En este remake, toma por toma, de la muy controvertida Deliverance, 1972, de John Boorman, Jennifer Montgomery convierte a todos los personajes del film en mujer. En esta versión Montgomery, Peggy Ahwesh, Jacqueline Goss, Sue Friedrich y otras autoras de cine arte toman los roles de Burt Reynolds, John Voigt y demás. A la vez que siguen el guión, las performers insertan su subjetividad y deseos.

by José Antonio Sistiaga
…ere erera baleibu izik subua aruaren… 1968-70, 70 minutes, 35mm.

“...ere erera baleibu izik subua aruaren...”, a set of words without any meaning, forms the title of the first and only feature film in the history of Spanish cinema made entirely by hand-painting directly on celluloid. Created over 17 months, without any figurative elements or soundtrack, the result is an astonishing masterpiece of abstract cinema.

The films in this fantastic program span very different periods in the history of Spanish cinema, but all represent experiments in animation. The techniques utilized are strikingly diverse, including cameraless cinema, stop-motion, collage, and sand-on-glass animation.

This program – which encompasses a selection of pieces shot in Super-8mm, as well as a group of found-footage films – establishes a dialogue between filmmakers from separate generations: those who formed part of the avant-garde film movement in Barcelona, Madrid, and Valencia in the 1970s (led by Eugeni Bonet, Juan Bufill, Manuel Huerga, and Eug?nia Balcells) and those active from the late-90s on.