Etiquetas: Joseph Cornell

Contenido etiquetado

Found Footage Magazine issue #6

By Marcos Ortega on Mar, 03/03/2020 - 17:06
SPECIAL ON RAPHAEL MONTAÑEZ ORTIZ: An Archaeology of the Artist as Filmmaker, by Chon A. Noriega
Categoría:
Lanzamientos
(S8) Mostra de Cine Periférico 2017

By Marcos Ortega on Lun, 22/05/2017 - 10:06

El (S8) Mostra Internacional de Cinema Periférico regresará a A Coruña del 31 de mayo al 4 de junio para celebrar un aniversario especial -‐su 8ª edición-‐ con una ambiciosa programación. La nueva edición, bajo el título de Objetos y apariciones, estrá inspirada por el found footage o “metraje encontrado” bajo la figura del artista origen de dicho proceso cinematográfico, Joseph Cornell. El legado del creador multidisciplinar y surrealista norteamericano ha guiado la elaboración del cartel oficial, donde, imitando una suerte de caja de Cornell, se recoge el espíritu de la apropiación para reflejar toda su filosofía. Junto a él, el (S8) presentará los trabajos de dos de los representantes más destacados del found footage en la actualidad: Cécile Fontaine y Luther Price. Además, el programa Found Sounds, comisariado por Mónica Savirón, girará en torno a la obra de la holandesa Barbara Meter.

Fechas:
De Miércoles, Mayo 31, 2017 (Todo el día) hasta Domingo, Junio 4, 2017 (Todo el día)
Troubling the Image: Re-Framings - Stitched & Collaged

By Marcos Ortega on Vie, 03/03/2017 - 02:27

The five-program series "Troubling the Image: New + Restored Experimental Cinema" features an eclectic and wide-ranging group of works that celebrate the vibrancy of experimental and almost-experimental cinema from near and far, now and then.
Fechas:
De Viernes, Marzo 10, 2017 - 19:00 hasta Sábado, Marzo 11, 2017 - 18:55
Local:
Logan Center for the Arts - Chicago, Estados Unidos
On the Eve of the Future. Selected Writings on Film
The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years’ worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with
Valoración:

Promedio: 5 (6 votos)
Categoría:
Libros
Editor:
The MIT Press
Troubling the Image: Color My World

By Marcos Ortega on Lun, 09/01/2017 - 05:50

The five-program series "Troubling the Image: New + Restored Experimental Cinema" features an eclectic and wide-ranging group of works that celebrate the vibrancy of experimental and almost-experimental cinema from near and far, now and then.

Focused on art, design, and photography, with the use of color as a unifying element, this program includes a striking selection of abstract and representational works. Joseph Cornell’s celebrated found-footage film Rose Hobart (1936) serves as a center around which circulates David Rimmer’s eye-popping Variations on a Cellophane Wrapper (1970), T. Marie’s gorgeous minimalist video series Panchromes I, II, III (2014), Janie Geiser’s photo-collaged Flowers of the Sky (2016), William E. Jones’ appropriated images of labor and workers on foreign currency in Model Workers (2014), and Amit Dutta’s riff on the work of 18th century Indian miniature painter Nainsukh. Onscreen pre-show is Barry Doupé’s Lite-Brite-like video loop Dots (2016).

Fechas:
De Viernes, Enero 13, 2017 - 19:00 hasta Sábado, Enero 14, 2017 - 18:55
Local:
Logan Center for the Arts - Chicago, Estados Unidos
The Avant-garde Film: A Reader of Theory and Criticism

Sitney P.A, Eisenstein S, Richter H, Epstein J, Dulac G, Artaud A, Cornell J, Deren M, Peterson S, Broughton J et al.. 1978. The Avant-garde Film: A Reader of Theory and Criticism. Anthology film archives. :295pp.
Contents:
Österreichisches Filmmuseum: Joseph Cornell

By Marcos Ortega on Mar, 10/11/2015 - 04:15

Utopia Parkway: It is from this fittingly poetic-sounding address in Queens, NY, that the art of Joseph Cornell (1903-1972) emerged. Although he scarcely left New York during his lifetime, Cornell's work was strongly influenced by his interest in the old continent, astronomy and eras long past. Cornell was intrigued with all things distant; but instead of starting to travel he created his own cosmos: "This is a man who would look at the stars and dream about the mechanics of the universe." (Walter Hopps)

Fechas:
Miércoles, Noviembre 11, 2015 - 20:30
Jueves, Noviembre 12, 2015 - 20:30
Local:
Austrian Film Museum - Vienna, Austria
Joseph Cornell: White Magic Filmmaker

By Marcos Ortega on Vie, 07/08/2015 - 10:22

Joseph Cornell was a cinephile, film collector, filmmaker and pioneering American assemblage artist. He called his work ‘white magic’ to distinguish it from the darker arts of the surrealists with whom he had a dialogue. From the late 30s onward he reworked Hollywood movies, travelogues and education films to create touching, sophisticated edits and juxtapositions. The first programme includes Rose Hobart which Dali accused Cornell of stealing from his dreams, and the newly rediscovered The Wool Collage. The second programme shows collaborations with other experimental filmmakers such as Stan Brakhage and Larry Jordan. Gnir Rednow and other titles here draw on material shot by Cornell’s collaborators which he then edited and reworked according to his particular aesthetic.

Fechas:
De Jueves, Septiembre 3, 2015 - 18:00 hasta Viernes, Septiembre 4, 2015 - 17:55
Local:
BFI Southbank - London, Reino Unido
Masterworks of American Avant-Garde Experimental Film 1920-1970
Flicker Alley and the Blackhawk Films® Collection, in collaboration with Filmmakers Showcase, are proud to present Masterworks of American Avant-garde Experimental Film 1920-1970 in a 4-disc Blu-ray/DVD Combo Edition. This breathtaking collection includes 30 films, restored to pristine high-definition, from some of the foremost experimental filmmakers of the 20th century.

Commencing in 1920 with Charles Sheeler and Paul Strand’s creative collaboration on Manhatta, successive generations of experimental filmmakers and artists have worked in collaboration or alone to create a cinema capable of expressing dynamic unspoken concepts in totally abstract visual terms.

Valoración:

Promedio: 4 (6 votos)
Categoría:
Blu-Ray
Editor:
Flicker Alley
The Cinema of Poetry
Informed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan, Jerome Hiler, Gregory Markopoulos, and others found rich, unexpected sources of inspiration in a diverse group of poets that includes Stéphane Mallarmé, Emily Dickinson, H.D., Ezra Pound, Robert Duncan, John Ashbery, and Aeschylus. Written with verve and panache, it represents the culmination of P. Adams Sitney's career-long fascination with the intersection of poetry, film, and the avant-garde.

Valoración:

Promedio: 5 (1 voto)
Categoría:
Libros
Editor:
Oxford University Press

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