Tenderpixel is pleased to present Tenderpix a week of experimental film screenings running this summer. From July 23rd to July 31st Tenderpixel is once again collaborating with Rushes Soho Shorts, providing visitors with an opportunity to view some of the most intriguing contemporary experimental films from all over the world. There are multiple creative ventures occurring in the gallery this month, so be sure to stop by to catch a flick, or to partake in an artist Q&A, and to see Mimi Leung's glowing and animated illustrations adorning the walls.

ping pong presents, screen-play

Sunday, 26 July 2009 - 7 pm
The James Taylor Gallery
Collent Street, E9 6SQ Hackney, London
www.jamestaylorgallery.co.uk
Free. No booking required.

screen-play looks at a selection of works that turn a blind eye to conventional narrative structures. The presented videos focus on altering the stage of actions, resisting their accomplishment. They do so by playing with the position of the subject and the duration of the time frame. The invited artists propose technical and conceptual shifts that fracture the viewers' expectations, reversing the course of the events and the context in which they take place. This mode of operating allows for a redefinition of the source material employed, as well as a reframing of the setting in which the action occurs.

- Emanuel Almborg, Newsreel, 2008, 10min
- George Barber, Absence of Satan, 1985, 4.46min
- Slater Bradley, Recorded Yesterday, 2004, 2.02min
- Matthew Noel-Tod, Bicycle Thief, 1998/2001, 3.30min
- Maria Domenica Rapicavoli, My Ideal House, 2007, 2.20min
- Brian Rhodes, Glenn Branca Solo Phaseshift, 2009, 7min
- Zbig Rybczynski, New Book (Nowa Ksiazka), 1975, 10.26min
- Jozef Robakowski, The Market, 1970, 6min
- Sepideh Saii, Buffalo 66, 2008, 1.49min
- Alessandro Sambini, Presidents, 2009, 8.45min
- Patrick Ward, Reception, 2004, 4.31min

The notions of repetition, overlapping and de-contextualisation are stretched out to turn the ordinary into the cinematic and the cinematic into the performative. It is where actions and contexts lose their original significance that new interpretative spaces are created - spaces that go beyond any presupposed reading.

screen-play is part of the project A Cinema (July 23 - 26), which brings together the exhibition playing with narratives and the screening Narrative Shorts by Jonathan Entwistle. For details of the programme see: http://jamestaylorgallery.co.uk/exhibitions/2009/06/a-cinema.html

ping pong is a double act founded in 2009 that explores the dynamics of curatorial  dialogue. It is a continuous flow of ideas that produces unexpected results over the process of exchange. The only exception to the rule is that the ball never falls, simply keeps bouncing. ping pong is Marialaura Ghidini and Gaia Tedone.

Time And Space
London BFI Southbank
Sunday 19 July 2009, at 6:10pm

These three films, made within two years of the Apollo 11 landing, by artists who were pioneers in the development of conceptual art in Britain, capture a contemporary fascination on the part of artists and public with the events and imagery of space exploration. At the same time, they continually return to the concerns of everyday life on earth. The films will be introduced by curators Nicholas Alfrey and Joy Sleeman, who will be joined by artist David Lamelas.

One
Ian Breakwell & Mike Leggett, UK, 1971/2003, video, b/w, sound, 15 min
ONE documents a performance by Breakwell at the Angela Flowers Gallery, celebrating the gallery’s first anniversary and coinciding with the Apollo 14 manned mission to the moon in February 1971. Throughout an eight-hour ‘working day’, a group of labourers shovel dirt in a room on the second floor of the gallery. This activity was simultaneously broadcast via CCTV to a monitor in the gallery’s street level window. As the day went on and the original piles became a layer of mud on the gallery floor, the live footage struck a striking resemblance to that being fed back from the moon, drawing the attention, and confusion, of passers by.

A Study Of Relationships Between Inner And Outer Space
David Lamelas, UK, 1969, 16mm, b/w, sound, 20 min
A STUDY OF RELATIONSHIPS BETWEEN INNER AND OUTER SPACE begins with an analytical investigation of the architecture of one of the galleries at the Camden Arts Centre, where the film was originally shown, along with interviews with gallery staff - a gallery manager, a guard, a clerk - revealing some of the structure and hierarchies within the institution. In the second part of the film, the focus shifts to the environment outside the gallery, the city and its infrastructure, its transport and weather systems. Finally, these ever increasing circles take us out onto the street, where passers by are quizzed about ‘the most important subject according to the mass media of information, on the 21st May, between 5 and 7 pm, time when the interviews were filmed.’ That subject happens to be the Apollo 10 lunar probe, the final ‘rehearsal’ for the moon landing in July.

Erth
John Latham, UK, 1971, 16mm, colour, sound, 25 min
A visual countdown of the age of the universe, through time and space, to the surface of the earth. Latham was fascinated by the photographs of the earth that were being returned from the first space missions.
From their great distance, these images described the perspective which Latham felt was necessary to perceive our temporary habitation of the planet in relation to what he called the ‘whole event’, the Universe. Periods of silent black space are punctuated by momentary glimpses of the earth, getting closer as the film rolls.  As the camera zooms in, there is a change of pace when an entire volume of the Encyclopedia Britannica flickers past, frame-by-frame. In the final frames of Erth a blurred figure is seen in the landscape, a representative of the “brilliant streptococcus organism for which no antidote exists” (JL).

"Time and Space" is a satellite event of the exhibition "Earth-Moon-Earth" (Djanogly Gallery, University of Nottingham, until 9 August) and the third in a series of screenings organised by John Latham's Flat Time House in Peckham. The event is presented at the BFI in collaboration with Flat Time House, and the Djanogly Gallery.

at

BFI Southbank
Belvedere Road, London, SE1 8XT
Nearest Tube: Waterloo / Embankment

Tickets: £6.40
Box office: 020 7928 3232

www.bfi.org.uk/southbank
www.lakesidearts.org.uk
www.flattimeho.org.uk

Weekend in the Pines

In collaboration with Cinema Abattoir and the Double Negative Collective

Presents

Projection / Sonic Levitation
316 Murray Street # 205, Griffintown
Film Screenings begin at 8pm each night / Music at 10pm

Friday July 3rd
Subversive Short Film Program 1
- Whilst
- Tom Carter (Charalambides / USA)
- Zaimph (Marcia Bassett from Double Leopards, Hototogisu / USA)
- Menace Ruine

Saturday July 4th
Subversive Short Film Program 2
- Karl Lemieux Projection Performance w/ Hyena
- Hive and David Bryant
- Chromosphere
- Dreamcatcher
- Bill Nace (USA)
- Metalux (USA)

Sunday July 5th
The Films of Etienne O'Leary
- Steve Bates
- Novi_sad (Athens, Greece)
- Bruce McClure Multi Projection Performance (USA)