Eventos

  • Tenderpix: a week of experimental film screenings

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    Tenderpixel is pleased to present Tenderpix a week of experimental film screenings running this summer. From July 23rd to July 31st Tenderpixel is once again collaborating with Rushes Soho Shorts, providing visitors with an opportunity to view some of the most intriguing contemporary experimental films from all over the world. There are multiple creative ventures occurring in the gallery this month, so be sure to stop by to catch a flick, or to partake in an artist Q&A, and to see Mimi Leung's glowing and animated illustrations adorning the walls.

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  • Light Reading Series 9: Films By Samantha Rebello

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    Light Reading Series 9
    Films By Samantha Rebello
    London Light Reading
    Wednesday 29 July 2009, at 7pm

    Division of the Tissues (Samantha Rebello, 2006)
    Division of the Tissues (Samantha Rebello, 2006)

    Light Reading’s ninth series continues with a screening of films by artist Samantha Rebello as a critical overview of her practice to date. She will be screening some recent work including The Object Which Thinks Us: OBJECT 1 (2007), In Suspension (2008), Division of the Tissues (2006) and The Surface of Residual Matter [sound by Angharad Davies](2006). She will also screen Outer Casings of A Few Small Creatures (2004) as well as some work in progress.

    Samantha Rebello’s work demonstrates a prolonged exploration and interest in the composition of sound and image. Her work deals with the materiality of the filmic subject, its surfaces and tangibility, and through the friction and merging of the two (sound and image) reveals the links between them.

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  • ping pong presents, screen-play

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    ping pong presents, screen-play

    Sunday, 26 July 2009 - 7 pm
    The James Taylor Gallery
    Collent Street, E9 6SQ Hackney, London
    www.jamestaylorgallery.co.uk
    Free. No booking required.

    screen-play looks at a selection of works that turn a blind eye to conventional narrative structures. The presented videos focus on altering the stage of actions, resisting their accomplishment. They do so by playing with the position of the subject and the duration of the time frame. The invited artists propose technical and conceptual shifts that fracture the viewers' expectations, reversing the course of the events and the context in which they take place. This mode of operating allows for a redefinition of the source material employed, as well as a reframing of the setting in which the action occurs.

    - Emanuel Almborg, Newsreel, 2008, 10min
    - George Barber, Absence of Satan, 1985, 4.46min
    - Slater Bradley, Recorded Yesterday, 2004, 2.02min
    - Matthew Noel-Tod, Bicycle Thief, 1998/2001, 3.30min
    - Maria Domenica Rapicavoli, My Ideal House, 2007, 2.20min
    - Brian Rhodes, Glenn Branca Solo Phaseshift, 2009, 7min
    - Zbig Rybczynski, New Book (Nowa Ksiazka), 1975, 10.26min
    - Jozef Robakowski, The Market, 1970, 6min
    - Sepideh Saii, Buffalo 66, 2008, 1.49min
    - Alessandro Sambini, Presidents, 2009, 8.45min
    - Patrick Ward, Reception, 2004, 4.31min

    The notions of repetition, overlapping and de-contextualisation are stretched out to turn the ordinary into the cinematic and the cinematic into the performative. It is where actions and contexts lose their original significance that new interpretative spaces are created - spaces that go beyond any presupposed reading.

    screen-play is part of the project A Cinema (July 23 - 26), which brings together the exhibition playing with narratives and the screening Narrative Shorts by Jonathan Entwistle. For details of the programme see: http://jamestaylorgallery.co.uk/exhibitions/2009/06/a-cinema.html

    ping pong is a double act founded in 2009 that explores the dynamics of curatorial  dialogue. It is a continuous flow of ideas that produces unexpected results over the process of exchange. The only exception to the rule is that the ball never falls, simply keeps bouncing. ping pong is Marialaura Ghidini and Gaia Tedone.

