Museum of Clouds is a weekend programme of screenings and discussions exploring the films, the contexts, the figures that connected a diverse group of artist-filmmakers working over the last ten years. The series includes works by Gabriel Abrantes, Basma Alsharif, Alexander Carver, Benjamin Crotty, Mati Diop, Beatrice Gibson, Shambhavi Kaul, Laida Lertxundi, Matías Piñeiro, Ben Rivers, Ben Russell, Daniel Schmidt, Ana Vaz and Phillip Warnell, as well as conversations with the artists and with the programmers, writers and producers who have championed their work.
Friday, October 26, 2018 (All day) to Sunday, October 28, 2018 (All day)
Robert Beavers is a master of 16mm personal filmmaking whose films (From the Notebook of... 1971/1998, etc.) are landmarks of independent cinema. Following his magnum opus 18-film cycle, My Hand Outstretched to the Winged Distance and Sightless Measure, Beavers released several works that are considered among the great films of recent decades. Beavers’ focus is on intimate spaces and how they reflect qualities of human character and life.
Los Angeles Filmforum is pleased to present two nights of the work of Berlin-based filmmaker Ute Aurand with the artist in attendance. Stemming from the lyrical tradition of diary filmmaking and artisanal practices, her active and playful films emphasize the natural and social worlds through intimate forms of portraiture. She gives distinct attention to the inner dialogues of thought and the tactile experiences of women.
Johnny Welch, filmmaker and photographer from Sydney, Australia lives in Berlin for more than 3 years and is an active member of Labor Berlin. Since coming to Berlin, his work has become more strongly connected with the aesthetic of analog film, with the possibilities of optical printing. Even if edited and projected digitally, analog compositing seems to allow him to create a richer image of high density and depth.
The Spectral Film Festival believes deeply in the capacity of filmmaking to embody individual and collective voices. Innate to its character, this festival seeks to celebrate unconventional forms of expression through experimental, avant-garde, and underground works. We are looking for short-form cinematic pieces that permeate the boundaries of texture, intimacy, and hybridity; those that are unnerving, immersive, expository, and are as daring as they ask their viewer to be in redefining what is accepted as fact.