Screenings

  • VISIONS : 12.06.2022 : KERA MACKENZIE & ANDREW MAUSERT-MOONEY

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    VISIONS, RIDM and La lumière collective present the international premiere of MAKE A DISTINCTION by Kera MacKenzie and Andrew Mausert-Mooney.
    [Filmmakers present | En présence des cinéastes | 62mins (digital media)]
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    PROGRAMME :
    MAKE A DISTINCTION
    2021 | 16mm to DV | colour | sound | 62 mins | in English | International premiere

    Dates: 

    Sunday, June 12, 2022 - 19:00

    Venue: 

    la lumière collective - Montréal, Canadá
  • Experimental Film Society Presents: Blissed

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    On Saturday, June 4, The Experimental Film Society (EFS) presents the world premiere of BLISSED by Maximilian Le Cain.

    Dates: 

    Saturday, June 4, 2022 - 19:00

    Venue: 

    Wolf Kino - Berlin, Germany
  • Docs Ireland Fringe Festival: 2 Films By Larry Gottheim: Mnemosyne, Mother of Muses & Tree of Knowlege

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    One of the fundamental figures of American avant garde cinema, Larry Gottheim has composed a diverse body of work over the span of nearly 50 years. His films stretch the boundaries of cinema as a vessel for deeply personal and philosophical expression and explore the rich blurred zone between the life of the mind and the material world. With these films, which were sewn together in the 1980s from a mixture of freshly filmed and found elements, Gottheim has crafted two utterly unique and poetic meditations on memory, paranoia, nature, and music.

    Dates: 

    Saturday, June 25, 2022 - 13:30

    Venue: 

    Beanbag Cinema - Belfast, United Kingdom
  • What We Shared: Film Screening + Q&A

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    The collapse of the Soviet Union and the gaining of independence by its former republics were accompanied by a number of territorial disputes, military conflicts and collective traumas. 30 years later, the historical reality of these events has only become more complex. How can one talk about them today?

    Dates: 

    Thursday, June 16, 2022 - 19:00

    Venue: 

    Pushkin House - London , United Kingdom
  • Los Angeles Filmforum presents Juan Sebastián Bollaín: A Most Wanted Idea of Utopia, Program 1 & 2 and Live Virtual Q&A

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    Self-taught filmmaker and architect, Juan Sebastián Bollaín has been making films since the 1960s, mixing his two study disciplines along the years in a series of films that reinvent the urbanism of the most traditional and religious city in Spain: Sevilla, Andalusia, the heart of the Spanish clichés, Holy Week and flamenco. At the end of the 1970s, using super 8 and various tricks and montage strategies, he made a series of imaginative visions of the city, delirious utopias full of humor, surrealist and poignant images, and lucid ideas that shake the core of the conceptions about the city.

    Dates: 

    Saturday, June 4, 2022 (All day) to Sunday, June 19, 2022 (All day)
  • Back to Earth: Afrofuturist Short Films

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    The works in this program see Earth’s future through an African lens. The disembodied voice in Relic 0 delivers the prologue: an account of postcolonial traumas that seeps into the soil around colonialism’s ruins, ushering in a relic traveller from the future. Afronauts unearths a story whose truth is stranger than fiction: NASA is readying Apollo 11 for launch, unaware that thousands of miles away Zambia has entered the space race, vying to beat both the United States and the Soviet Union to the moon—with a teenage girl at the helm.

    Dates: 

    Wednesday, June 8, 2022 - 19:00

    Venue: 

    DIM Cinema - Vancouver, Canada
  • Anthony McCall: Light Describing a Cone

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    Microscope is very pleased to present Anthony McCall’s groundbreaking piece “Light Describing a Cone” (1973) as part of its series of imageless film performances and other works in connection and collaboration with the current series “Imageless Films” at Anthology Film Archives.

    Dates: 

    Friday, June 3, 2022 - 19:30

    Venue: 

    Microscope Gallery - New York, Estados Unidos
  • attaque(e)r le visible - corporal interventions: Margaret Raspé

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    Taking a cup in your hand, emptying it, holding it under water scrubbing, rinsing, putting it on the draining board, over and over again – all actions that usually happen unconsciously and automatically. Who has ever actually dedicated time to thinking about the task of washing up? Margaret Raspé is fascinated by day-to-day tasks, and devotes most of her films to them. The special aspect about her work is the camera perspective, which is provided by her “camera helmet”. Positioned on her head, the camera follows her movements and, in doing so, records the act of washing up.

     

    Dates: 

    Wednesday, June 8, 2022 - 19:30

    Venue: 

  • Dana Duff: Short Films and Digital Works

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    Dana Berman Duff has long been a vital force in Los Angeles’ media arts. Astonishing in her versatility, Duff moves fluidly between Super-8mm and 16mm film, video, multi-channel installation, photography, drawing and sculpture. Regardless of the medium, Duff’s work is infused with her subtle wit, tactile delight and deeply reflective conceptual structure. Tonight’s program includes selections from the Catalogue Series, in which fantasy tableaux and objects from the pages of a designer furniture knock-off catalogue are reworked into contemplations on the control and selling of desire. Duff’s art is in collections of The Museum of Modern Art and New Museum of Contemporary Art, and her films have shown in the Toronto, Rotterdam, Edinburgh and other international film festivals.

    Dates: 

    Monday, June 6, 2022 - 20:30

    Venue: 

    REDCAT - Los Angeles, United States
  • Gibson + Recoder: Atmos

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    Microscope continues its series of imageless film performances and other works in connection and collaboration with the current series “Imageless Films” at Anthology Film Archives with “Atmos,” a film-less expanded cinema installation by Gibson + Recoder from 2006. The audience may enter and exit at anytime.

    Artists in attendance

    Dates: 

    Tuesday, May 31, 2022 - 18:00 to 21:00

    Venue: 

    Microscope Gallery - New York, Estados Unidos

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