Exhibitions

  • Terry Silvester: Watersports

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    Watersports is Terry Silvester's first solo exhibition in Asia and consists of two videos, Fertile (2019) and The Swallowing of a Dog’s Eye (2019). The works are a collaboration with performance artist Andrew Neil Hayes who plays a predominant role in both, as well as the
    artist’s family and pet dog.

    - Fertile (2019)

    Dates: 

    Wednesday, December 4, 2019 (All day) to Sunday, December 8, 2019 (All day)

    Venue: 

  • Depth of FIeld: Laida Lertxundi

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    Although only timidly exhibited in Spanish circuits, Laida Lertxundi (1981, Bilbao), has forged an important international career. Her works, which she records on 16-millimetre films, combine conceptual rigour with sensory pleasure to suggest seductive and self-reflective explorations of the environments in which she works. With this exhibition, the programme begins its support of the production of her work, thanks to which Lertxundi has created the work Day Time which will be projected for the first time during her exhibition in Matadero.

    Dates: 

    Friday, October 25, 2019 (All day) to Sunday, December 15, 2019 (All day)

    Venue: 

    Matadero Madrid - Madrid, Spain
  • Telematic: Farm and Friends – in 3D!

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    Farm and Friends – in 3D!

    A presentation of the 3-D film, Farm Written and Directed by Dale Hoyt Produced by David Lawrence

    with performances and additional artwork by
    Monet Clark, Cliff Hengst, Fred Rinne, Beth Stephens & Annie Sprinkle, Gabrielle Thormann, Mary Elizabeth Yarbrough, and Steve Thurston

    September 7 – October 12, 2019

    Opening Reception: Saturday, September 7th , 6 – 9pm
    Closing Reception: Saturday, October 12th , 2 – 4pm

    Dates: 

    Saturday, September 7, 2019 - 18:00 to Saturday, October 12, 2019 - 16:00

    Venue: 

    Telematic - San Francisco, United States
  • The Bridlington Contemporary: Kerry Baldry

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    A showreel of Kerry Baldry's film and video work will be screening at The Bridlington Contemporary from Thursday 1st August. Free entry

    Preview Thursday 1st August 7pm - 9pm
    Continuing Saturdays, Sundays and Mondays 11am - 4pm until the 12th August.

    Dates: 

    Thursday, August 1, 2019 (All day) to Monday, August 12, 2019 (All day)

    Venue: 

    The Bridlington Contemporary - Bridlington , United Kingdom
  • Scrapbook (or, Why Can't We Live Together)

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    Scrapbook (or, Why Can’t We Live Together)
    July 12 – August 19, 2019

    Zoe Beloff, Bill Brand, MV Carbon, Diane Dwyer, Bradley Eros, foci + loci, Morrison Gong (w/ J. (Jialing) Shih), Tessa Hughes-Freeland, Marni Kotak, M. Lamar, Le’Andra LeSeur, Jeanne Liotta, Simon Liu, Bruce McClure, Julian Louis Phillips, Tenzin Phuntsog, Raha Raissnia
    Opening Friday July 12, 6-9pm

    Dates: 

    Friday, July 12, 2019 (All day) to Monday, August 19, 2019 (All day)

    Venue: 

    Microscope Gallery - Brooklyn, Estados Unidos
  • Film Farm: 25 Years of the Independent Imaging Retreat

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    Founded in 1994 by filmmaker and teacher Phil Hoffman, the Independent Imaging Retreat has provided over 260 participants (two-thirds of which are women) with guidance and training in hand-processing film.* Known collectively as the "Film Farm", over the past 25 years the week-long retreat has fostered experimental hand-processed cinema practices at the local, national, and international level.

    Dates: 

    Tuesday, June 25, 2019 (All day) to Friday, July 19, 2019 (All day)

    Venue: 

  • Pat O'Neill: Three Answers

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    A pioneer of experimental cinema, the Los Angeles artist Pat O’Neill developed innovative techniques for radically altering imagery in the predigital era. His highly inventive 16mm films from the 1960s and 1970s explore dense layering and movement within a still frame. In recent years, O’Neill has reworked several of his early films into multiple projections.

    Dates: 

    Saturday, April 20, 2019 (All day) to Sunday, August 4, 2019 (All day)

    Venue: 

    San Francisco Museum of Modern Art - San Francisco, United States
  • Kevin Jerome Everson, the abstract ideal

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    After a celebrated solo presentation of his work for the cinema at Tate Modern in London in 2017, an expansive career overview at Harvard Film Archive in 2018, and a major retrospective of his films at Centre Pompidou in Paris in March this year as part of the festival Cinéma du réel, the influential US artist Kevin Jerome Everson arrives at the peak of his wildly successful career to the Museum of Contemporary Art Vojvodina in Novi Sad for a unique solo exhibition of his work. This gallery exhibition offers a selection of his short works on 16mm, installed as digital projections, as well as his eight-hour magnum opus Park Lanes (2015).

    Dates: 

    Friday, May 24, 2019 (All day) to Monday, June 24, 2019 (All day)

    Venue: 

  • Freeze-Frame, a Vanitas of Light

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    'Freeze-Frame, a Vanitas of Light' investigates in what form film can exist without the physical presence of film. The starting point is the local history of Wetteren, where in the 1960s were four cinemas; Cinema Roxy, Cinema Nova, Cinema Max and Cinema Forum. The socialists, liberals and Catholics, each had their own cinema and one was there for the 'naughty' films. Now that these cinemas have disappeared from the street scene, the question remains whether the cinematic is still present in Wetteren, or can be, and how an idea of film can exist without actually being present as a film.

    Dates: 

    Sunday, April 21, 2019 (All day) to Sunday, May 26, 2019 (All day)

    Venue: 

    Loods12 - Wetteren, Belgium
  • If AI Were Cephalopod

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    Telematic is pleased to present If AI were Cephalopod, a new multi-channel video installation by the collaborative artist 0rphan Drift (Ranu Mukherjee and Maggie Roberts), which explores fictional relationships between human, animals and synthetic entities, in order to imagine possible future embodiments and forms of consciousness. Drawing upon Embodied Cognitive Science and Radical Anthropology, the artists ask what paradigm of “intelligence” we presuppose in the development of Artificial Intelligence, implicitly challenging commonplace assumptions about what it means to be human as distinct from other forms of life. Is it not perhaps better to imagine the intelligence of machines in light of, what we now recognize as, the remarkably sophisticated cognition of other creatures?

    Dates: 

    Saturday, May 4, 2019 (All day) to Sunday, June 9, 2019 (All day)

    Venue: 

    Telematic - San Francisco, United States

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