The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years’ worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with
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Available for the first time on DVD, Guy Sherwin's acclaimed Short Film Series, a unique collection of interconnected 16mm 3 minute films started in 1975. The series is held together by certain formal considerations: each film is three minutes long, i.e. the length of a roll of 16mm film, all films are b/w and silent, and the order in which they are shown is flexible. Apart from this there is a range of imagery from portraiture to still life to travel. The films operate on the border between movement and stillness, revealing their inner logic through an active engagement in looking.
Mekas' first completed diary film, this is an epic portrait of the New York avant-garde art scene of the 60s and a groundbreaking work of personal cinema.
The 1960s and 1970s were a defining period for artists’ film and video, and the London Film-Makers’ Co-operative (LFMC) was one of the major international centres. Shoot Shoot Shoot documents the first decade of an artist-led organisation that pioneered the moving image as an art form in the UK, tracing its development from within London’s counterculture towards establishing its own identity within premises that uniquely incorporated a distribution office, cinema space and film workshop.
Each year Experiments in Cinema produces a fundraising DVD collection with select works from the festival that artists have generously donated to help keep the festival alive (a 100% volunteer-run festival!). The latest DVD collection is now available on EiC's website.
This seven volume Fundraising DVD Collection includes the following titles:
Thirteen rare films featuring pre-computer abstraction, using a variety of techniques including early oscilloscope experiments, color organs, hand-drawn sound, animation drawn directly on film, painted scrolls, and optical printing. Films from the archive of Center for Visual Music.
“Hilary is unquestionably one of the most original and talented filmmakers of the American independent cinema … he is in a class by himself, a master of his craft.”
— Amos Vogel, founder of the NY Film Festival
Jonas Mekas has worked together with Andy Warhol, George Maciunas, John Lennon, and many others. In New York he was an influential figure in the New American Cinema, although he came to film-making relatively late. In 1944 Mekas and his younger brother Adolfas had to flee from the Nazis for copying leaflets. They were interned for eight months in a labour camp in Elmshorn.
These images are clearly marked by the use of devices to create them. Winkler may briefly show the unaltered image in the beginning of a film. But inevitably processing will occur, and Winkler’s “low-tech invention pushes the possibilities of comparativel
Two decades before the Big Brother phenomenon overtook the world's television screens filmmaker Steve Dwoskin made this film depicting the events that ensued when a group of random people were isolated within the confines one house. Dwoskin was in there t