Eventos

  • Barbara Hammer: Early Short Films

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    As part of the Free to Love: Cinema of the Sexual Revolution seriesFilmmaker Barbara Hammer will appear in person to introduce her work and hold a post-screening discussion.

    Programme:- A Gay Day (USA, 1973, 16mm, 3 min.)- Menses (USA, 1974, 16mm, 4 min.)- Dyketactics X 2 (USA, 1974, 16mm, 8 min.)- Women I Love (USA, 1976, 16mm, 27 min.)- Multiple Orgasm (USA, 1977, 16mm, 10 min.)- Double Strength (USA, 1978, 16mm, 15 min.)- No No Nooky TV (USA, 1987, 16mm, 10 min.)

    Free to Love: The Cinema of the Sexual Revolution has been supported by The Pew Center for Arts & Heritage

    Fechas: 

    De Jueves, Febrero 13, 2014 - 19:00 hasta Viernes, Febrero 14, 2014 - 18:55

    Local: 

    International House Philadelphia - Philadelphia, Estados Unidos
  • Connectivity through cinema: Stephanie Gray

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    Join Mono no aware for an intimate screening presentation of recent works by Stephanie Gray presented with live poetry readings. Among the works being shown are several city-symphonies about her former hometown, Buffalo, NY; a film of a certain vanishing Coney Island; pockets of mysterious places in lower Manhattan; and atmospheric and wind-driven portraits of streetscapes in Queens and Chinatown. Her work is motivated by a sort of philosophical conversation with the city, “even if I don’t always know what it means or what it is, the filming makes sense of it in a kind of magic way. The city speaks and makes meaning, of both the past, present and future and where do memories fit in?” Her relationship with New York is intimate, and her ability to capture the subtle whispers amidst the chaos allows one to see the invisible.

    Fechas: 

    Lunes, Febrero 17, 2014 - 19:30

    Local: 

    Center for Performance Research - Nueva York, Estados Unidos
  • Xcèntric: Una cámara propia. Retratos y diarios fílmicos de Ute Aurand, Margaret Tait y Marie Menken

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    Cineasta fundamental de la escena fílmica berlinesa, Ute Aurand concibe sus films en la tradición del diario y el retrato filmado, bajo la influencia mayor de Margaret Tait, Marie Menken o Jonas Mekas. Películas que exploran la intimidad de sus amistades, la belleza y sensibilidad de la luz y las texturas de los espacios, en meticulosos montajes y estructuras «que evocan los ritmos específicos y la personalidad de la gente y los lugares captados por la cámara». Este programa se centra sobre todo en los recientes retratos filmados de Aurand, cuya obra solo ha empezado a conocerse internacionalmente en los últimos años, puesta en relación con la de Tait y Menken, con la presentación de un film muy poco visto de la cineasta, rodado durante un viaje con Kenneth Anger por España y que quedó inacabado. Con la presencia de Ute Aurand.

    Fechas: 

    De Jueves, Febrero 6, 2014 - 20:00 hasta Viernes, Febrero 7, 2014 - 19:55

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  • Difraktion 2014

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    After three successful editions LaborBerlin once again presents DIFFRAKTION, its very own annual showcase of new works on film by its members and friends. This year, DIFFRAKTION will encompass a full­day event with various film programs, talks, film performances and live music. 

    LaborBerlin is a nonprofit, independent film collective, open to any and every individual interested in artist­run initiatives and analogue film practices. With this in mind, the goal of this event is to be an open invitation to anyone that’s interested in preserving the artistic use of analog film, and in supporting collective initiatives that seek to make these types of practices open, accessible, non­hierarchical and non­commercial.

    We believe that the present moment, when most traditional film labs are closing and digital media has become the dominant option for audiovisual production, is not a time of crisis for analog film but a moment of opportunity. Film and the knowledge around it, now free from the demands of the commercial sector, can begin a new life as a truly independent medium to be openly shared and collectively developed. However, with this opportunity come many morechallenges. Which is why we want to present this event as an open forum for discussions and suggestions on how to overcome the challenges that LaborBerlin, and many other organizations like it, face today. LaborBerlin in particular is currently at risk because of upcoming rent hikes. Therefore this event also serves as a fundraiser to guarantee that we can keep an open and economically accessible space.

    Fechas: 

    Sábado, Febrero 1, 2014 (Todo el día)

    Local: 

    Villa Neukölln - Berlin, Alemania
  • HASENHERZ: Miloš Tomic

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    Miloš Tomic is a multimedia artist whose projects span film, photography, collages, and sculpture. Tomic studied directing and then  animation—experiences that continue to influence his practice. His subjects are either comprised of or preoccupied with disposable or disposed objects. In fact, his doctoral thesis was titled “Preciousness of discarded objects, i.e. trash as the material for film, photography…” His object-based works are modified quotidian objects, like shoes sewn shut or brushes with thorns instead of bristles. Tomic also has a category of sculpture called “Pearls” which, as he describes, are “to be understood as things that are precious, wrongly forgotten or lost somewhere, but now found.” Together with Vladimir Peric Miloš Tomic represented Serbia at the Venice Biennial 2013.

    Fechas: 

    De Sábado, Enero 25, 2014 - 11:00 hasta Domingo, Enero 26, 2014 - 10:55

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  • Phantoscope: Stephen Dwoskin's Dyn Amo

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    Phantoscope is Triskel Christchurch’s new quarterly experimental cinema event. In combining programmes of shorts and features from past and present, it promises to leave both eyes and minds wide open with its striking selection of some of the most startling and unusual films cinema has to offer. It launches with the late Stephen Dwoskin’s masterpiece Dyn Amo, a searing and controversial exploration of the distinction between a person’s self and the projection of that self to others, set in a strip club. The hallucinatory intensity of Dwoskin’s unique camerawork is memorably underscored by Gavin Bryars relentless drone soundtrack. 

