VISIONS, in collaboration with la lumière collective and Concordia's Research Chair in Experimental Nonfiction, presents:

Multiform examines the representation of the image through the media materiality and the creative process of the artist. The multiple media used to create the films and videos of this program demonstrate a variety of devices directly related to the material and conceptual reappropriation of the image by the artist. Through the use of found footage, self-portrait, homage, or travel diary, the works unveil their mechanism, their organicity, their process and their own representation.

ZERO is a visual representation of Coleman Zurkowski's album of the same name. The film, as well as the album, is an exploration of the mental and physical effects of binaural/isochronic rhythms gradually slowing into silence.

Gunvor Nelson/Dorothy Wiley: As friends living in Marin County, Gunvor Nelson and Dorothy Wiley began making films together in the 1960s that foregrounded their personal experiences while examining issues of family, parenthood, partnership and domestic life in the In the context of artist filmmaking in Northern California. Featuring original soundtracks, their collaborative and solo films explore the poetics of everyday life, from portraits of motherhood to close studies of various bodies.