Etiquetas: James Broughton

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  • Canyon Cinema 50: Love, Light & Lyrical Eroticism

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    FFFTCM (Will Hindle, 1967)

    1967 was the year that the Canyon Cinema Co-op was born in San Francisco. Formed as a  distribution cooperative for films made by members, it grew out of the itinerant Canyon Cinema formed a few years earlier by a loose association of Bay Area artist-filmmakers. The Canyon Co-Op was the west coast’s contribution to a growing international network for showing and seeing films that fell outside the bounds of polite manners, censors’ approval, and art-world decorum.

    Fechas: 

    Viernes, Julio 14, 2017 - 19:00

    Local: 

    de Young Museum - San Francisco, Estados Unidos

  • James Broughton - The films of James Broughton

    Spanning a decades-long artistic career the collected films of James Broughton represent a remarkable body of work by a leading avant-garde American filmmaker--an undisputed master of the fusion of spoken poetry with moving images. A poet and dramatist as

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    Promedio: 3 (3 votos)

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  • Avant-Garde 2: Experimental Cinema from 1928-1954

    In the latter half of the 20th Century, Raymond Rohauer was one of the nation's foremost proponents of experimental cinema. This two-disc collection continues Kino's tribute to the Rohauer Collection, including the early works of Stan Brakhage and influential films by Willard Maas, Gregory Markopoulos, Marie Menken, Dimitri Kirsanoff, Jean Mitry, Sidney Peterson and others. The pièce de résistance is Jean Isidore Isou's passionate manifesto of film aesthetics Traitéde Bave et D'eternité (Venom and Eternity), which sparked a riot when it premiered at the Cannes Film Festival in 1951. This edition of Venom includes 34 minutes of footage never seen in the United States.

    Valoración: 

    Promedio: 3 (3 votos)

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  • Avant-Garde 3: Experimental Cinema 1922-1954

    From the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and peFrom the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position.

    Valoración: 

    Promedio: 3.3 (4 votos)

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    Editor: 

  • In Bed with James Broughton: An evening of poetry, films, and performance

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    Big JoyIn Bed with James Broughton: An evening of poetry, films, and performance
    Saturday, March 5, 2011, 20h
    San Francisco Art Institute (SFAI)
    800 Chestnut Street, San Francisco, CA 94133

    The San Francisco Art Institute is pleased to announce “In Bed With James Broughton,” an evening of poetry, films, and performance on March 5 benefitting the work-in-progress documentary Big Joy. Using the life and work of James Broughton—filmmaker, poet, teacher, wildman—as inspiration, Big Joy explores the power of art to change lives. “In Bed With James Broughton” will be a lively night featuring poetry readings and performances by Keith Hennessy, Kirk Read, Jack and Adelle Foley, Karl Cronin, William Stewart, and others; a screening of some of Broughton’s films; and a sneak-peek of excerpts from Big Joy.

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  • James Broughton & Joel Singer - The gardener of Eden (1981)

    James Broughton & Joel Singer - The gardener of Eden (1981)Filmed on the paradise island of Sri Lanka, this intense poetic work celebrates the eternal dance of nature's sexuality, and sings of the lost Eden we all search for but do not expect to find.
    In the midst of his fertile garden, while he awaits Adam's return, God tries to keep his eye on all the flowering exuberance he has seeded. The film is written and narrated by James Broughton, and photographed by Joel Singer. The music is performed on twin conch shells, and the central actor is in real life the most famous horticulturalist in Ceylon.

    Rating: 

    Promedio: 3 (2 votos)

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