    - Dyn Amo (Stephen Dwoskin, 1973, UK, 120 min)Starring: Jenny Runacre, Pat Ford and Catherine Kessler

    Phantoscope is programmed by Cork-based filmmaker Maximilian Le Cain, who brings to the task four years of experience as film curator of Black Sun, the noted experimental music/film event that was a mainstay of the Cork scene between 2009 and 2013. 

    Fechas: 

    Jueves, Enero 23, 2014 - 18:30

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  • Xcèntric: Andrew Noren, Charmed Particles

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    La serie de películas de Andrew Noren The Adventures of the Exquisite Corpse tiene una dimensión autobiográfica y es testimonio de su intimidad y un tributo al amor. Charmed Particles —su cuarto capítulo— representa uno de los mejores ejemplos de las cualidades abstractas y transformadoras de la película en blanco y negro. Investiga texturas y formas, combinando una fotografía de alto contraste, planos detalle y pixilación, para crear una música visual de una delicada y poderosa kinesis con la cual nos revela la simple belleza de lo doméstico y la naturaleza fantasmal de las apariencias. Un luminoso universo donde la luz deviene real y lo ilusorio carne.

    - Charmed Particles (Andrew Noren, 1978, 16mm, sin sonido, 78 min.)

    Fechas: 

    De Jueves, Enero 23, 2014 - 20:00 hasta Viernes, Enero 24, 2014 - 19:55

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  • Xcèntric: Cápsulas del tiempo. Los films-collage de Arthur Lipsett

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    La figura de Arthur Lipsett ocupa uno de los márgenes más originales y apasionantes del montaje y el film collage. Su obra, que fascinó a cineastas tan dispares como Kubrick, Brakhage o George Lucas, quedó interrumpida por los problemas mentales del cineasta —sufrió trastorno bipolar— y el tormento que lo llevó al suicidio, a los 46 años. Lipsett había empezado realizando collages sonoros, que después trasladó a sus enigmáticas y brillantes piezas producidas por el NFB de Canadá: combinaciones de imágenes y sonidos, en films de reciclaje y deconstrucción, irónicos y sarcásticos ensayos visuales sobre el consumismo o críticas de los mass media, según ritmos jazzísticos o sincopados que iluminaron un sentido del cine y un pensamiento único.

    Programa:- Very Nice, Very Nice (Arthur Lipsett,1961, video, 6 min)- 21-87 (Arthur Lipsett,1964, 16 mm, 9 min)- Perceptual Learning (Arthur Lipsett,1965, video, 11 min)- Free Fall (Arthur Lipsett,1964, video, 9 min)- A Trip Down Memory Lane (Arthur Lipsett, 1965, video, 12 min)- Fluxes (Arthur Lipsett,1968, 16 mm, 23 min)- Lipsett Diaries (Theodore Ushev, 2010, 35 mm, 14 min.)

    Fechas: 

    De Jueves, Enero 16, 2014 - 20:00 hasta Viernes, Enero 17, 2014 - 19:55

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  • New Korean Experimental Cinema: Space Cell Film Lab

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    For his regular screenings, the Collectif Jeune Cinéma organises a one hour programme devoted to recent Korean experimental films (2013). The films have been made inside the Space Cell laboratory. The screening is programmed and introduced by Pip Chodorov (filmmaker, director of Re:Voir editions).  

    The lab was founded in 2004. It’s a small hand-made film lab, but first attempt in Korea. We have darkroom for hand processing, optical printer, steenbeck, bolexes and almost all kind of 16 or super 8mm equipment. (Jangwook Lee, director) 

    Programme- Still Moving, Or (Sung-Kwon Jeon, 16mm, colour, sound, South Korea, 2013, 23')- Hold Me (Sook Hyun Kim & Hye-Ieong Cho, 16mm, colour, sound, South Korea, 2013, 9')- Conversation, Print 1 (Jangwook Lee, 16mm, B&W, silent, South Korea, 2013, 3')- Na-Dul-Lee (Inhan Cho & Yoon Joo Lee, DV, colour, sound, South Korea, 2013, 18')- Song for Zero person (Mihye Cha, Video HD, colour, silent, South Korea, 2013, 8'45)

    Fechas: 

    Jueves, Enero 23, 2014 - 20:30

    Local: 

    Cinéma La Clef - Paris, Francia
  • Under the Sun: The Films of Rose Lowder

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    Brimming with vibrant images of blossoms, orchards, insects and meadows, the works of celebrated filmmaker Rose Lowder explore our relation with and impact on the world. Rare gems selected by Lowder will be shown alongside key works from one of the most distinct bodies of work in French experimental cinema. Grounded in her interest in radical agriculture, colour theory and the landscapes of her adoptive home in the south of France, Lowder is committed to filmmaking as an ecological practice inseparable from her lifelong collecting and championing of non-commercial cinema. Trained as a painter and sculptor in Lima, Peru, and London, Lowder turned to filmmaker in 1977 after studying with Jean Rouch.

    Her engagement with ways of living and filming will be explored alongside the meticulous design, composition and production of her films. The screenings will be introduced and followed by conversations with the artist.

    Fechas: 

    De Viernes, Enero 17, 2014 - 19:00 hasta Domingo, Enero 19, 2014 - 19:55

    Local: 

    Tate Modern - London , Reino Unido

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