Nueva sesión del programa mensual comisariado por Pablo Marín, dedicada en esta oportunidad a la obra única, desbordante, estimulante y sin concesiones de Teo Hernández, artista mexicano radicado en Francia y fallecido a la temprana edad de 52 años a causa de sida. Cielos, estatuas, comidas, amantes, cuerpos, bailes: nunca la vida (es decir la luz y el tiempo) ha sido filmada con semejante entrega. Se verán dos de sus películas en su formato original de Super 8mm.
Danielle Siembieda employs emerging technologies as a new media artist to explore the sublime entanglement of humankind, nature, and technology, as revealed specifically by the climate crisis and recent radical innovations in science. Her work is a form of cyborg-eco-feminist, science-fiction, rooted in real discoveries, that works to articulate new hybrid forms of living and being at these liminal borders.
Fechas:
De Sábado, Mayo 11, 2024 - 18:00 hasta Sábado, Julio 13, 2024 - 15:00
Theme: (Re) Cover StoryDaily front pages across platforms circulate crisis, desperation and disasters, fueling division and despair. Our focus fragmented, analysis paralyzed, we struggle to discern urgent news from narratives designed to mask them. War, post-pandemic economic doom, scarcity, conflicts, inflation, deficit, unregulated AI, climate apocalypse, displacement and new wars broadcast a hopeless reading of our times.
Established in the 2000s and has held The South Award—Chinese Films Competition since its 3rd edition, The South Taiwan Film Festival (STFF) and the Competition aim at encouraging filmmakers, regardless of their gender, race or nationality, who are dedicated to issues concerning the Chinese community, as well as offering the audience film works that embody multi-perspective, radical, avant-garde and innovative spirits.
Hasta el día 31 de marzo está abierta la convocatoria para participar en la undécima edición del máster.lav. Para aplicar los interesadxs deben enviar a [email protected] un CV, carta de motivación y portfolio. Toda la info está en la web.
