Microscope is thrilled to welcome back independent Belgian film-maker Boris Lehman to New York to premiere his latest film Mes Sept Lieux (My Seven Places).

The more than 5 hour long work, filmed by Lehman from 1999 to 2010 shows the artists returning to his seven previous homes to record old places and friends, remember and reflect upon his life from past to present. The work consists of 10 parts and incorporates fragments of the documentary, fiction, personal diary, and bed-side table notes within. Mes Sept Lieux (My Seven Places) was shot on 16mm film but exists only as a digital work.

Thanks to new technologies, artists can now make 3D films and play them like melodic, texture-based visual instruments in real time, performing in duets with acoustic musicians. A new genre of collaborative performance is in the making, as demonstrated in “Minimus 3D Arkestra,” a visual-sonic concert by Ikuo Nakamura (film) and Hayes Greenfield (sax/voice/effects rig).

The performance weaves three-dimensional film narratives, from the celestial to the terrestial — shot by Nakamura in stunning, remote and dramatic locations — into the fiercely innovative live acoustic and electronic music by Greenfield. Visuals include the Aurora Borealis (shot in the Canadian Northwest Territories), subways of NYC, canyons in Utah, villages in the Andes and scenes of Easter Island in the Pacific. Nakamura’s films are shot with two identical cameras in stereo 3-D and none of them are computer-generated. Similarly, none of Greenfield’s music is sampled or pre-recorded; it is entirely acoustic and performed live, in real time.