Louis Hock nació en Los Ángeles en 1948 y se crió en Nogales y en Tucson, Arizona. Comenzó a hacer películas cuando estudiaba psicología y poesía en la Universidad de Arizona, graduándose con un Licenciatura en Psicología en 1970. En 1973 recibió un Máster en Bellas Artes en la Escuela de Arte del Instituto de Chicago. Se unió a la Universidad de California en San Diego en 1977 y trabaja como profesor del Departamento de Artes Visuales.
Fechas:
De Viernes, Marzo 24, 2017 - 17:00 hasta Sábado, Marzo 25, 2017 - 16:55
In 1949, the peaceful seaside resort of Knokke Le Zoute in Belgium staged an ambitious avant-garde film movement. Organized by the Royal Belgian Film Archive, the Experimental Film Festival “EXPRMNTL” drew worldwide cultural attention, with a prestigious prize awarded with the financial help of a local casino. Until its final edition in 1974, the festival was only held five times.
Fechas:
De Viernes, Marzo 24, 2017 - 18:00 hasta Sábado, Marzo 25, 2017 - 17:55
The five-program series "Troubling the Image: New + Restored Experimental Cinema" features an eclectic and wide-ranging group of works that celebrate the vibrancy of experimental and almost-experimental cinema from near and far, now and then.
Fechas:
De Viernes, Marzo 10, 2017 - 19:00 hasta Sábado, Marzo 11, 2017 - 18:55
10 years of Visual Music Award - we are looking forward to your participation!
Visual Music Award 2017 (works) The Visual Music Award (VMA) is a creative competition for visualisations of music and sound, audiovisual works and musical animations. Visuals are composed based on music and submitted as one unique synaesthetic piece of art. The music genre ranges from classical music to hiphop, electro, minimal and many more. Thereby eye music is created - "you can see the music and hear the visuals".
Special On Angela Ricci Lucchi & Yervant Gianikian: - Yervant Gianikian and Angela Ricci Lucchi: Archive, Technology and Body, by Paula Arantzazu Ruiz
The work of Yervant Gianikian and Angela Ricci Lucchi is a cinema of catalogue, a cinema that displays previously archived images and shapes an enormous inventory of 20th history century. It has been more than forty years since these Italian filmmakers (Gianikian is of Armenian origin) have been recovering, re-filming and re-editing archived films by means of the analytical camera—a re-visualizing tool made ex profeso to manipulate film footage from different sources, either by cutting original frames, reversing images and revealing their negative, modifying speed or manipulating the montage.
