Eventos

  • The Dream that Kicks: Film Doubled Forever Changes

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    Projectors invade the auditorium to reveal seven amazing double screen works – three seminal classics and four from the British new analogue wave. Interaction, juxtaposition, synchronization and repetition drive these films. The action here is not just happening on the filmstrips – it also belongs in the moment of projecting.

    Fechas: 

    De Domingo, Abril 19, 2015 - 20:00 hasta Lunes, Abril 20, 2015 - 19:55

    Local: 

  • Cinema Anèmic #04: Klara Ravat

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    presenta... "Experimentos perceptivos"

    Proyección de una selección de experimentos fílmicos en celuloide que investigan lo visual y lo olfativo a través de procedimientos insólitos. Secuencias impresas en adhesivos –debidamente colocados sobre película transparente– crean un cine impresionista, de trasfondo feminista. En la performance Petrichor la tierra, las hojas, las plantas y las flores conforman un paisaje armonioso de vegetación aromática cuyo olor refresca e inspira.

    Fechas: 

    Viernes, Abril 17, 2015 - 20:30

    Local: 

    Espai ST3 - Barcelona, España
  • Chris Lynn: Framing Sounds

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    A sonic journey through Super 8mm and digital landscapes with Washington D.C. based filmmaker and composer Chris Lynn

    Chris H. Lynn is a moving image maker, sound artist, educator, and curator. His digital images and Super 8 films capture the subtle rhythms of movement, light, and sound in urban and rural landscapes. (many of these landscapes include China, where he has filmed extensively since 2008). His work has been screened and exhibited in a variety of venues around the globe and has recently been featured in the book Cinema and the AudioVisual Imagination published by I.B Tauris. 

    Fechas: 

    De Sábado, Abril 18, 2015 - 19:00 hasta Domingo, Abril 19, 2015 - 19:55

    Local: 

    Visual Studies Workshop - Rochester, Estados Unidos
  • A sheep without a shepherd: The Films of Victor Faccinto

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    Traditional 2-D cut-out animation shot on 16mm film presented on HDV and 16mm film. Victor Faccinto in person.

    This special program will present a selection of Victor Faccinto’s film works made between 1972-2010. The influence of underground comics in the 60’s and the television in the 50’s, help to shape his innocent yet horrifying stories. His delicate animation skills make his unforgettable characters adorable, comic and vicious. Faccinto is not afraid of connecting his reality, imagination, and our reality together to remind us of the rawness in the countless desires of humans. He remains playful, using his own character ‘Video Vic’ to say, “You see? It’s all just simple.”

    Fechas: 

    De Domingo, Abril 19, 2015 - 19:00 hasta Lunes, Abril 20, 2015 - 18:55

    Local: 

    Spectacle Theater - Nueva York, Estados Unidos
  • Light Movement 4: Jonathan Schwartz - a cadence of vanishing

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    We are very happy to welcome Jonathan Schwartz in person to present works on 16mm film. Often based on the prinicples of field recordings, travels, collage, and sound/image amplifications his films write a unique language of their own.

    "Schwartz’s films are windows that show the artist in the process of being expressed, looking for a balance between contentment and fear. He himself jumps steadily, as far as he can get each time. Either in his own or foreign territory, Schwartz is not a hunter, but a whisperer. There is a sense of awareness and appreciation in all of his work, of looking, breathing, and grasping without suffocating. With the organic quality of 16mm film, Schwartz crafts a world of faces, textures, and places that invoke and evoke language without unnecessary adjectives." (Mónica Savirón)

    Fechas: 

    De Jueves, Abril 16, 2015 - 20:00 hasta Viernes, Abril 17, 2015 - 19:55

    Local: 

    Atelierhaus - Berlin, Alemania
  • Museum of Club Culture: Kerry Baldry

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    The Museum of Club Culture is pleased to present An installation of film and video work by artist Kerry Baldry. Kerry Baldry comes from both a Fine Art and a film and video background. Within the first year of leaving art college she was selected to make a film for BBC2s One Minute Television which was broadcast on BBC2s The Late Show. (a joint collaboration between BBC2 and The Arts Council, also screened at the ICA and then became part of a touring programme)

    Fechas: 

    De Sábado, Abril 25, 2015 - 12:00 hasta Domingo, Abril 26, 2015 - 15:55
    De Domingo, Abril 26, 2015 - 12:00 hasta Lunes, Abril 27, 2015 - 15:55
    De Sábado, Mayo 2, 2015 - 12:00 hasta Domingo, Mayo 3, 2015 - 15:55
    De Domingo, Mayo 3, 2015 - 12:00 hasta Lunes, Mayo 4, 2015 - 15:55
    De Sábado, Mayo 9, 2015 - 12:00 hasta Domingo, Mayo 10, 2015 - 15:55
    De Domingo, Mayo 10, 2015 - 12:00 hasta Lunes, Mayo 11, 2015 - 15:55

    Local: 

    The Museum of Club Culture - Hull, Reino Unido
  • Ben Russell: The Garden of Earthly Delights

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    Programme:

    Introductions and Q&A featuring filmmaker Ben Russell in person.

