Exposiciones

  • Terry Silvester: Watersports

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    Watersports is Terry Silvester's first solo exhibition in Asia and consists of two videos, Fertile (2019) and The Swallowing of a Dog’s Eye (2019). The works are a collaboration with performance artist Andrew Neil Hayes who plays a predominant role in both, as well as the
    artist’s family and pet dog.

    - Fertile (2019)

    Fechas: 

    De Miércoles, Diciembre 4, 2019 (Todo el día) hasta Domingo, Diciembre 8, 2019 (Todo el día)

    Local: 

  • Profundidad de Campo: Laida Lertxundi

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    El programa «Profundidad de campo», destinado a la producción, muestra y estudio de la práctica audiovisual contemporánea, inaugura una nueva exposición con el trabajo de la artista y cineasta Laida Lertxundi (Bilbao, 1981). Las películas de Lertxundi combinan el rigor conceptual con el placer sensorial, para sugerir exploraciones seductoras y auto-reflexivas de los entornos en los que trabaja. En sus trabajos, recurre a la película de 16mm, el uso de la fotografía, la música e imágenes en movimiento generadas por el azar.

    Fechas: 

    De Viernes, Octubre 25, 2019 (Todo el día) hasta Domingo, Diciembre 15, 2019 (Todo el día)

    Local: 

    Matadero Madrid - Madrid, España
  • Telematic: Farm and Friends – in 3D!

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    Farm and Friends – in 3D!

    A presentation of the 3-D film, Farm Written and Directed by Dale Hoyt Produced by David Lawrence

    with performances and additional artwork by
    Monet Clark, Cliff Hengst, Fred Rinne, Beth Stephens & Annie Sprinkle, Gabrielle Thormann, Mary Elizabeth Yarbrough, and Steve Thurston

    September 7 – October 12, 2019

    Opening Reception: Saturday, September 7th , 6 – 9pm
    Closing Reception: Saturday, October 12th , 2 – 4pm

    Fechas: 

    De Sábado, Septiembre 7, 2019 - 18:00 hasta Sábado, Octubre 12, 2019 - 16:00

    Local: 

    Telematic - San Francisco, Estados Unidos
  • The Bridlington Contemporary: Kerry Baldry

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    A showreel of Kerry Baldry's film and video work will be screening at The Bridlington Contemporary from Thursday 1st August. Free entry

    Preview Thursday 1st August 7pm - 9pm
    Continuing Saturdays, Sundays and Mondays 11am - 4pm until the 12th August.

    Fechas: 

    De Jueves, Agosto 1, 2019 (Todo el día) hasta Lunes, Agosto 12, 2019 (Todo el día)

    Local: 

    The Bridlington Contemporary - Bridlington , Reino Unido
  • Scrapbook (or, Why Can't We Live Together)

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    Scrapbook (or, Why Can’t We Live Together)
    July 12 – August 19, 2019

    Zoe Beloff, Bill Brand, MV Carbon, Diane Dwyer, Bradley Eros, foci + loci, Morrison Gong (w/ J. (Jialing) Shih), Tessa Hughes-Freeland, Marni Kotak, M. Lamar, Le’Andra LeSeur, Jeanne Liotta, Simon Liu, Bruce McClure, Julian Louis Phillips, Tenzin Phuntsog, Raha Raissnia
    Opening Friday July 12, 6-9pm

    Fechas: 

    De Viernes, Julio 12, 2019 (Todo el día) hasta Lunes, Agosto 19, 2019 (Todo el día)

    Local: 

    Microscope Gallery - Brooklyn, Estados Unidos
  • Film Farm: 25 Years of the Independent Imaging Retreat

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    Founded in 1994 by filmmaker and teacher Phil Hoffman, the Independent Imaging Retreat has provided over 260 participants (two-thirds of which are women) with guidance and training in hand-processing film.* Known collectively as the "Film Farm", over the past 25 years the week-long retreat has fostered experimental hand-processed cinema practices at the local, national, and international level.

    Fechas: 

    De Martes, Junio 25, 2019 (Todo el día) hasta Viernes, Julio 19, 2019 (Todo el día)

    Local: 

  • Pat O'Neill: Three Answers

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    A pioneer of experimental cinema, the Los Angeles artist Pat O’Neill developed innovative techniques for radically altering imagery in the predigital era. His highly inventive 16mm films from the 1960s and 1970s explore dense layering and movement within a still frame. In recent years, O’Neill has reworked several of his early films into multiple projections.

    Fechas: 

    De Sábado, Abril 20, 2019 (Todo el día) hasta Domingo, Agosto 4, 2019 (Todo el día)

    Local: 

    San Francisco Museum of Modern Art - San Francisco, Estados Unidos
  • el amplio tragaluz que, al nivel de la calle, ilumina el semisótano, es invisible

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    Bajo este tragaluz invisible se establecen, en la oscuridad, las coordenadas tridimensionales para la producción y simultaneidad de espacios, de ahora en adelante materializados en forma de luz. La fuente, otros posibles tragaluces: instalaciones audiovisuales que renderizan espacio-tiempos, que proponen unos límites arquitectónicos, visuales y sonoros en un intento de dar forma desde el presente a experiencias pasadas, olvidadas, ignoradas, inasibles o todavía no vividas. Ejercicios de (des)memoria, recapitulación y confrontación.

    Fechas: 

    De Viernes, Mayo 24, 2019 - 19:30 hasta Domingo, Mayo 26, 2019 - 23:30

    Local: 

    Casabanchel - Madrid, España
  • Kevin Jerome Everson, the abstract ideal

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    After a celebrated solo presentation of his work for the cinema at Tate Modern in London in 2017, an expansive career overview at Harvard Film Archive in 2018, and a major retrospective of his films at Centre Pompidou in Paris in March this year as part of the festival Cinéma du réel, the influential US artist Kevin Jerome Everson arrives at the peak of his wildly successful career to the Museum of Contemporary Art Vojvodina in Novi Sad for a unique solo exhibition of his work. This gallery exhibition offers a selection of his short works on 16mm, installed as digital projections, as well as his eight-hour magnum opus Park Lanes (2015).

    Fechas: 

    De Viernes, Mayo 24, 2019 (Todo el día) hasta Lunes, Junio 24, 2019 (Todo el día)

    Local: 

  • Freeze-Frame, a Vanitas of Light

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    'Freeze-Frame, a Vanitas of Light' investigates in what form film can exist without the physical presence of film. The starting point is the local history of Wetteren, where in the 1960s were four cinemas; Cinema Roxy, Cinema Nova, Cinema Max and Cinema Forum. The socialists, liberals and Catholics, each had their own cinema and one was there for the 'naughty' films. Now that these cinemas have disappeared from the street scene, the question remains whether the cinematic is still present in Wetteren, or can be, and how an idea of film can exist without actually being present as a film.

    Fechas: 

    De Domingo, Abril 21, 2019 (Todo el día) hasta Domingo, Mayo 26, 2019 (Todo el día)

    Local: 

    Loods12 - Wetteren, Bélgica

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