Film-Makers' Cooperative and the Stan VanDerBeek Archive present seven collage animation films by Stan VanDerBeek (1957-1965), preserved through the National Film Preservation Foundation Avant-Garde Masters Grant.
Fechas:
De Viernes, Octubre 23, 2020 (Todo el día) hasta Miércoles, Octubre 28, 2020 (Todo el día)
Si revisamos sus cien años de trayectoria, veremos que el cine experimental ha desafiado rigurosamente las convenciones cinematográficas. Para ir más allá de contar historias, los artistas y directores de cine han examinado las condiciones materiales de su medio, tales como la luz, el movimiento, el celuloide y, tras la llegada de la televisión y el vídeo, las señales electrónicas.
Fechas:
De Viernes, Septiembre 11, 2020 (Todo el día) hasta Domingo, Enero 31, 2021 (Todo el día)
Join us online for a special screening of frame based films from members of the Film-Maker's Cooperative. We will be showing the fabulous films of Emily Breer, Alice Cohen, Janie Geiser, Erin Hayes, Helen Hill, Faith and John Hubley, Emily and Georgia Hubley, Marie Losier, and Stan VanDerBeek.
Curated by Rachael Guma
Fechas:
De Viernes, Mayo 22, 2020 - 19:00 hasta Sábado, Mayo 23, 2020 - 18:55
Artists discovering animation in the mid-1960s and early 1970s did so in a culture of pop art, psychedelia and Marshall McLuhan’s media theory. They responded by creating overwhelming works of graphic collage, violent flickering colours and sensory overload. Exploded View begins with a look at several foundational works from animators whose explorations of radical form and content stood out in the 1960s, from established figures like Stan Vanderbeek and Disney animator Ward Kimball to lesser-known, underground artists such as Fred Mogubgub and Irene Duga.
Fechas:
De Viernes, Febrero 17, 2017 - 19:00 hasta Sábado, Febrero 18, 2017 - 20:55
Microscope Gallery is pleased to announce Dreamlands: Expanded, a series of expanded cinema events organized in collaboration with the Whitney Museum of American Art as part of the exhibition "Dreamlands: Immersive Cinema and Art, 1905-2016”. The ten event, two-and-a-half month long series complements and extends the scope of the exhibit, from the installation works on the museum’s fifth-floor and the film screening program in its third-floor theater, across the East River to include historical and contemporary performance works that collectively propose alternative ways to perceive, conceive, and consider the image in motion.
“The first book to consider video as an art form, was influential in establishing the field of media arts. In the book he argues that a new, expanded cinema is required for a new consciousness. He describes various types of filmmaking utilising new technology, including film special effects, computer art, video art, multi-media environments and holography.” (Wikipedia)
