Iris Film Collective (in collaboration with Cineworks) are pleased to present FRENKEL DEFECTS, a traveling screening series of contemporary experimental 16mm films presented by Kevin Rice (in person) from the Colorado-based Process Reversal. This series aims to explore what it means to work in—and exhibit on—photochemical film today by examining works from artists operating specifically in this practice. Often, this involves getting their hands dirty at every stage of the process: from optical effects to photo-processing, editing and contact printing, optical sound recording, and even the creation of the photosensitive emulsion itself. As a result (and as suggested by the series' title), creative aberrations make their way into the standard photochemical process, giving birth to a new, textural aesthetic that plays out on the surface of the filmstrip. More than ever before, film reminds us of its physicality, giving a new sense to Andrei Tarkovsky’s idea of “sculpting in time.”

Museo de Arte Moderno Buenos Aires and Media City Film Festival / Underground Mines present: Hues of the Spectrum Rise from View, with works by Joyce Wieland, Daïchi Saïto, Alexandre Larose, Chris Kennedy and others. Introduction by Oona Mosna and dialogue with Malena Szlam and Andrés Denegri, in-person. Curated by Oona Mosna.

Presented in partnership with the Canadian Filmmakers Distribution Centre, Toronto.