Rick Hancox, cineasta, profesor de cine, músico (nacido en Toronto, el 1 de enero de 1946). Hancox creció en Ontario, Saskatchewan y la Isla del Príncipe Eduardo. Los tres lugares han conformado sus documentales experimentales, poéticos y con un elegante acabado, en los que funde paisajes personales con elementos del tiempo, la memoria y la historia.
Hancox se introdujo en el cine en la Universidad de la Isla del Príncipe Eduardo siguiendo las enseñanzas del documentalista George Semsel. Se graduó en cine y fotografía en las universidades de Nueva York y Ohio, donde obtuvo un MFA en cine en 1973. En este periodo cinco de sus cortometrajes se llevaron importantes premios en el Canadian Student Film Festival. Tras trabajar brevemente como documentalista en la ciudad de Nueva York, Hancox marchó a enseñar cine en el Sheridan College de Oakville, Ontario (1973-85).
Fechas:
De Viernes, Diciembre 30, 2016 - 17:00 hasta Sábado, Diciembre 31, 2016 - 16:55
Artists Bradley Eros and Jeanne Liotta, former partners in art and life, reunite to perform together for the first time in over fifteen years.
In “Subverted Horseplay” (1994-97), the last performance work of their nearly decade-long collaboration Mediamystics, the mythology of Cowboys and Indians as derived from Hollywood movies and other mass media is subverted through manipulations of the projectors and other interventions that as described by the artists alter and result in the opening of “these fixed iconic pictures to a shifting resonance within their cultural reception”.
Turbidus Film and Fylkingen present, as a part of Kortfilmsdagen, three films by Jerome Hiler. The films by Hiler blend a beauteous celebration of the sensual world with a deep sense of introspection and solitude. They are occasions for reflection and meditation, on light, landscape, time and the motions of consciousness. For example, In the Stone House literally compiles physically fragile and intensely poignant footage shot during the same period chronicled in Nathaniel Dorsky's Hours for Jerome (1967-1971).
Fechas:
De Miércoles, Diciembre 21, 2016 - 19:00 hasta Jueves, Diciembre 22, 2016 - 18:55
Karel Doing presents a programme exploring cinematic mischief, with a collection of works that undermine and disrupt contemporary political discourse whilst providing a counterpoint to aestheticism – a tonic for the modern malaise. This selection brings together films from across Europe to reveal surprising links between disparate makers and thinkers – followed by a discussion with the filmmakers about their outspoken and radical positions.
Fechas:
De Sábado, Diciembre 10, 2016 - 20:00 hasta Domingo, Diciembre 11, 2016 - 19:55
"Now more than ever," The Great Wall of Oakland is seeking short 1 minute loopable video works that will be compiled to create a reel of anxiety breathing exercises. Using the viral anxiety gif, http://i.imgur.com/Huou7Gh.gif, as inspiration, we hope to get artists involved in creating their own versions of this exercise.
This special session is the launch of the "Re-engineering the industry" program, dedicated to a Mire laboratory machine, the Debrie contact printer, which makes it possible to copy 16mm film. In the coming months, masterclass, workshop and artist residency will aim at a dialogue between artists and technicians in order to perpetuate and develop the use of machinery abandoned by the film industry and to reappropriate its use for artistic purposes.
Fechas:
De Jueves, Diciembre 15, 2016 - 21:00 hasta Viernes, Diciembre 16, 2016 - 20:55
In 1951, Maurice Lemaître made his first film, Le Film est déjà commencé? (Has the film already started?). It is the first attempt to destroy the normal framework of the cinematographic representation in which each element is upset: image, sound, screen, venue, spectators... It is the advent of syncinema: it is no longer just a film projection, but a cinema session that has become a work of art as a whole.
Fechas:
De Miércoles, Diciembre 14, 2016 - 18:00 hasta Jueves, Diciembre 15, 2016 - 17:55