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  • Oporto apresenta #15: Fog pumas

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    gunvor_nelson"Fog Pumas" by Gunvor Nelson

    Thursday, July 16, 2009, 11 pm

    in collaboration with Dorothy Wiley
    16 mm, colour, stereo sound, 25', 1967

    Gunvor Nelson is one of those acclaimed avantgarde-film-makers who, in the sixties, settled in the Bay Area. Since then she has been doing highly personal pieces revealing a strong poetic and feminine awareness. Her camera and montage talent releases the unseen musical quality trapped in things. In "Fog Pumas" beauty arouses unexpectedly from a surreal context. In her words the film is "a surreal fantasy populated by an imaginative assortment of human beings, creatures, places and events.

    "an entropic requiem"
 - Alexandre Estrela

    Oporto is a studio and a non-profit screening room located in Lisboa. Occupying the former Merchant Sailors Union headquarters, Oporto projects from time to time a single unique experimental video or film. The programme is exquisite and extremely slow.The selection of the pieces screened is made, not only on the basis of the work itself, but also on an overall idea of an exquisite corpse . The space is directed by artist Alexandre Estrela, in cooperation with designers and associate program managers Antonio Gomes and Claudia Castelo a.k.a. Barbara Says and artist Miguel Soares. Sponsored by GAU- Gestão de Audiovisuais.

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  • BFI Southbank: Time and Space

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    Time And Space
    London BFI Southbank
    Sunday 19 July 2009, at 6:10pm

    These three films, made within two years of the Apollo 11 landing, by artists who were pioneers in the development of conceptual art in Britain, capture a contemporary fascination on the part of artists and public with the events and imagery of space exploration. At the same time, they continually return to the concerns of everyday life on earth. The films will be introduced by curators Nicholas Alfrey and Joy Sleeman, who will be joined by artist David Lamelas.

    One
    Ian Breakwell & Mike Leggett, UK, 1971/2003, video, b/w, sound, 15 min
    ONE documents a performance by Breakwell at the Angela Flowers Gallery, celebrating the gallery’s first anniversary and coinciding with the Apollo 14 manned mission to the moon in February 1971. Throughout an eight-hour ‘working day’, a group of labourers shovel dirt in a room on the second floor of the gallery. This activity was simultaneously broadcast via CCTV to a monitor in the gallery’s street level window. As the day went on and the original piles became a layer of mud on the gallery floor, the live footage struck a striking resemblance to that being fed back from the moon, drawing the attention, and confusion, of passers by.

    A Study Of Relationships Between Inner And Outer Space
    David Lamelas, UK, 1969, 16mm, b/w, sound, 20 min
    A STUDY OF RELATIONSHIPS BETWEEN INNER AND OUTER SPACE begins with an analytical investigation of the architecture of one of the galleries at the Camden Arts Centre, where the film was originally shown, along with interviews with gallery staff - a gallery manager, a guard, a clerk - revealing some of the structure and hierarchies within the institution. In the second part of the film, the focus shifts to the environment outside the gallery, the city and its infrastructure, its transport and weather systems. Finally, these ever increasing circles take us out onto the street, where passers by are quizzed about ‘the most important subject according to the mass media of information, on the 21st May, between 5 and 7 pm, time when the interviews were filmed.’ That subject happens to be the Apollo 10 lunar probe, the final ‘rehearsal’ for the moon landing in July.

    Erth
    John Latham, UK, 1971, 16mm, colour, sound, 25 min
    A visual countdown of the age of the universe, through time and space, to the surface of the earth. Latham was fascinated by the photographs of the earth that were being returned from the first space missions.
    From their great distance, these images described the perspective which Latham felt was necessary to perceive our temporary habitation of the planet in relation to what he called the ‘whole event’, the Universe. Periods of silent black space are punctuated by momentary glimpses of the earth, getting closer as the film rolls.  As the camera zooms in, there is a change of pace when an entire volume of the Encyclopedia Britannica flickers past, frame-by-frame. In the final frames of Erth a blurred figure is seen in the landscape, a representative of the “brilliant streptococcus organism for which no antidote exists” (JL).

