Screenings

  • Cinema Anèmic #01: David Domingo

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    Presents ... "A terrible day that ended fatally"

    Projecting a splendid selection of films made by this film maker specialized in shooting on analog film in super 8 and 16mm. Psychedelic representations of everyday scenes, animations figurative elements reminiscent Pop and evocative portraits of queer influence are some of the constants of a particular brilliantly attractive world.

    Dates: 

    Friday, January 23, 2015 - 20:30

    Venue: 

    Espai ST3 - Barcelona, Spain
  • Robert Nelson: On a thread

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    Following the tradition of the west coast American independent filmmakers, Robert Nelson (1930-2012) has created a unique cinema profoundly marked by a corrosive humour and a subtle sense of self-mockery. Directed with his friend, the painter William Wiley, The Great Blondino (1967) pays an astonishing homage to the French tightrope walker Charles Blondin (XIX century) famous for having crossed the Niagara Falls on a wire. At the crossroads of European surrealism and popular American culture, the film of Robert Nelson is an invitation to a reverie with a tint of tragic absurdity. This portrayal of an uncertain universe - on the edge of consciousness and unconsciousness – is sharing with the enigmatic collage film by the American filmmaker Larry Jordan, Hamfat Asar (1965) a powerful poetry loaded with desires and death impulses.

    Screening introduced by Jonathan Pouthier (Centre Pompidou)

    Dates: 

    Wednesday, January 28, 2015 - 19:00 to Thursday, January 29, 2015 - 18:55

    Venue: 

    Centre Pompidou - Paris, Francia
  • Gunvor Nelson: Hidden Worlds

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    Born in Sweden, Gunvor Nelson (1931-) began her artistic career as a filmmaker in the mid-60s in San Francisco (USA). Major figure of the American West coast experimental film community, she has created an extraordinary filmic oeuvre, in which we can admire both the strangeness of her characters (Fog Pumas, 1967) and the poetic nature of her imaginary worlds (My Name is Oona, 1969) and the strength of her feminist commitments (Schmeerguntz, 1966). Since the 90s, Gunvor Nelson has lived and worked in Sweden where she continues through films, videos, paintings or installations, her exploration of the Swedish landscape and identity (Light Years, 1987).

    Screening introduced by Julie Savelli (from Paul Valery University - Montpellier III)

    Dates: 

    Wednesday, January 21, 2015 - 19:00 to Thursday, January 22, 2015 - 18:55

    Venue: 

    Centre Pompidou - Paris, Francia
  • Light Movement 1: Margaret Rorison, Lucy Parker, Lara Schröder

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    The opening screening of Light Movement will feature three contemporary filmmakers, Margaret Rorison, Lucy Parker and Lara Schröder, and will be kindly hosted at Another Vacant Space, Berlin Wedding.

    Margaret Rorison

    Margaret Rorison is a curator and filmmaker from Baltimore, Maryland. She works with language, sound and imagery to create installations, films and live 16mm projections. Her work is an impressionistic exploration into the visceral nature of memory and experience.

    Dates: 

    Thursday, January 15, 2015 - 20:30

    Venue: 

    Another Vacant Space - Berlin, Germany
  • Xcèntric: Filmed therapies - Anne Charlotte Robertson

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    The films of Anne Charlotte Robertson (1949-2012), mostly filmed in super-8, document the effects of her bipolar disorder, nervous breakdowns and internment in psychiatric centres. As she films her feelings and experiences with an intimate, direct, raw approach that is not without humour, the different layers of sound—particularly the filmmaker’s voice—generate an emotive, introspective and essayistic reflection on her life, narrated in Five Years Diary (1981-1997). After seeing her films, Jonas Mekas wrote her a letter: “I was so overwhelmed with what I saw. I don’t think it’s me who is a film diarist: it’s you! It’s you! I was very very moved and I couldn’t sleep thinking about it.” The session is complemented by a film by Carole Schneemann, one of her great influences, and the final ode that Saul Levine, her tutor at the Massachusetts College of Arts, made after her funeral.

