Etiquetas: Ute Aurand

Ute Aurand

Ute Aurand

Ute Aurand nació en 1957 en Frankfurt/Main, y creció en Berlín. Es profesora y comisaria, y una dedidada cineasta en 16mm desde 1980. Estudió cine en la Deutsche Film und Fernsehakademie Berlin (dffb) durante los años 1979-1985. Comenzó a realizar sus propias películas en 1985. En 1987 fundó su compañía "Ute Aurand Filmproduktion".

Nacionalidad: 

Alemania

Contenido etiquetado

  • Film Talks: 15 Conversations on Experimental Cinema

    Film Talks is an edited collection of unique conversations on experimental cinema from a range of eminent and emerging film and video makers. The book represents a contemporary snapshot on the ways in which experimental cinema is perceived by its practitioners, often in relation to other art forms, moving image culture at large and wider social issues. It is an invaluable guide for those keen to immerse themselves in the insights and perspectives that only artists can offer.

    Table of Contents

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  • attaque(e)r le visible - Corporal Interventions: Ute Aurand

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    Schweigend ins Gespräch vertieft (Ute Aurand, 1980)

    attaque(e)r le visible: Corporal Interventions – Experimental Films from the 80s
    Monthly at Raum für drastische Maßnahmen / Oderstr. 34, 10247 Berlin
    curated by Lawinia Rate

    2 November, 7:30 p.m.
    Ute Aurand

    - Anziehen, 1979, 16 mm, 8 mins
    (co-directors Monika Vogel, Bärbel Freund and Sibylle Tidemann)

    - Schweigend ins Gespräch vertieft, 1980, 16 mm, 8 mins

    Fechas: 

    Martes, Noviembre 2, 2021 - 19:30

    Local: 

    Raum für drastische Maßnahmen - Berlin, Alemania

  • IWFF Revisited: Experimental Films from the 1970s and 1980s

    By on
    copyright Claudia Schillinger "Fatale femme" (1985)

    IWFF Revisited: Experimental Films from the 1970s and 1980
    curated by Kat Lawinia Gorska

    IWFF revisited delves into the Festival's archive. A selection of films from the 1970-1980s reveals the premises behind the founding of the Festival. In its early years the Festival was marked by formative convictions and ideas. What types were they? What was to be shown? Why? And who was supposed to see it all?

    Fechas: 

    De Domingo, Septiembre 13, 2020 - 12:00 hasta Lunes, Septiembre 14, 2020 - 11:55

    Local: 

    Filmforum, Museum Ludwig - Cologne, Alemania

  • Meditaciones sobre el presente. Ute Aurand, Helga Fanderl, Jeannette Muñoz y Renate Sami

    Las cineastas alemanas Ute Aurand, Helga Fanderl y Renate Sami y la chilena Jeannette Muñoz son las protagonistas del libro que se publicará en la 14ª edición de Punto de Vista. Su trabajo, en la tradición del cine de vanguardia y experimental, ha sido reconocido en prestigiosos festivales de cine internacionales como Berlín, Oberhausen, Nueva York y Róterdam.

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  • Ute Aurand, Renate Sami, Helga Fanderl, Jeannette Muñoz

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    Strom (Helga Fanderl, 2010)

    Imposible separar la vida y la producción cinematográfica. Cine en tiempo presente; películas tejidas por hilos de vida, con toda su alegría y su oscuridad, de viajes, de amistad. Un cine de y para los sentidos. La retrospectiva (y su correspondiente publicación, que será también presentada durante la sesión) toma como punto de partida el torrente de respaldo y afecto mutuos que surge de la relación entre estas cuatro cineastas.

    Fechas: 

    Lunes, Marzo 9, 2020 - 18:30

    Local: 

    Círculo de Bellas Artes - Madrid, España

  • Show & Tell: Ute Aurand

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    Anthology welcomes German filmmaker Ute Aurand for a special screening of her brand-new 16mm film RUSHING GREEN WITH HORSES, as well as OH! THE FOUR SEASONS, a 1988 film made in collaboration with Ulrike Pfeiffer (and, via an introductory text, Anthology’s founder Jonas Mekas).

    Fechas: 

    Martes, Octubre 15, 2019 - 19:30

    Local: 

    Anthology Film Archives - Nueva York, Estados Unidos

  • Margaret Tait: 'The Cinema I care about is at the level of poetry'

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    Portrait of Ga (Margaret Tait, 1952)

    These words come from Scottish artist and filmmaker Margaret Tait (1918–1999), who would have turned 100 on November 11th. With 11 short films on 11.11 and her only feature on 17.11, we are honoring her uniquely poetic work. The unique thing about Tait’s films is their interest in the unspectacular: “Her images are accessible (a thistle is inevitably a thistle), they are of the everyday and, on this level, a representation of things as they are.

    Fechas: 

    Domingo, Noviembre 11, 2018 (Todo el día)
    Sábado, Noviembre 17, 2018 (Todo el día)

    Local: 

    Arsenal - Institute for Film and Video Art - Berlin, Alemania

  • Los Angeles Filmforum: Two Nights of Films by Ute Aurand and Margaret Tait

    By on
    Half Moon for Margaret (Ute Aurand, 2004)

    Los Angeles Filmforum is pleased to present two nights of the work of Berlin-based filmmaker Ute Aurand with the artist in attendance. Stemming from the lyrical tradition of diary filmmaking and artisanal practices, her active and playful films emphasize the natural and social worlds through intimate forms of portraiture.  She gives distinct attention to the inner dialogues of thought and the tactile experiences of women.

    Fechas: 

    Jueves, Octubre 25, 2018 (Todo el día)
    Domingo, Octubre 28, 2018 (Todo el día)

    Local: 

    Echo Park Film Center - Los Angeles, Estados Unidos

  • Light Movement 29: Spring Portraits

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    First Weeks (Robert Beavers, 2014)

    The program Spring Portraits groups together filmmakers who at times deal loosely with the theme of portraits - either of people, places, atmospheres, and who mostly also have, in some way, a connection to the city of Berlin. Some are long established names, others are making their first film - what is important is that they share some sensibility - and a belief in films power as a medium to transcend mere representation whilst simultaneously capturing something of life's fleeting moments.

    *all films will be shown on film

    Fechas: 

    De Sábado, Abril 21, 2018 - 20:00 hasta Domingo, Abril 22, 2018 - 19:55

    Local: 

    SPEKTRUM - Berlin, Alemania

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