Eventos

  • Dan Graham's Rock My Religion (An Expanded Screening)

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    Dan Graham’s Rock My ReligionDan Graham’s Rock My Religion
    (An Expanded Screening)

    Sunday, 7 Feb 2010, 4.30pm
    Auto Italia South East
    1 Glengall Road, SE15 6NJ, London

    Dan Graham’s artistic practice has been influenced by music from early on and this interest becomes more explicit in the late 1960s through some of his first writings such as Live Kinks, 1969 a review of a concert by the Kinks. During the 70s and 80s, Graham developed close working relationships with composer Glenn Branca and musician and Sonic Youth founder Kim Gordon, who supposedly started her music career by taking part in one of Graham’s performance pieces, which didn’t quite go according to plan and turned into a fully fledged concert. Through “a shift towards the documentary” as described by LA MOCA’s Bennett Simpson who recently curated a Graham retrospective, the 1980s saw the release of two video works by the artist which explicitly deal with the subject of popular music: Minor Threat from 1983 on a concert of the American punk band of the same name and the more complex Rock My Religion (1982-84), developed in discussions with Branca, Gordon and Sonic Youth’s Thurston Moore, all of whom contributing to the soundtrack of the work.

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  • Alteridad y ficción

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    Estas muy recientes obras en cine y video se mueven entre la indexicalidad de la imagen y la abstracción. El celuloide enterrado en el mar de MacLean, el orientalismo al revés de y transcendencias de ciencia ficción de Ahwesh, música ruidista llevada a Malobi de Russel, los vestigios del pasado de Klahr y las composiciones marinas de Maria Helena Clark son el material de imagen y sonido de esta sesión de alto voltaje.

     

    Fore-and-Aft, Sara MacLean. Canadá, 2008, 35 mm, 6 min.

    Fechas: 

    De Jueves, Enero 28, 2010 - 20:00 hasta Viernes, Enero 29, 2010 - 19:55
  • LUX Presents - Messages

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    LUX Presents - Messages: Guy Sherwin / Alan Wilkinson / John Edwards / Steve Noble
    Tuesday 23rd February 2010, 8pm
    Café Oto, Ashwin St, Dalston, E8 3DL, UK
    Tickets: £5

    A night of film and music to celebrate the publication of a new LUX book/DVD Guy Sherwin: Messages.

    3 films/3 musicians:
    - Filter Beds, 16mm film / John Edwards, bass
    - Flight, 16mm film / Steve Noble, drums
    - Views from Home Reviewed, digital video/ Alan Wilkinson, saxophone

    followed by a session of Edwards/Noble/Wilkinson.

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  • UnionDocs: Shirley Clarke Tribute

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    Bridges-Go-Round (Shirley Clarke, 1958)Shirley Clarke Tribute
    Saturday, January 30 - 7:30pm
    322 Union Avenue, Brooklyn, NY 11211
    Suggested donation $7

    Discussion with filmmakers Donna Cameron, Jonas Mekas (founder of Anthology Film Archives and founding member of The Filmmakers' Coop), and film critic-programmer Cullen Gallagher.

    This event is part of a monthly screening series with The Film-Makers’ Cooperative, and focuses on the legacy of American filmmaker Shirley Clarke, thirteen years after her death.

    - BRIDGES-GO-ROUND by Shirley Clarke (USA, 1958, 7 minutes, 16mm. Color, Music by Louis & Bebe Barron; Teo Macero)
    American filmmaker Shirley Clarke, with whom Cameron worked one-on one from 1987-1990 on their collage portrait work Shirley Clarke in Our Time, created this masterpiece of experimental dance film using Manhattan’s Bridges. In this film Manhattan Island becomes a maypole around which its bridges, detached from moorings, execute a bewitched and beguiling dance. The filmmaker has magically set them dancing to two different music tracks- an electronic score by the Barrons and a jazz score by Teo Macero. Each track affects the viewer’s response to the imagery of the film differently.

    - SHIRLEY CLARKE IN OUR TIME by Donna Cameron (USA, 1987-1993,63 minutes, 16mm to Amiga Toaster technology to 1? and betaSP video tape, Color, Sound, New DVD release: 2010)

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  • Close-up: Histories of the Avant-Garde Part IV

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    Close-up: Histories of the Avant-Garde Part IV
    February 23th 2009, 20h
    The Working Men’s Club, 44-46 Pollard Row, E2 6NB, London. Ticket: £5/£3 Close-Up members
    Doors open at 7.45 pm
    Presented by Close-Up and The Dog Movement

     

    Five American masters all explore dailiness, film as a stage for performance, and most importantly the possibilities of using music with equal importance to image in tonight’s screening.

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  • Close-up: Histories of the Avant-Garde Part III

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    Close-up: Histories of the Avant-Garde Part III
    January 26th 2009, 20h
    The Working Men’s Club, 44-46 Pollard Row, E2 6NB, London. Ticket: £5/£3 Close-Up members
    Doors open at 7.45 pm
    Presented by Close-Up and The Dog Movement

    PASSAGE THROUGH: A RITUAL by Stan Brakhage + MUSICAL STAIRS by Guy Sherwin

    A chance to see one of Brakhage’s most important sound films for the first time in London alongside Guy Sherwin’s Optical Sound film Musical Stairs.

    Fechas: 

    De Martes, Enero 26, 2010 - 20:00 hasta Miércoles, Enero 27, 2010 - 19:55

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