    "Time and Space" is a satellite event of the exhibition "Earth-Moon-Earth" (Djanogly Gallery, University of Nottingham, until 9 August) and the third in a series of screenings organised by John Latham's Flat Time House in Peckham. The event is presented at the BFI in collaboration with Flat Time House, and the Djanogly Gallery.

    at

    BFI Southbank
    Belvedere Road, London, SE1 8XT
    Nearest Tube: Waterloo / Embankment

    Tickets: £6.40
    Box office: 020 7928 3232

    www.bfi.org.uk/southbank
    www.lakesidearts.org.uk
    www.flattimeho.org.uk

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  • Roger Beebe - New Maps of the New World

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    Roger Beebe: New Maps of the New World
    Film and Video work
    Friday, 17 July 2009, 21:00 h
    Z-Bar
    Bergstraße 2
    10115 Berlin-Mitte

    Artist Roger Beebe, who also has a background in critical theory, works closely with the cinematographic image, using super-8, 16mm film and video. His visual language is largely based on the American Avant-garde, at least on that tradition that is defining film not as “moving image” but as the medium emergent from the differences between single pictures, between takes and edits and, possibly, scenes or chapters. Beauty, meaning and movement are achieved by the viewer’s perception of these differences, oppositions and similarities.

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  • Weekend in the Pines

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    Weekend in the Pines

    In collaboration with Cinema Abattoir and the Double Negative Collective

    Presents

    Projection / Sonic Levitation
    316 Murray Street # 205, Griffintown
    Film Screenings begin at 8pm each night / Music at 10pm

    Friday July 3rd
    Subversive Short Film Program 1
    - Whilst
    - Tom Carter (Charalambides / USA)
    - Zaimph (Marcia Bassett from Double Leopards, Hototogisu / USA)
    - Menace Ruine

    Saturday July 4th
    Subversive Short Film Program 2
    - Karl Lemieux Projection Performance w/ Hyena
    - Hive and David Bryant
    - Chromosphere
    - Dreamcatcher
    - Bill Nace (USA)
    - Metalux (USA)

    Sunday July 5th
    The Films of Etienne O'Leary
    - Steve Bates
    - Novi_sad (Athens, Greece)
    - Bruce McClure Multi Projection Performance (USA)

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  • Anthology: Henry Hills DVD Release Event

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    Henry Hills DVD Release Event
    Anthology Film Archives
    Sunday, June 28 at 7:30.
    Filmmaker in person!
    Reception to follow.

    Moving to New York in 1978, filmmaker Henry Hills formed a strong alliance with the Downtown music improvisers and the "Language" poets, guiding his film work toward a rhythmic, multilayered world filled with unpredictable changes and a striking improvisational edge. At long last, his uncompromising shorts are being released  on DVD, courtesy of John Zorn's equally radical TZADIK label. This show includes the very best of Hills's wonderfully intense films - from the downtown all-star-filled MONEY to structural dance films like LITTLE LIEUTENANT and BALI MÉCANIQUE. A major force in new cinema, these films are brilliantly visual, crammed with image and double meaning.

    - PORTER SPRINGS 3 (1977, 7 minutes, 16mm, color, silent)
    - KINO DA! (1980, 2 minutes, 16mm, b&w, sound)
    - MONEY (1984, 14 minutes, 16mm, color, sound)
    - SSS (1988, 6 minutes, 16mm, color, sound)
    - GOTHAM (1990, 3 minutes, video, b&w, sound)
    - GOA LAWAH (1992, 5 minutes, 16mm, color, sound)
    - BALI MÉCANIQUE (1992, 11 minutes, 16mm, color, sound)
    - LITTLE LIEUTENANT (1994, 6 minutes, 16mm, color, sound)
    - PORTER SPRINGS 4 (1999, 15 minutes, 16mm, color, sound)
    - ELECTRICITY (2007, 7 minutes, video, color, sound)
    - FAILED STATES (2008, 10 minutes, video, color, sound)
    Total running time: ca. 90 minutes.

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  • 48-Stunden-Neukölln: Urban Sho(r)ts Long Film Night

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    48-Stunden-Neukölln: Urban Sho(r)ts Long Film Night
    27 June 2009
    23:00–03:00
    Passage Kino
    Karl-Marx-Straße 131
    12043 Berlin-Neukölln

    The major theme of 48-STUNDEN-NEUKÖLLN, the annual art festival in the Berlin borough of Neukölln, is the relations of city–nature–man. Consequently, the term urbanity became an essential aspect of this year's programming for the Long Film Night. The selection was drawn from direct submissions and in collaboration with interfilm and the Urban Research Program. The Long Film Night presents a three hours program of short narrative, experimental and documentary films.

