Microscope is very pleased to present an evening of moving image works by Korea-born, New York-based artist Hey-Yeun Jang. The program includes films, videos and 35mm slide works spanning more than 20 years, from the artist’s 1995 Super VHS video “self-denial”, made in grad school, to her 2016 “flickering” a dual 35mm slide projection piece reworking earlier Super 8mm footage of her own eye, as well as a new work-in-progress on 16mm film.

VISIONS : 15.02.19 : Nazlı Dinçel
In collaboration with La lumière collective, VISIONS presents : Nazlı Dinçel | Feelings are Facts
[Filmmaker present | En présence de la cinéaste | Projection 16mm + HD]
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15.02.19
FEELINGS ARE FACTS
[Oeuvres réalisées par | Works by Nazlı Dinçel]

Her Silent Seaming
​2014 | sound | colour | 16mm | 11 mins

Sharing Orgasm

The videos in this program sample movies or use sci-fi tropes to present alternate histories that address issues around rights, identities, displacement, and conflict. In A Space Exodus, Larissa Sansour (Denmark’s representative at the next Venice Biennale) becomes the first Palestinian on the moon, trying from space to re-establish communication with Jerusalem. Nation Estate, her Swiftian response to Middle East deadlock, offers a vertical solution to Palestinian statehood.