The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with moving-image artists working "avant-doc, that is, making films that explore the territory between documentary and experimental cinema.

Transcurriendo en paralelo a las rupturas estéticas de las vanguardias artísticas de principios del siglo XX, el cine experimental investiga el potencial del medio cinematográfico a través de sus posibilidades formales y su trasfondo crítico. Estas prácticas fílmicas interrogan las imágenes y los sonidos tencológicos vindicando un espíritu autodidacta, narraciones atípicas, formulaciones abstractas y temporalidades inusitadas. Radicales libres analiza cincuenta obras fundamentales que constatan el desarrollo de la experimentación desde la década de los años 20 hasta la actualidad.

Landscape Plus is the first monography on the work of the Spanish-born, Los Angeles-based filmmaker Laida Lertxundi, published in collaboration with fluent.
With essays by Erika Balsom, Anna Mannubens, Laida Lertxundi, and Alejandro Alonso Díaz this book explores the wider practice of the artist, featuring a number of premiered visuals, plus sets of images illustrating her exhibitions, projects, and works. For the first time since Lertxundi began making films, a publication maps her overall practice and allows for enhanced readings that navigate around film-theory, feminism, and subjectivity. As a whole, the book intends to present an essential constellation of Lertxundi’s universe.