The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years’ worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with
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- Hardcover - 39.95 USDPaperback - 32.95 USD
Mekas' first completed diary film, this is an epic portrait of the New York avant-garde art scene of the 60s and a groundbreaking work of personal cinema.
Available for the first time on DVD, Guy Sherwin's acclaimed Short Film Series, a unique collection of interconnected 16mm 3 minute films started in 1975. The series is held together by certain formal considerations: each film is three minutes long, i.e. the length of a roll of 16mm film, all films are b/w and silent, and the order in which they are shown is flexible. Apart from this there is a range of imagery from portraiture to still life to travel. The films operate on the border between movement and stillness, revealing their inner logic through an active engagement in looking.
The 1960s and 1970s were a defining period for artists’ film and video, and the London Film-Makers’ Co-operative (LFMC) was one of the major international centres. Shoot Shoot Shoot documents the first decade of an artist-led organisation that pioneered the moving image as an art form in the UK, tracing its development from within London’s counterculture towards establishing its own identity within premises that uniquely incorporated a distribution office, cinema space and film workshop.
REWIND + PLAY presents a selection of key works from the first decade of artist’s video practice in the UK. From early conceptual experiments exploring the parameters of the medium to works dealing with media culture and television this collection explores the range and diversity of the first years of video as new media.
This book explores music/sound-image relationships in non-mainstream screen repertoire from the earliest examples of experimental audiovisuality to the most recent forms of expanded and digital technology. It challenges presumptions of visual primacy in experimental cinema and rethinks screen music discourse in light of the aesthetics of non-commercial imperatives.
Over the past twenty years, Bill Morrison has built a filmography of more than thirty striking and original works which have been presented in cinemas, museums, galleries and concert halls worldwide. Making use of rare archival footage, which has often been decayed by the passing of time, Morrison explores the power of film as a medium which is evocative of memory and gives rise to a sense of collective mythology. Morrison's exquisite and timeless films are scored by the cream of the US underground / avant-garde music scene, including Dave Douglas, Henryk Górecki and Bill Frisell.
Exploring new and experimental practices with celluloid film in the digital age.
Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective.
Price:Paperback - 39,95 CADCloth - 130 CAD
Jonas Mekas has worked together with Andy Warhol, George Maciunas, John Lennon, and many others. In New York he was an influential figure in the New American Cinema, although he came to film-making relatively late. In 1944 Mekas and his younger brother Adolfas had to flee from the Nazis for copying leaflets. They were interned for eight months in a labour camp in Elmshorn.
Sandy Ding is an experimental filmmaker who lives and works in Beijing, China. He graduated from CalArts Film School USA in 2007 and started teaching in China Central Academy of Fine Arts since 2008. He produced several psycho-active films with the idea of combining ritual process in projection and sound. His work is energy patterns, telling mysteries with abstractions or powerful symbolic elements. He is equally interested in live performance of theater projections, untypical gallery projections, installations and live noise music to extend the idea of experimental film.
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