Lo más valorado

Publicaciones más valoradas según las votaciones de los usuarios de la página.

 

 

  • Jeff Scher - Reasons to be Glad

    Jeff Scher is a painter who makes experimental films and an experimental filmmaker who paints. His work is in the permanent collection of the Museum of Modern Art and the Hirshhorn Museum, and has been screened at the Guggenheim Museum, the Pompidou Center in Paris, the San Francisco Museum of Modern Art, and at many film festivals around the world, including opening night at the New York Film Festival. Mr. Scher has also had two solo shows of his paintings, which have also been included in many group shows in New York galleries. Additionally, he has created commissioned work for HBO, HBO Family, PBS, the Sundance Channel and more. Mr. Scher teaches graduate courses at the School of Visual Arts and at NYU Tisch School of the Arts Kanbar Institute of Film & Television's Animation program. He lives in Brooklyn with his wife and two sons.

    Valoración: 

    Promedio: 5 (4 votos)

    Precio: 

    19,90 EUR

    Categoría: 

  • Jonas Mekas: Diaries, Notes & Sketches Vol. 1-8 (Blu-ray)

    This boxset brings together the “diary films” of Jonas Mekas (1922-2019). Mekas perfected a poetic, personal technique of filming his daily life in short bursts, with no plan or script, as one would write when taking notes or keeping a diary.

    Valoración: 

    Promedio: 5 (3 votos)

    Precio: 

    99 EUR

    Categoría: 

  • Azul Profundo : Memorias de Futuro de un Entre-Vivir Cinematográfico / Deep Blue : Future Memories of a Living’s Cinematic In-Between

    In Azul Profundo Sebastian Wiedemann plunges into the transorganic space of Blue, a cinematic state of complete communion with the depths of Nature’s cosmological memory. Blue as guideline into a cinema of receptive profusion and total connection with one's intrinsic sensorial capacities. Deep Blue as cinematic wild experience and experiment of thinking, as a radical adventure into the potential of an unexpected speculative scenario where the verb to blue gains uncountable affective tonalities.

    Valoración: 

    Promedio: 5 (2 votos)

    Precio: 

    18 USD

    Categoría: 

  • Stan Brakhage the realm buster

    Stan Brakhage’s body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage’s films. In particular, many of these essays revolve around the controversial issues of representation and perception.

    Valoración: 

    Promedio: 5 (2 votos)

    Precio: 

    26,48 GBP

    Categoría: 

  • Germaine Dulac: Writings On Cinema (1919-1937)

    The present publication in e-book format is an english translation from the original 1994 edition, now out-of-print, with a new preface by PROSPER HILLAIRET that puts DULAC’s importance and current relevance into perspective, and a foreword by TAMI M. WILLIAMS, president of Domitor – the International Society for the Study of Early Cinema and author of Germaine Dulac: A Cinema of Sensations.

    English translation by Scott Hammen
    Foreword by Tami M. Williams
    New preface by Prosper Hillairet

    Valoración: 

    Promedio: 5 (2 votos)

    Precio: 

    11,45 USD

    Categoría: 

  • Everything Everywhere Again Alive

    Everything Everywhere Again Alive is a landmark work of Canadian underground cinema, a film diary with mystic and symbolic overtones. In the early 1970s, Toronto filmmaker Keith Lock moved to Buck Lake, where members of the Toronto art scene were undertaking an experiment in communal living. Lock filmed the achievements and daily rituals of his fellow communards, his camera bearing witness as a community assembled and dispersed.

    Valoración: 

    Promedio: 5 (2 votos)

    Precio: 

    35 CAD

    Categoría: 

  • Strange Codes

    Arthur Lipsett’s Strange Codes is the legendary found-footage filmmaker’s first and only independent film, made after his departure from the National Film Board of Canada. In a rented house in Toronto, Lipsett stages a series of mysterious rituals, appearing onscreen in the guise of various characters, among them, an archeologist, a soldier, a scientist, a magician, and the Monkey King of the Peking opera.

    Valoración: 

    Promedio: 5 (2 votos)

    Precio: 

    35 CAD

    Categoría: 

  • Visiones Laterales. Cine y Video Experimental en Chile (1957-2017)

    Este libro analiza las formas audiovisuales experimentales que han tenido presencia desde la segunda mitad del siglo XX en Chile. Trata de cine y video experimental, incluyendo nociones como las de video-arte, cine-expandido, video de artista, video-instalación, video-creación, documental experimental o ensayo audiovisual. Estas prácticas los autores las piensan en conjunto, no como algo pretérito, sino como un presente activo inscrito en una genealogía histórica. Visiones Laterales.

    Valoración: 

    Promedio: 5 (2 votos)

    Precio: 

    11.900 CHP

    Categoría: 

  • Palace of Pleasure

    A long-neglected classic of Canadian experimental cinema, a triumph of erotic art, a film about which Gene Youngblood once wrote, “See it and you’ll see a window on the future: a Joyce-Burroughs assemblage of bold, poetic surreal visions of physical love in every conceivable form.

    In 1967, John Hofsess released The Palace of Pleasure, a dual-screen therapeutic exploration of the erotic imagination. Intended as a trilogy, only the first two sequences were completed.

    Valoración: 

    Promedio: 5 (2 votos)

    Precio: 

    35 CAD

    Categoría: 

  • Alfred Leslie - COOL MAN in a GOLDEN AGE Selected Films

    Alfred Leslie is a pivotal American artist-painter-filmmaker whose work spans the past fifty years. A celebrated contemporary of the Abstract Expressionists and a key figure in the extraordinary social milieu of downtown New York from the 1950s and 60s toAlfred Leslie is a pivotal American artist-painter-filmmaker whose work spans the past fifty years. A celebrated contemporary of the Abstract Expressionists and a key figure in the extraordinary social milieu of downtown New York from the 1950s and 60s to the present, his own canvases were amongst the most revered of his peers. In 1964 he made Pull My Daisy with the photographer Robert Frank and in 1966 collaborated with the inimitable poet Frank O’Hara on The Last Clean Shirt. In 1960 he edited and published the amazing collection of texts and drawings that form the ‘one shot review’ The Hasty Papers – in and of itself a summation of cultural activity with contributions from Allen Ginsberg, John Ashbery and Fidel Castro amongst may others. Leslie dramatically moved away from abstraction to make giant almost hyper-real portraits, the majority of which were destroyed in the now infamous fire that ripped through his studio and its neighbouring blocks on October 17 1966. This utterly devastating event, that completely destroyed paintings, films and manuscripts, continues to inform his work today.

    Valoración: 

    Promedio: 5 (2 votos)

    Precio: 

    20.00 GBP

    Categoría: 

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