La Casa Encendida presenta el proyecto Lua Cão con obras de los artistas portugueses Alexandre Estrela y João Maria Gusmão + Pedro Paiva. La muestra, comisariada por Natxo Checa, es un ejercicio experimental basado en películas a través de una experiencia inmersiva.
Fechas:
De Miércoles, Octubre 10, 2018 (Todo el día) hasta Sábado, Enero 5, 2019 (Todo el día)
I met Renate Sami when the filmmaker Ute Aurand invited me to show films at FilmSamstag in Berlin in the late 1990s, but it was only later that I experienced the calm directness of her own film and video work, and became acquainted with the emotion at its source. When I moved to Berlin, I learned more: how she came to film and what directions her filmmaking took
Born in 2013, the space of the OGA (Ospizio Giovani Artisti / Young Artists Hospice) organizes from four to six group exhibitions every year, with contemporary and modern art works that come exclusively from the Collection of the OGA. These works are usually donated to the OGA by the artists themselves in order to create thematic exhibitions that are a continuous reflection on the role of art involvement in today's society.
En 2016 el Laboratorio Experimental de Cine (LEC) fue invitado a participar en el Encuentro Internacional deLaboratorios de Cine en Nantes, Bains Argentiques. Espacio que reunió a la red de laboratorios filmlabs.org, en la que participan laboratorios gestionados por artistas como LaborBerlin (Alemania), L’Abominable (Francia), WORM (Holanda), Crater Lab (España), Nanolab (Australia), Double Negative (Canadá), que son clave para la producción de cine independiente y experimental.
Fechas:
De Miércoles, Septiembre 5, 2018 (Todo el día) hasta Domingo, Septiembre 9, 2018 (Todo el día)
Celebrating artistic innovation in Vancouver from 1967 to 1981, this documentary follows a period when Canada was an international hub for experimental film. Vancouver artists, on Canada’s west coast, had a particularly dynamic scene that inspired an enduring body of work that resonates today.
Pioneering Austrian experimental filmmaker Kurt Kren (b. Vienna, 1929; d. Vienna 1998) is an elusive yet persistent figure in twentieth-century histories of both performance- and film-based experimentation. His practice was idiosyncratic to say the least, staked in experimentation across media communication platforms in film and the visual arts no matter where that took him—from cooperative theaters, midnight screenings at commercial theaters, fringe film festivals in abandoned subway stations, and punk shows in warehouses; to art schools, artist studios, galleries and international art and film festivals, across nations and continents.