    Dates: 

    Sunday, January 11, 2015 - 18:30

    Venue: 

  • A tribute to Maria Klonaris

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    Maria Klonaris, who sadly passed away a year ago, has left an oeuvre defined by the strength of her artistic and feminist commitments. Together with Katerina Thomadaki, they have been subverting gender and exploring the bodily identity through their films, performances, installations and multimedia works. The two films presented in this tribute to the artist, Pulsar (2001) and Selva. A Portrait of Parvaneh Navai (1981-83), illustrate the singularity of Klonaris' and Thomadaki's cinéma corporel (cinema of the body) which has left a strong mark on the experimental scene in Paris.

    Dates: 

    Wednesday, January 14, 2015 - 19:00 to Thursday, January 15, 2015 - 18:55

    Venue: 

    Centre Pompidou - Paris, Francia
  • Room 10 Rants: Daniella Dooling & Les LeVeque

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    Microscope is very pleased to welcome artists Daniella Dooling and Les LeVeque for the NYC premiere of their 2014 collaborative performance Room 10 Rants. In the piece, Dooling reads from her teenage drug diaries while Les LeVeque accompanies on an analogue video/audio synthesizer generating a psychedelic mix of body, words, colors and sounds.

    At 14 years old, Daniella Dooling attempted to meticulously document her thoughts while experimenting with large doses of hallucinogenic drugs (primarily LSD). These drug diaries articulate her multiple transitions through stages of consciousness that reflect the anxieties, ecstasies and worldly revelations of a very stoned adolescent in 1981. Room 10 Rants is an exuberant, personal, often funny and hallucinatory 50-minute reenactment.

    Dates: 

    Friday, December 19, 2014 - 19:30

    Venue: 

    Microscope Gallery - New York, Estados Unidos
  • Lux Salon: I burn the way money burns

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    In her poem The Breast Anne Sexton ends with the line, “I burn the way money burns,” suggesting the complex and contradictory nature of female desire and its structurally dictated dual role—as lover but also care-giver and mother. These five films selected from LUX and Cinenova collections (1978-1994) not only confront this dual nature of women’s work. Through formal experimentation of both sound and image tracks, they also envision what Susan Stein describes in She Said as the “geometry of creeping lines” that inscribe the social relation of reproduction onto space itself.

    Dates: 

    Wednesday, December 17, 2014 - 19:00 to Thursday, December 18, 2014 - 18:55

    Venue: 

    LUX - London, United Kingdom
  • The 52nd Ann Arbor Film Festival 16mm Tour

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    The Ann Arbor Film Festival is a pioneer of the traveling film festival concept, having launched an annual tour program in 1964. The AAFF selects films from the past years festival to screen in art house theaters, museums, universities, cinematheques and media art centers. All filmmakers participating on the tour are paid to screen their work, providing direct support to these independent artists. 

    Dates: 

    Sunday, December 14, 2014 - 19:00 to Monday, December 15, 2014 - 18:55

    Venue: 

    The Crown - Baltimore, United States
  • Space Material, Immaterial Place: Films by Jeremy Moss

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    Filmmaker Jeremy Moss, whose work has screened around the globe from the Crossroads Film Festival in San Francisco to the Arkipel International Documentary and Experimental Film Festival in Indonesia, brings a 60-minute program of recent moving image work. In the summer of 2011, Moss began expanding beyond his narrative training to fully explore lyrical and structural tendencies, creating the Super8 surrealist documentary Those Inescapable Slivers Of Celluloid, the abstract hand-made 16mm films produced at the Independent Imaging Retreat, The Sight and Cicatrix, the dance for camera pieces in collaboration with choreographer Pamela Vail, (Un)Tethered, Chroma, and That Dizzying Crest, and the essay film in collaboration with writer Erik Anderson, The Blue Record. As a program, these works cohesively embody an immersive optical and sonic experience revealing cinema’s capacity for both meditative expression and the rigors of collaboration.

    Dates: 

    Saturday, December 13, 2014 - 19:00 to Sunday, December 14, 2014 - 18:55

    Venue: 

    Terrault Contemporary - Baltimore, United States

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