    Interfilm as a film distribution offers ca. 300 films for rentals. Theme oriented short film programs and programme pictures are the main focus of the program. In addition, the nerve centre at Tempelhofer Damm organizes the annual short film festival interfilm.

    Urban Research brings together films of artists who work with experimental and documentary means on issues of urbanity and public space. Since 2005, Klaus W. Eisenlohr is dedicated to this program and selection as part of the contemporary art and media platform Directors Lounge.

    - Zwischen vier und sechs, Corinna Schnitt – Deutschland 6:25
    - K.I.L.L., Thorsten Fleisch – Deutschland 3:40
    - Abwärts, Gerhard Tietz – Deutschland 6:26
    - Mehmet, Ulrike Böhnisch – Türkei 11:00
    - Whirr, Timo Katz – Deutschland 2:23
    - jenen, die..., Christian Schnalzger – Deutschland 14:35
    - Daily, Astrid Menze – Deutschland 1:00
    - Funkel, Patrik Metzger – Deutschland 15:24
    - pavement, Aline Helmcke – Deutschland 1:27
    - Die Selbstheilung meines Fahrrades, Dagie Brundert – Deutschland 3:31
    - Von Karstadt, Petra Dumpe – Deutschland 36:00
    - Peter Grosshauser »Entschleunigung«, Nico Hertweck – Deutschland 6:26
    - Tale of ordinary Sadness, Jonathan Peters – Deutschland 4:00
    - Blumenthal, Karola Schlegelmilch – Frankreich 7:30
    - "für dich", Hanna Salzer – Deutschland 7:00
    - Der Himmel über dem Alexanderplatz, Klaus W. Eisenlohr – Deutschland 12:00
    - Collosiaeus Urbanus Polyphagus, Doris Freigofas – Deutschland 3:00
    - Macht Strukturen, Verena Grimm – Mexico 2:31
    - Hello Antenna, Anna Samoylovich/Veronika Samartseva, – Deutschland 4:00
    - homo ludens, Thilo Droste/Petra Lottje, – Deutschland 0:90
    - En Construction, Julie Meyer – Frankreich/Deutschland 4:30
    - Unsere Grenzen, Thomas Adamicka – Deutschland 21:00

    http://www.48-stunden-neukoelln.de/2009/de/ortinfo.html?p=291
    http://www.interfilm.de/
    http://richfilm.de/DL2009/framesIndex.html
    http://directorslounge.net/

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  • Tate Modern course: The Futurist Film

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    The Futurist Film
    Led by Karen Mirza and Brad Butler from no.w.here
    Saturday 4 July 2009, 11.00–17.00
    Saturday 11 July 2009, 10.00–17.00

    The futurists loved film. They saw film as the art form that was best suited to capturing the complex sensibility of their time.

    Participants in this practical workshop will explore the ideas of the Futurist Cinema Manifesto, look at contemporary practice inspired by them and end up making their own short films.

    On day one, no.w.here tutors and participants view historical and contemporary work by Paul Sharits, Samuel Beckett, Nicky Hamlyn, David Dye, Tony Conrad and Steve Farrer amongst others. After a visit to the Futurism exhibition, a practical session devoted to shooting techniques with standard 8 and 16 mm cine cameras will follow. Participants will use these cameras to film in the afternoon.

    Between sessions participants will be encouraged to use one of the aims of the Manifesto as an inspiration for making a short film. This work will be screened on day two, followed by further opportunities to practice shooting and developing film at no.w.here lab. All participants plus family and friends are invited to a screening of their film creations in the Starr Auditorium at Tate Modern on 17 July.

    This workshop is open to beginners and experienced practitioners.
    Tate Modern  East Room
    £90 (£70 concessions), booking recommended
    Price includes lunch on day one
    For tickets book online or call 020 7887 8888.

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