Exposiciones

  • Digital Phantasmagoria, the exhibition

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    Phantasmagoria is the trouble of an illusionist image, of the indescribable penetration into the real, of the loss of practical convictions. It’s to approach the limits of folly. To explore boundaries of reasonable, of rational, of tangible. To push them, to cross them. To bury them, to destroy them. To explore the depths of imaginary.

    Fechas: 

    Viernes, Mayo 18, 2018 - 18:30

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  • Bradley Eros: All that is solid melts into eros

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    Microscope is very pleased to present All that is solid melts into eros, the second solo exhibition at the gallery by Bradley Eros. In this exhibition devoted to ephemerality – a concept the artist has been radically engaging with, especially in film, video, collage, and performance, since the 1980s when he arrived in New York – Eros presents a new body of work “made of ice, ash, paper, foil, and plastic that will be altered, or disappear and be remade daily”.

    Fechas: 

    De Viernes, Marzo 16, 2018 (Todo el día) hasta Domingo, Abril 22, 2018 (Todo el día)

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  • Foster & Dixon New Experimental Video Works (March 2 - April 15, 2018)

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    An overview of new film and video works of noted experimental filmmakers and video artists, Gwendolyn Audrey Foster and Wheeler Winston Dixon.

    March 2 through April 15, 2019 at the BWA Contemporary Art Gallery in Katowice.
    W. Korfantego 6, 40-004 Katowice, Poland. Tuesday — Sunday 10.00 am — 6.00 pm.

    We kindly invite you to the opening of the Exhibition on 2nd March, 2018 at 6 pm. Free entry. Join us! Hosted by Galeria Sztuki Wspólczesnej BWA w Katowicach and Curator: Witold Stypa, Museum of Future in Berlin.

    Fechas: 

    De Viernes, Marzo 2, 2018 (Todo el día) hasta Domingo, Abril 15, 2018 (Todo el día)

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  • Sally Waterman: In The Cage

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    Curated by Lucy Howarth, in association with the exhibition Journeys with ‘The Waste Land’ at the Turner Contemporary, as part of their off-site programme.

    Video and photographic artist Sally Waterman employs T.S. Eliot’s 1922 poem ‘ The Waste Land’ as a means for metaphor; her works are a form of self-portraiture – exploring memory, narrative and trauma.

    Fechas: 

    De Sábado, Febrero 3, 2018 (Todo el día) hasta Lunes, Mayo 7, 2018 (Todo el día)

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  • Jeanne Liotta: Break The Sky

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    Microscope is very pleased to present Break The Sky, the first solo exhibition at the gallery by Jeanne Liotta, whose works we have previously shown in “Triple Blind” (2013), “Slide Slide Slide” (2014), and “Dreamlands: Expanded” (2016-17), a series of expanded cinema events presented in collaboration with the Whitney Museum of American Art as part of the exhibition “Dreamlands: Immersive Cinema & Art 1905-2016”.

    Fechas: 

    De Viernes, Enero 19, 2018 (Todo el día) hasta Domingo, Febrero 25, 2018 (Todo el día)

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  • FUTURE RESONANCE

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    Friday 15 December sees the opening of the exhibition FUTURE RESONANCE, at Spazio Ridotto in Venice, a collaboration between the Venetian organization Zuecca Projects and the contemporary art platform the PhotoPhore.

    Fechas: 

    De Viernes, Diciembre 15, 2017 - 18:00 hasta Domingo, Enero 14, 2018 - 18:00

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  • Barbara Hammer: Evidentiary Bodies

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    Barbara Hammer: Evidentiary Bodies is a multifaceted exhibition-project that delves into the life’s work and resonating impact of lesbian feminist artist and filmmaker Barbara Hammer. Revolving around a retrospective at Leslie Lohman Museum for Gay & Lesbian Art, Evidentiary Bodies as a project encompasses exhibitions, a publication, performances, readings, and an extensive film program at various locations across New York City.

    Fechas: 

    De Sábado, Octubre 7, 2017 (Todo el día) hasta Miércoles, Enero 31, 2018 (Todo el día)

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  • Centrespace Gallery: In Light of Moving Images

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    In Light of Moving Images is a series of audiovisual installations exploring lighting on screen at Centrespace Gallery, Bristol UK. (Website)

    Traditionally considered the responsibility of a cinematographer, lighting in a filmmaking context usually refers to the arrangement of illumination sources around a location or set to create a specific aesthetic. Expanding this term, lighting can also refer to creative control over the passages of illumination which constitute moving imagery, shaping ways that audiences perceive the frame. This exhibition engages with both facets through spatial projections that weave together light in and of moving imagery while questioning the material tensions of mediated illumination

    Fechas: 

    De Sábado, Noviembre 4, 2017 - 10:00 hasta Martes, Noviembre 7, 2017 - 18:00

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