    - Let us persevere in what we have resolved before we forget (2013, 20 min., Super-16mm on video)
    “We are happy. (Silence.) What do we do now, now that we are happy?” – Samuel Beckett, “Waiting for Godot”
    “John Frum prophesied the occurrence of a cataclysm in which Tanna would become flat, the volcanic mountains would fall and fill the river-beds to form fertile plains, and Tanna would be joined to the neighbouring islands of Eromanga and Aneityum to form a new island. Then John Frum would reveal himself, bringing in a reign of bliss, the natives would get back their youth and there would be no sickness; there would be no need to care for gardens, trees or pigs. The Whites would go; John Frum would set up schools to replace mission schools, and would pay chiefs and teachers.” – Peter Worsley, “The Trumpet Shall Sound: a study of cargo cults in Melanesia”

    Fechas: 

    De Jueves, Abril 16, 2015 - 20:00 hasta Viernes, Abril 17, 2015 - 19:55

    Local: 

    Hubbell Auditorium - Rochester, Estados Unidos
  • Photography? An Enigma

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    The ability of photography to make visible the imperceptible has fascinated and nourished a collective unconscious inclined to assign her with a set of supernatural attributes. Taking up the foundations of an ontology based on ageless beliefs to images and their conversation with the invisible powers, cinema has drawn from the register of spirit photography the elements of a formal grammar in which the phenomenon of appearance and disappearance on the screen are the markers of its magical nature. Like Georges Méliès in the role of a photographer making a portrait of a young woman by only using his psychic powers (The Spiritualistic Photographer, 1903), the American artist Rebecca Baron (based in Los Angeles) offers with Détour de Force (2014) an disturbing portrait of Ted Serios, an atypical figure in American popular culture of the 1960s who was able to expose the surfaces of Polaroid film by his thought. If Méliès has exalted through its optical traps the magical aspect of the photographic image, Rebecca Baron explores the mainstream media coverage of Ted Serios and his mental pictures (thoughtography) in which both became the subjects a morbid attraction where the use of imagination is denied. The demystification of photography denounced by Détour de Force seems to find in an industrial film produced by the American Chemical Society his negative reflection.

    Fechas: 

    De Miércoles, Abril 15, 2015 - 19:00 hasta Jueves, Abril 16, 2015 - 18:55

    Local: 

    Centre Pompidou - Paris, Francia
  • Espace Croisé: Stuart Pound

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    Stuart Pound's films are the subject of a first solo exhibition at Espace Croisé. His recent works are made from DVD images appropriations of well-known Hollywood films found in charity shops in London. The three videos Chase (2012), Shooting and Run Loops (2013), designed from science fiction movies or action movies with Arnold Schwarzenegger turn vertical what was initially horizontal. They compile image strips and intensify their pace by creating a new visual score close to abstraction. The soundtrack is split with the moving image and creates an intense reverb effect.

    Fechas: 

    De Jueves, Marzo 19, 2015 (Todo el día) hasta Sábado, Julio 11, 2015 (Todo el día)

    Local: 

    Espace Croisé - Roubaix, Francia
  • Photography? A Story

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    Emblematic film of the modernity in the cinema history, La Jetée (1963) by Chris Marker has influenced the unconscious of a cinephilia by its revolutionary structure borrowed from the photomontage. Created from still images on which the comment of an off-camera narrator adds its own story, the film draws the outline of a utopian space in which the temporalities of photography and narrative are intermingled through the phenomenon of cinema projection. In his search of childhood buried memories, the Brazilian artist Pablo Pijnappel (born in Paris in 1979) revives in his work Fontenay-aux-Roses (2010) the founding principles of an experience based on memory and poetry that was inaugurated by Chris Marker. By borrowing a selection of 80 still images made in Paris by other, Fontenay-aux-Roses deploys the intriguing beauty of a chronicle nourished by the nostalgia of memories and the desire of a fiction without beginning or end. On the projected images that appear successively on the screen by following the predetermined order by the carousel of a slide projector, the voice of a narrator physically present in the movie theater, delivers one after the other the pieces of a puzzle that each viewer is led to reconstruct.

    Fechas: 

    De Miércoles, Abril 8, 2015 - 19:00 hasta Jueves, Abril 9, 2015 - 18:55

    Local: 

    Centre Pompidou - Paris, Francia

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