The UMW Media Wall is now accepting submissions (videos and generative programs) for the 2019-2020 academic year. The Wall is a unique public exhibition space for moving image art. Visit umwmediawall.com for relevant technical specs and additional details.
The first weekend of June Cinematek celebrates the combat of women, female artists and filmmakers, feminists and their commitment. A weekend focus on female pioneers who have brought new representations of women to the screen, made the camera a weapon for emancipation and have innovated film language: From Les Insoumuses, Carole Roussopoulos & Delphine Seyrig, to Barbara Hammer, and Carolee Schneemann. Four screenings that are remarkably intertwined.
Fechas:
De Sábado, Junio 1, 2019 (Todo el día) hasta Domingo, Junio 2, 2019 (Todo el día)
These 8 films approach loss and lineages through experimental visual strategies that document rebirths and Queer utopic visions. Calling out a shared invitation to a then and there, leaving behind and moving towards a Queer sublime, the diverse strategies in these films weave together a step out of harm and endings in this time, to something fuller, vaster, and more beautiful. Curated by Finn Paul.
It was announced on Tuesday the list of films selected for the third edition of the ECRÃ Festival that will take place between July 11 and 21 at the MAM Cinematheque (Río de Janeiro, Brazil).
Marie Louise Alemann (Renania del Norte-Westfalia, 1927 – Buenos Aires, 2015) fue una cineasta pionera del cine experimental argentino. Entre los años setenta y ochenta se asoció con colegas cineastas como Narcisa Hirsch, Claudio Caldini y Juan José Mugni, entre otros, y desempeñó un papel importante en la promoción de cine experimental en Buenos Aires.
Fechas:
De Domingo, Junio 2, 2019 - 18:00 hasta Lunes, Junio 3, 2019 - 17:55
Avant-garde filmmaker Stan Brakhage moved to New York in 1954, a stay which culminated in the seminal film Anticipation of the Night. Brakhage broke with the idea that film should record and tell a story acted out for the camera. Here, there is no on-screen protagonist; the protagonist is the director, the images on screen communicate his subjectivity. To do so, Brakhage developed an array of strategies and techniques, including fluid handheld camera movements, rapid editing, and the use of abstract imagery.
Fechas:
De Martes, Mayo 28, 2019 - 19:00 hasta Miércoles, Mayo 29, 2019 - 18:55
Bajo este tragaluz invisible se establecen, en la oscuridad, las coordenadas tridimensionales para la producción y simultaneidad de espacios, de ahora en adelante materializados en forma de luz. La fuente, otros posibles tragaluces: instalaciones audiovisuales que renderizan espacio-tiempos, que proponen unos límites arquitectónicos, visuales y sonoros en un intento de dar forma desde el presente a experiencias pasadas, olvidadas, ignoradas, inasibles o todavía no vividas. Ejercicios de (des)memoria, recapitulación y confrontación.
Fechas:
De Viernes, Mayo 24, 2019 - 19:30 hasta Domingo, Mayo 26, 2019 - 23:30
