Traverse XXIII, March 13 - 31, 2019, Toulouse (France)
Experimental{research/art}

When an art is called “installation”, it implies an approach even if we can regret this appellation since “ephemeral”, in situ, a moving sculpture, taking up space, minimalism of a large screen with loop option, in other figures, refuses this enslavement to a place, for a closed use. He has to question his relationship with space, with those who approach it, it thinks itself in intersubjectivity. When an art borrows an ambiguous term connoting prowess, but however emancipates itself from the couple action-reaction/action-result; we can regret that one assimilates it to a live show, with its rules of completion whereas it is performative, that it exists through what it does.