Durante un corto periodo de tiempo en los años 70, el cineasta Bruce Wood, entonces viviendo en Chicago, filmó varias películas abstractas asombrosas filmadas en un blanco y negro intenso y maravilloso. Y entonces paró; no es una historia rara. Durante los últimos años ha crecido la atención por cineastas regionales "olvidados' por todo el país, y Chicago no ha sido una excepción. Gemas ocultas están siendo redescuviertas para volver a brillar años después de su nacimiento.
La enigmática obra del artista y cineasta suizo Klaus Lutz (1940-2009) se sitúa entre las meditaciones de un recluso y las fantasías de un visionario utópico. Con reminiscencias de Georges Méliès, Chaplin, las vanguardias rusas y la Bauhaus, y con cierto aire futurista, sus películas son misteriosos paisajes mentales que desarrollan cuentos casi mitológicos acerca de un hombre que habita un mundo extraño y solitario.
Los Angeles Filmforum launches Ism, Ism, Ism: Experimental Cinema in Latin America (Ismo, Ismo, Ismo: Cine Experimental en América Latina) this weekend, Sept 22-24, at REDCAT! Ism, Ism, Ism is an unprecedented, five-month film series —the first in the U.S.—that surveys Latin America’s vibrant experimental production from the 1930s through today.
Fechas:
De Viernes, Septiembre 22, 2017 (Todo el día) hasta Domingo, Septiembre 24, 2017 (Todo el día)
In this expanded cinema event featuring 21 artists and organized in collaboration with Microscope Gallery and taking place at the Parrish Art Museum, the New York based Optipus collective and orchestra will perform The Watery Owl of Minerva, a new live multi-projection and sound performance composed by Bradley Eros.
Alchemy Film and Moving Image Festival is an international festival of experimental film and artists’ moving image. Submissions of artists’ and experimental film from any part of the world are welcome – we celebrate a diverse range of works: the visually experimental, quietly poetic, formally radical, psycho-geographical, politically activist, culturally subversive, psycho-spiritual, the alchemically volatile, the underground and bizarre. Conventional or commercial-style narrative dramas, animations and documentaries are less likely likely to be successful – unless they are truly original in form and content.
This month DIM Cinema arranges a series of studio visits, beginning with Jem Cohen’s short portrait of the sculptor Ann Truitt (1921-2004) and ending with the ceremonial liberation of Jay DeFeo’s painting The White Rose, weighing over 2,300 pounds, from her second-floor studio in San Francisco. In between, and in their respective studios, Sarah Pucill plays with the blinds, Bruce Nauman walks in an exaggerated manner, and Ken Jacobs goes psychological-psychedelic.
Expanding Film is a new grouping of filmmakers and artists working with the moving image based in York. We welcome work which is personal, radical, DIY, expanded, performance-based, mixed media, unfinished and, above all, experimental.
