Etiquetas: Jordan Belson

Jordan Belson

Jordan Belson (nacido en 1926, Chicago, Illinois) es un artista y cineasta estadounidense que ha realizado , a menudo con orientación espiritual, a lo largo de seis décadas.

Nacionalidad: 

Estados Unidos

Contenido etiquetado

  • Circle to Sphere: Origins of the Laser Light Show

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    As part of the series Science on Screen, on Friday, May 31 the Museum of the Moving Image will present a rare showcase of films connected to the origins of the popular laser light show that began at the Griffith Observatory in 1973. Spanning 1921 to 2015, this program presents films made with paint, kinetic sculpture, animation, and lasers by abstract film pioneers Jordan Belson, Walter Ruttmann, Thomas Wilfred, and light show pioneers Ivan Dryer and Joshua White.

    Fechas: 

    Viernes, Mayo 31, 2019 - 20:00

    Local: 

    Museum of the Moving Image - Nueva York, Estados Unidos

  • Lessons in Perception. The Avant-Garde Filmmaker as Practical Psychologist

    Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson.

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  • Visual Music 1947-1986 from the CVM Archive

    Visual Music from the CVM Archive, 1947-1986

    Thirteen rare films featuring pre-computer abstraction, using a variety of techniques including early oscilloscope experiments, color organs, hand-drawn sound, animation drawn directly on film, painted scrolls, and optical printing. Films from the archive of Center for Visual Music.

    Valoración: 

    Promedio: 5 (3 votos)

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  • Xcèntric: Construcciones espirituales

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    Samadhi (Jordan Belson, 1967)

    Un programa de proyecciones en paralelo a la exposición “La máquina de pensar. Ramon Llull y el «ars combinatoria»”

    Antes de que los artistas trabajasen con ordenadores, una serie de pintores de vanguardia, como Oskar Fischinger, Harry Smith y Jordan Belson, crearon un cine no narrativo que tenía en cuenta la geometría, las posibilidades de combinaciones matemáticas y también la espiritualidad. Tras estos visionarios, otros artistas como John Whitney abrazaron el nuevo medio de la imagen sintética para seguir indagando en la animación abstracta. Muchos otros autores y autoras han seguido su estela hasta nuestros días.

    Fechas: 

    Domingo, Diciembre 4, 2016 - 18:30

    Local: 

    Centre de Cultura Contemporània de Barcelona - Barcelona, España

  • Expanded Cinema

    Youngblood G.  1970.  Expanded Cinema. :432pp.

    “The first book to consider video as an art form, was influential in establishing the field of media arts. In the book he argues that a new, expanded cinema is required for a new consciousness. He describes various types of filmmaking utilising new technology, including film special effects, computer art, video art, multi-media environments and holography.” (Wikipedia)

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Etiquetas relacionadas

John Whitney John Whitney Jr. Stan VanDerBeek James Whitney Will Hindle John McHale videotronic Buckminster Fuller John Stehura Scott Bartlett Paul Morrissey James Seawright Philip Makanna John Schofill Center for Visual Music Otto Piene Ronald Nameth John Cage Harry Smith Nam June Paik Robert Breer Gregory J. Markopoulos Michael Snow Stan Brakhage Sidney Peterson Oskar Fischinger visual music Maya Deren Kenneth Anger Pat O'Neill expanded cinema Bruce Conner Carolee Schneemann Bruce Baillie Ken Jacobs Jonas Mekas

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Xcèntric Albert Alcoz Laida Lertxundi Jonas Mekas festival DVD Phil Solomon screening call for entries interview Kenneth Anger Mark Webber Pablo Mazzolo experimental film videoart Robert Beavers Filmadrid Stan Brakhage Cineinfinito CCCB Crater Lab releases Nathaniel Dorsky (S8) Mostra de Cine Periférico performance
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