New Films by Larry Gottheim

By Marcos Ortega on Wed, 11/12/2019 - 10:23

Larry Gottheim is a key figure in the history and development of American avant-garde cinema through the 1970s and 1980s. His early "minimal" films, such as FOG LINE, are well-known and have been widely shown at museums in the U.S. and Europe. His recent films have played in Europe and at the EXis festival in Seoul. Gottheim also founded the celebrated Cinema Department at Binghamton University, where he worked until 1998.
Dates:
Wednesday, December 18, 2019 - 20:30
Venue:
Ludlow House - New York, United States
Wonderland - A Xiaolu Guo Double Bill

By Michele Smith on Tue, 10/12/2019 - 21:21

Inspired by Walter Benjamin’s essay on art and mechanical reproduction, the latest documentary feature by novelist and filmmaker Xiaolu Guo takes us to a village near Shenzhen, in southern China, where a cottage industry produces made-to-order copies of Western masterpieces. Exploring the contemporary nature of images and the interconnections between people from different worlds, the film intercuts the life of a Chinese painter copying Caravaggio’s John in the Wilderness (c. 1604) and the life of the Swiss-Italian poet in London who commissioned it.
Dates:
Wednesday, December 11, 2019 - 19:30
Venue:
DIM Cinema - Vancouver, Canada
Cineinfinito #112: David Haxton

By Marcos Ortega on Mon, 09/12/2019 - 14:48

David Haxton (b. 1943, Indianapolis, Indiana) is an artist who works primarily in Photography and Film. His films from the 1970’s and early 1980’s were made mostly in negative, with a static camera position, and were made in one take. In these films the space filmed is revealed gradually by a performer, while the intrinsic flatness of the illuminated screen is maintained.
Dates:
Tuesday, December 10, 2019 - 19:30
Venue:
Centro Cultural Doctor Madrazo - Santander, Spain
Films at the X international Biennale art Bridge-Watercolor 2019

By Anonymous on Mon, 02/12/2019 - 16:41

At 17 hours 7 December 2019, as part of the X international Biennale art – Most –Watercolor 2019 will show films by Dmitry Frolov using the works of composer Sergei Oskolkov:
Dates:
Saturday, December 7, 2019 - 17:00 to 18:00
Venue:
Museum complex "Universe of water" - St.Petersburg, Russia
Directors Lounge Screening: Stephanie Hanna - Where Things Meet

By Klaus W. Eisenlohr on Tue, 26/11/2019 - 10:46

Stephanie Hanna conceives her videos in a process of combining performances, texts, video and audio recordings. Her works often incorporate collaborations with other artists, viewers or passers-by. The Berlin-born artist returned to her hometown after receiving a BA in stage design in Utrecht. Back in Berlin, she also received a Master in “Art in Context” at UdK.
Dates:
Thursday, November 28, 2019 - 21:00 to 23:00
Venue:
Z-Bar, Berlin - Berlin, Germany
The Festival of (In)appropriation #11

By Anonymous on Tue, 26/11/2019 - 03:31

Los Angeles Filmforum at the Egyptian presents
The Festival of (In)appropriation #11
Sunday, December 8, 2019, 7:30 pm
At the Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd., Los Angeles CA 90028

In person: Filmmakers Kristy Guevara-Flanagan and Kate Lain, curator Greg Cohen!
Dates:
Sunday, December 8, 2019 - 19:30
Venue:
Spielberg Theatre at the Egyptian - Los Angeles, United States
Earth Message. Arthur and Corinne Cantrill and landscape cinema

By Marcos Ortega on Mon, 25/11/2019 - 17:03

In many of the films by Arthur and Corinne Cantrill there are no stories, no characters, but we are facing the landscape and its research done through cinema, with a materialistic and ecological concern. Shifting the landscape from the background to the foreground has posed many challenges to these Australian filmmakers, which led them to develop different filming strategies, relating the filmic forms with the forms of the places.
Dates:
Thursday, November 28, 2019 (All day) to Saturday, November 30, 2019 (All day)
Venue:
CGAI - Centro Galego de Artes da Imaxe - A Coruña, Spain
Sonic Cinema: Films of Pure Energy

By Marcos Ortega on Mon, 25/11/2019 - 10:01

Hypnotic and visceral, Sonic Cinema is a wild hypersensory experience. The films in this program explore the outer limits of perception, embodiment and cognition using experimental animation techniques, chemical interventions, powerful soundtracks, magnetic pulsations and beyond. Raw intensity and pure energy into the ontology of the moving image.
Dates:
Tuesday, November 26, 2019 - 19:00
Venue:
Uplink - Tokyo, Japan
Peephole Cinema: Hofreh

By Marcos Ortega on Wed, 20/11/2019 - 17:35

The Peephole Cinema in San Francisco is proud to present “Hofreh” a collection of videos showcasing Iranian artists who live and work in the cities of Tehran, Isfahan, Tabriz and Khoramabad. The title of this show is a Persian word that translates to hole or cavity and also applies to the word for eye socket. It’s a fitting title for works that respond to the Peephole Cinema’s unique space: videos that loop inside a hole in a wall located street side on a building in the Mission District.
Dates:
Tuesday, December 3, 2019 (All day) to Saturday, January 18, 2020 (All day)
Venue:
Peephole Cinema San Francisco - San Francisco, United States

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