Steina and Woody Vasulka: Latent Perceptions
Saturday 20 February 2010, 19:30
Tate Modern Starr Auditorium
Bankside, London SE1 9TG

Major figures in the history of video art and electronic media, the Vasulkas have contributed enormously to the evolution of digital aesthetics through a prolific body of work exploring the malleability of vision, the manipulation of electronic energy and the interrelation of sound and image.

This programme will highlight single-channel video works created in the 1970s in conjunction with a presentation by the artists about their current work.

The Vasulkas' investigations into analogue and digital processes and their development of electronic imaging tools, which began in the early 1970s, place them among the primary architects of an electronic vocabulary for image-making.

All of their work is in some way connected to a fundamental agenda: to interrogate the intrinsic properties of the machine as cultural code and the latent or overt perceptual changes that emerge.

Programme duration 90 min

Please note that this programme is not suitable for people sensitive to flashing images.
£5 (£4 concessions), booking recommended

Witold Krymarys
Thursday, February 11th, 2010, at 6pm.
Centrum Sztuki Wspólczesnej Laznia
ul. Jaskólcza 1, 80-767, Gdansk, Poland

Witold Krymarys (b. 1948) has been active in the artistic field since 1972. In the 1980s he took interest in structural video and started to penetrate fields bordering on photography and video. He created the series "Fotomocje" ("Photomotions"). These were blurred photos taken at lower shutter speed, which deprived the image from the resemblance to reality up to the point of being illegible. As the author claims, that point or border was crucial to him. The photographic series found its conclusion at the exhibition "E-MOTION" at the Gallery of Lódz Photographic Association in 1978, and inspired the following video works. By the 1990s, Krymarys recorded a couple of dozens of short films, often documentaries based on the themes from local artistic life.

Curator: Michal Brzezinski

An Evening with George Kuchar
Tuesday February 2nd, 2010, 19h
NW Film Center
Whitsell Auditorium
1219 SW Park Avenue, Portland, OR 97205

San Francisco film and video maker George Kuchar is one of the most interesting and prolific (over 200 works) media makers working today. With his homemade Super-8 and 16mm potboilers and melodramas of the 1950s, ’60s, and ’70s, he became legendary as one of the most distinctive and outrageous American underground filmmakers. In the 1980s he transitioned to video, making dozens of subversive, witty, often diaristic works employing friends, students (at the San Francisco Art Institute), and whatever might be creatively (“no-budget”) at hand. Tonight’s sampling of recent works includes, along with other surprises, The Hairy Horror (2009), a short meditation on a tall terror in the trees that shade shadowy giants from the glare of sanity; Burrito Bay (2009), a video diary about the making of another of his films, Tropical Vulture, which “blends Hollywood glamour and drama with an all-too-real-life approach”; Portrait Of Genie (2008)—"An ex-student of mine opens up in the privacy of her home and shows me her etchings (watercolors) as we talk of art and things that slip under the fabric of daily attire"; and X Mass (2008)—“A California winter turns the left coast into a brew of foaming festivities while landlubbers leap for joy in the spray of salty slurping.” "[Kuchar’s films] were my first inspiration…the pivotal films of my youth, bigger influences than Warhol, Kenneth Anger, even THE WIZARD OF OZ."—John Waters.

Co-presented by QDoc: Portland Queer Documentary Film Festival. Kuchar also visits the School of Film for conversations with filmmakers.