Edge of Frame started life as a blog on experimental animation written by artist and curator Edwin Rostron, and last year grew into a boundary-hopping weekender at the Whitechapel Gallery and Close-Up Cinema. We asked Rostron to put together a special Optical Sound-inspired programme of shorts, and he’s delivered the goods with a selection of extraordinary experiments exploring sound and music in various interesting ways.
Fechas:
De Viernes, Abril 7, 2017 - 18:00 hasta Sábado, Abril 8, 2017 - 17:55
Directors Lounge Screening Ana Bilankov: Night Riders
Ana Bilankov, Berlin based artist with Croatian background, creates videos connected with peculiar places in different European cities, Moscow and New York, connected with the geographies and stories of those places, mostly interwoven with her own biography or experience. Her short films often combine a brittle visual poetry with rarified narratives on the soundtrack.
Fechas:
De Jueves, Marzo 30, 2017 - 21:00 hasta Viernes, Marzo 31, 2017 - 20:55
"The problem is not to make political films, but to make films politically." – Jean-Luc Godard
Close Up and Carroll/Fletcher are delighted to present a programme of films by William Raban. Artist filmmaker William Raban was a central figure of the London Film-makers' Co-operative. Initially known for his landscape and expanded cinema works of the 1970s, Raban's films from the 1990s onwards look at the island of Britain and its people, in the context of the global economy and the effects of urban change.
Fechas:
De Martes, Marzo 28, 2017 - 20:00 hasta Miércoles, Marzo 29, 2017 - 19:55
Call out for films and videos submissions for RETRO.
What does ‘retro’ mean to you? Short Circuit is looking for an eclectic mix of experimental documentary shorts that reflect our individual interpretations, reinventions and resurrection of past styles, and methods, for its forthcoming screening.
Walking the line between structure and freedom, this residency is a many headed beast: a biennially rotating film collective on assignment, a performance of place, a cultural mirror, a momentary Narnia, an interventionist, a portal, an international exchange and dialogue, and a discovery of the invisible. The Weight of Mountains residency tailors a space for filmmakers to immerse themselves into remote, overwhelmingly present, or challenging environments world wide to intervene, divert, connect, challenge and enhance their creative practice with fellow contemporaries; bringing together international artists and cross-pollinating film and media with global perspectives.
Fecha límite:
De Miércoles, Mayo 3, 2017 - 12:00 hasta Jueves, Mayo 4, 2017 - 11:45
'Daniel Barnett es un importante cineasta experimental que despliega complejas metáforas en sus películas realizadas con la refotografía y otras técnicas de post-producción. (…) White Heart es el más largo y ambicioso de sus trabajos. `El film de Barnett consiste en infinidad de imágenes dispares elegidas por su fuerte sensualidad, maridadas con una laberíntica e igualmente sensual banda sonora.Tras establecer las imágenes básicas, Barnett comienza a entremezclarlas, exagerando alguna de sus cualidades (color, textura) durante el proceso de impresión.
