Exposiciones

  • Sally Waterman: In The Cage

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    Curated by Lucy Howarth, in association with the exhibition Journeys with ‘The Waste Land’ at the Turner Contemporary, as part of their off-site programme.

    Video and photographic artist Sally Waterman employs T.S. Eliot’s 1922 poem ‘ The Waste Land’ as a means for metaphor; her works are a form of self-portraiture – exploring memory, narrative and trauma.

    Fechas: 

    De Sábado, Febrero 3, 2018 (Todo el día) hasta Lunes, Mayo 7, 2018 (Todo el día)

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  • Jeanne Liotta: Break The Sky

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    Microscope is very pleased to present Break The Sky, the first solo exhibition at the gallery by Jeanne Liotta, whose works we have previously shown in “Triple Blind” (2013), “Slide Slide Slide” (2014), and “Dreamlands: Expanded” (2016-17), a series of expanded cinema events presented in collaboration with the Whitney Museum of American Art as part of the exhibition “Dreamlands: Immersive Cinema & Art 1905-2016”.

    Fechas: 

    De Viernes, Enero 19, 2018 (Todo el día) hasta Domingo, Febrero 25, 2018 (Todo el día)

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  • FUTURE RESONANCE

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    Friday 15 December sees the opening of the exhibition FUTURE RESONANCE, at Spazio Ridotto in Venice, a collaboration between the Venetian organization Zuecca Projects and the contemporary art platform the PhotoPhore.

    Fechas: 

    De Viernes, Diciembre 15, 2017 - 18:00 hasta Domingo, Enero 14, 2018 - 18:00

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  • Barbara Hammer: Evidentiary Bodies

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    Barbara Hammer: Evidentiary Bodies is a multifaceted exhibition-project that delves into the life’s work and resonating impact of lesbian feminist artist and filmmaker Barbara Hammer. Revolving around a retrospective at Leslie Lohman Museum for Gay & Lesbian Art, Evidentiary Bodies as a project encompasses exhibitions, a publication, performances, readings, and an extensive film program at various locations across New York City.

    Fechas: 

    De Sábado, Octubre 7, 2017 (Todo el día) hasta Miércoles, Enero 31, 2018 (Todo el día)

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  • Centrespace Gallery: In Light of Moving Images

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    In Light of Moving Images is a series of audiovisual installations exploring lighting on screen at Centrespace Gallery, Bristol UK. (Website)

    Traditionally considered the responsibility of a cinematographer, lighting in a filmmaking context usually refers to the arrangement of illumination sources around a location or set to create a specific aesthetic. Expanding this term, lighting can also refer to creative control over the passages of illumination which constitute moving imagery, shaping ways that audiences perceive the frame. This exhibition engages with both facets through spatial projections that weave together light in and of moving imagery while questioning the material tensions of mediated illumination

    Fechas: 

    De Sábado, Noviembre 4, 2017 - 10:00 hasta Martes, Noviembre 7, 2017 - 18:00

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  • VisualcontainerTV: One Minute

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    VisualcontainerTV is proud to present the result of 9 years of research in the contemporary videoart field by the artist and curator Kerry Baldry. A variety of languages and visions collected in a kaleidoscopic selection about 39 videos.

    Fechas: 

    De Miércoles, Julio 26, 2017 (Todo el día) hasta Viernes, Septiembre 1, 2017 (Todo el día)
  • Dmitri Frolov Film Work Retrospective

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    Retrospective of works by Dmitri Frolov (18+). Frolov is one of the leaders of russian film vanguard in postperestroika age. He makes aesthetic experiments connecting with a return to dumb cinema on new level of movie language.

    http://festival.artzond.com/frolov-dmitri.htm

    Fechas: 

    De Martes, Julio 11, 2017 (Todo el día) hasta Viernes, Julio 14, 2017 (Todo el día)

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  • Sara Bonaventura: Come Se Il Colore Stesse A Guardarti

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    On Tuesday, May 30 at 19.30 Adiacenze is inaugurating an exhibition of the work of Sara Bonaventura curated by Ester Grossi “Come Se Il Colore Stesse A Guardarti” (As If The Color Was Looking At You). With the curatorial guidance of artist Ester Grossi, Sara Bonaventura tries to process color in an immersive experience where the spectator becomes an integral part of the works presented in the exhibition. Two are  the subjects of the exhibition: color and human beings, two bodies that are in constant dialogue, envisioned by a do ut des of non-verbal expressions, which can be disturbing or reconciling, repealing or inclusive.

    Fechas: 

    De Martes, Mayo 30, 2017 (Todo el día) hasta Sábado, Junio 24, 2017 (Todo el día)

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