Christopher Harris is an experimental filmmaker whose work both utilizes and subverts the grammars of documentary and narrative cinema, in pointed explorations of African American historiography and black aesthetics.

Emily Richardson’s films explore sites, landscapes, and particular environments in transition to reveal the way that activity, movement and light - often as memory and absence - is inscribed in place.

For this special screening at La lumière collective, Wheeler Winston Dixon will be presenting a selection of his films from 1970 to the present, concentrating on his more recent work in HD video. The filmmaker will be present to discuss his films with Clint Enns, who will introduce with filmmaker, and conduct a Q&A session after the screening.

Pioneering Austrian experimental filmmaker Kurt Kren (b. Vienna, 1929; d. Vienna 1998) is an elusive yet persistent figure in twentieth-century histories of both performance- and film-based experimentation. His practice was idiosyncratic to say the least, staked in experimentation across media communication platforms in film and the visual arts no matter where that took him—from cooperative theaters, midnight screenings at commercial theaters, fringe film festivals in abandoned subway stations, and punk shows in warehouses; to art schools, artist studios, galleries and international art and film festivals, across nations and continents.