Etiquetas: Michael Snow

Contenido etiquetado

OffOff Cinema: Spaces of Cinema. Festive Inauguration

By Marcos Ortega on Mar, 07/05/2019 - 11:13

The cinema is a magical place. In 1975, Roland Barthes mused aboutce noir du cinémaas simultaneously hypnotic and fixative, fascinating and liberating. Sometimes, experimental films seek out the slumber that is distinctive of cinema, then again, they oppose it, celebrate alienation, break through the fourth wall and appeal to the awake spectator, leaving behind familiar film forms, good taste and cultural patterns.
Fechas:
Viernes, Mayo 24, 2019 - 20:00
Local:
Kunsthal Gent - Gent, Bélgica
October Files: Michael Snow
Essential texts on the work of the influential artist Michael Snow: essays and interviews spanning more than four decades.
Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
The MIT Press
DIM Cinema: Automated Camera Motion

By Michele Smith on Sáb, 16/03/2019 - 08:19

Vancouver artist Judy Radul presents Michael Snow’s Standard Time (1967) and La région centrale (1971), along with a recorded discussion between her and Snow, as part of the launch of the new location of Catriona Jeffries Gallery. Its inaugural exhibition on Cordova Street is structured as an Unexplained Parade, with each gallery artist inviting a companion artist to exhibit work. Radul’s invitation was to Snow, who has worked for decades at the leading edge of experimental film and visual art.
Fechas:
Miércoles, Marzo 27, 2019 - 19:00
Local:
DIM Cinema - Vancouver, Canadá
Aula Xcèntric: Cineastas de vanguardia. Una aproximación a 10 autores esenciales

By Marcos Ortega on Vie, 28/09/2018 - 06:26

Este curso propone una aproximación al territorio relativamente desconocido pero enormemente estimulante e inspirador del llamado cine de vanguardia o experimental. Partiendo de la profundización en la obra de un conjunto de cineastas esenciales, representativos de diferentes corrientes dentro de este ámbito (cine lírico, estructural, documental, de animación, found footage, en primera persona, feminista...), el objetivo es exponer varias maneras de abordar la creación fílmica y confirmar un mapa de autores y obras a partir de sus afinidades y divergencias

Fechas:
Martes, Noviembre 6, 2018 - De 18:30 hasta 20:00
Martes, Noviembre 13, 2018 - De 18:30 hasta 20:00
Martes, Noviembre 20, 2018 - De 18:30 hasta 20:00
Martes, Noviembre 27, 2018 - De 18:30 hasta 20:00
Martes, Diciembre 4, 2018 - De 18:30 hasta 20:00
Martes, Diciembre 11, 2018 - De 18:30 hasta 20:00
Martes, Diciembre 18, 2018 - De 18:30 hasta 20:00
Local:
Centre de Cultura Contemporània de Barcelona - Barcelona, España
Xcèntric Cinema: Conversaciones sobre el proceso creativo y la visión fílmica
Xcèntric Cinema. Conversaciones sobre el proceso creativo y la visión fílmica, editado por Gonzalo de Lucas, nos acerca al taller del cineasta, al espacio personal en que reflexiona sobre sus métodos de trabajo e ideas estéticas. Una constelación de imágenes, experiencias, apuntes e ideas inspiradoras de grandes cineastas para desarrollar un cuaderno de proyectos creativos y ampliar nuestro campo imaginativo.
Valoración:

Promedio: 3 (2 votos)
Categoría:
Libros
Editor:
CCCB
Codes for North: Foundations of the Canadian Avant-Garde Film
Codes for North is a study of the early evolution of the Canadian avant-garde film and its roots in an aesthetic of difficulty. Stephen Broomer traces the evolution of this cinema through the work of three artists—Jack Chambers, Michael Snow and Joyce Wieland—from their early development as painters in the 1950s to the creation of their epic films: Reason Over Passion (1969), The Hart of London (1970), and La Region Centrale (1971). Their work formed in response to a strain of Neo-Dada that took root in southern Ontario in the late 1950s.
Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
Canadian Filmmakers Distribution Centre
Movement as Meaning in Experimental Cinema
Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference.
Valoración:

Promedio: 4.8 (6 votos)
Categoría:
Libros
Editor:
Bloomsbury
DIM Cinema: Eye on the Landscape

By Michele Smith on Vie, 21/07/2017 - 20:35

In Michael Snow’s tenth film, made in the twilight of the American lunar missions, the camera, attached to a robotic arm, casts its roving 360-degree eye across a remote, seemingly otherworldly mountaintop in northern Quebec. To a soundtrack based on the waves and pulses of the camera-activating machine, La Région centrale “transports its audience to a rugged Canadian landscape that is discovered at noon and then explored in seventeen episodes of dizzying motion as the machine’s shadow lengthens, night falls, and light returns” (Martha Langford, Art Canada Institute). Snow’s film is preceded by Daïchi Saïto’s kaleidoscopic exploration of the patterns and contrasts in the landscape of a Montreal park.

Fechas:
Miércoles, Julio 26, 2017 - 19:00
Local:
DIM Cinema - Vancouver, Canadá
DIM Cinema: Almost Empty Rooms

By Michele Smith on Mar, 20/06/2017 - 09:13

DIM Cinema presents a free screening pairing two canonical works of Canadian experimental film: Michael Snow’s single-take across a New York loft, perhaps “the most consequential zoom shot in the history of cinema” (Jonathan Rosenbaum, Monthly Film Bulletin), and Alberta-born, B.C.-based filmmaker Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication” (Bart Testa, Canadian Encyclopedia).

Fechas:
Miércoles, Junio 28, 2017 - 19:30
Local:
DIM Cinema - Vancouver, Canadá
On the Eve of the Future. Selected Writings on Film
The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years’ worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with
Valoración:

Promedio: 5 (3 votos)
Categoría:
Libros
Editor:
The MIT Press