Others

  • anOther: installation, performance and concert

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    The 24 television screens collected by the artist form the backdrop of anOther, part installation, part performance and concert. Bodies, images and sound create living sculptures, generating both dialogue and tension.

    Dates: 

    Wednesday, April 4, 2018 (All day) to Friday, April 6, 2018 (All day)
    Wednesday, April 11, 2018 (All day) to Friday, April 13, 2018 (All day)
    Saturday, April 14, 2018 (All day) to Monday, April 16, 2018 (All day)

    Venue: 

  • Close-Up Film Course: Expanded Cinema

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    At the cross-over between performative arts and film, expanded cinema emerged in the mid-60s and is now considered to have influenced many aspects of contemporary media installations and performances. American artist pioneers explored its means in regards to politics and collective participation as well as radical subjective experimentation. In Britain filmmakers used its structural and analytical means to criticise the canons of commercial cinema.

    Dates: 

    Monday, February 5, 2018 (All day) to Monday, February 26, 2018 (All day)

    Venue: 

  • ACRE TV - Double Feature: <3 and The Republic

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    Two ambitious experimental narratives each realized with hilariously singular visions. Looping all month.

    Airing on ACRETV.org, January 1-31, 2018

    Dates: 

    Monday, January 1, 2018 (All day) to Wednesday, January 31, 2018 (All day)

    Venue: 

  • The 8th Annual Experimental Lecture

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    NYU’s Department of Cinema Studies and Undergraduate Film & Television present the 8th Annual Experimental Lecture

    Bradley Eros

     “Disappearing soon at a theater near you
    (ephemeral cinema & other acts of life)"

    Dates: 

    Wednesday, October 4, 2017 - 19:00

    Venue: 

  • Film in the Present Tense

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    In spite of claims of its obsolescence, analog film is still alive. It continues to exist as an inimitable artistic medium, put to use in myriad forms around the world. Nonetheless, in the context of our ever-expanding digital landscape, analog film faces new challenges that have forced it into a process of deep transformation. What steps do we need to take to guarantee that analog film will remain as a living-breathing medium? What are the alternatives to the idea of film as an obsolete, historical object?

    Dates: 

    Friday, October 20, 2017 (All day) to Sunday, October 22, 2017 (All day)
  • Symposium: Fluxus and Film

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    This symposium will expand the defining attributes of Fluxus film by addressing the problematic role of documentation within Fluxus practices, the documentation of performances as material film objects and the performativity of media, and the politics of presence in Fluxus film and performance. Includes screening of film and video works by Wolf Vostell, Eric Andersen, Nam June Paik, Ludwig Schönherr, Paul Sharits, and Carolee Schneemann, among others.

    Dates: 

    Friday, May 5, 2017 (All day) to Saturday, May 6, 2017 (All day)

    Venue: 

  • BUNGALOW by Alex MacKenzie

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    Iris Film Collective is pleased to present the inaugural installation of IN HOUSE, a year-long series of film and light installation at the Falaise Fieldhouse (3434 Falaise Avenue, Vancouver BC, Canada) by Collective members.

    BUNGALOW is a site-specific installation by Alex MacKenzie on view every evening from 6-9pm at the Fieldhouse from February 13 through the 26th, 2017.

    Dates: 

    Monday, February 13, 2017 (All day) to Sunday, February 26, 2017 (All day)

    Venue: 

  • Edges: an Animation Seminar

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    This seminar – part of the Edge of Frame Weekend – will address the questions of where experimental animation practice sits – at the ‘edges’ – in relation to independent animation, visual arts, histories, institutions. The seminar will do this not through the usual presentation of papers, but by asking artists, curators and academics to offer propositions and provocations, citing up to three works that illustrate their case.

    Dates: 

    Friday, December 9, 2016 - 14:00

    Venue: 

  • RE/NIGHT/LIVE/MARE

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    RE/NIGHT/LIVE/MARE re- considers your nightmares; re- examines your daydreams; re- contextualizes pre-existing (video art? videotaped performance work? found footage?) through re- presenting, re- editing, re -mixing. Featuring works that re- search, re- consider, re- examine, re- contextualize nightmares, daydreams, flying-fancies, hyper-realities. Also included: live re- mixing pre- existing work with new live footage to re- consider it in under the cold, hard, clinical (or soft warm fuzzy *wicked grin ) light of the telematic screen.

    Dates: 

    Tuesday, November 1, 2016 (All day) to Saturday, December 31, 2016 (All day)

    Venue: 

  • Soft Floor, Hard Film: Celebrating 50 Years of the London Film-Makers’ Co-op

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    Frieze Video and LUX present Soft Floor, Hard Film: 50 Years of the London Film-Makers’ Co-op.

    Formed on October 13th 1968, the London Film-Makers’ Co-operative (LFMC) grew out of a series of screenings in the basement of counter-culture book store, Better Books, on Charing Cross road to become a pioneering organisation incorporating a film workshop, cinema space and distribution office. Radical in its early ideals, the Co-op played a crucial role in establishing moving image as an art form in the UK and internationally.

    Dates: 

    Thursday, October 13, 2016 - 19:00

    Venue: 

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