Gene Youngblood’s lecture, Secession from the Broadcast, is cartographic by design, a lantern & compass for those determined to extirpate their operations from under the clutches of the mass media hydra. Breathing as though alive, through this manifesto Youngblood’s words serve as call to action, a call for a rebellion of intensely illuminated and unexampled proportions. Fused by Youngblood’s innate desires, this work showcases a praxis and research that spans most of a lifetime.
- 25 USD
Margaret Tait, filmmaker and poet, was born in Orkney in 1918. She trained first as a medical doctor before studying film in Rome in the 1950s. After returning to Edinburgh, Tait established her film studio, Ancona Films, before eventually returning to Orkney in the 1960s, where she lived and continued to make films until her death in 1999. Personae is Tait’s previously unpublished non-fiction manuscript edited by Sarah Neely with a selection of photographs from Margaret Tait’s personal archive with a foreword by Ali Smith and beautifully designed by Maeve Redmond.
The American artist Kevin Jerome Everson has created a remarkable body of moving image work that co-exists within film and art exhibition contexts. With a sense of place and history, his films, shot primarily on 16mm, combine scripted and documentary moments with touches of formalism. The focus is on craft and duration, and the gestures and tasks caused by certain physical and socio-economic conditions in the lives, labour and leisure of working-class Black Americans and people of African descent.
This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967–69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko / John Latham / Takis / Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show / Freehold / Jane Arden's Vagina Rex and the Gas Oven / Will Spoor Mime Theatre).
"Michael Snow has challenged the reader’s/viewer's notion of a book, indeed one's very notion of perception." - Benjamin Buchloh
Compelling interviews with notables in avant-garde cinema offer insights into moving image art--its creative processes, formative influences, and hidden psychic effects. Through interviews with George Manupelli, Chick Strand, Tom Gunning, Lynne Sachs, Jay Rosenblatt, Martha Colburn, Evan Meaney, Mike Hoolboom, Robert Nelson, and Nina Menkes, Strange Questions links powerful personal stories with the contemporary media-scape.
Questions addressed in this collection include:
What role does the audience play in the creative process?
Price:Paperback - 10 USDKindle - 5 USD
Special Edition: Digipack DVD with 4 short films and 2 bonus films by filmmakers Maria Klonaris and Katerina Thomadaki. 48-page booklet.
Notes For An Aleatory Flame is a personal manifesto of cinematic self expression flipped into speculative entryway for possibilities of communion with fresh & unforeseen personal methodologies. Through inquisitive poetics, this essay functions as a call for the self as image-making-instrument to slice through the media manure by engaging in the necromantic act of reinvigorating cinematic ruin. Martinod’s words beckon us to traverse new realms through the creation of portals and to witness reality through our personal relations with images.
Blu-ray anthology of Japanese artist Jun Kurosawa’s short films presented by KRAUT FILM.
Reflected light of water’s surface and sunlight that penetrates glass, the shadow of the blue sky and things. In the darkness of a theater space, the fixed light on a film becomes various modes through tungsten light. Selected experimental works by Japanese filmmaker "Jun Kurosawa" that one would be attracted by the mystique and beauty of a film.
Intermedia and Expanded Cinema, both as critical approach and artistic practice, left an indelible mark in a period of Japanese art history that is broadly considered to be one of its most dynamic moments in the wake of its postwar reemergence.
Despite the burgeoning interest in academic and curatorial circles in this segment of Japanese art history, the paucity of readily available material in a language other that Japanese has meant the local context, particularly the ways in which the terms were critically debated, was relatively neglected.
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