Eventos

  • 48-Stunden-Neukölln: Urban Sho(r)ts Long Film Night

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    48-Stunden-Neukölln: Urban Sho(r)ts Long Film Night
    27 June 2009
    23:00–03:00
    Passage Kino
    Karl-Marx-Straße 131
    12043 Berlin-Neukölln

    The major theme of 48-STUNDEN-NEUKÖLLN, the annual art festival in the Berlin borough of Neukölln, is the relations of city–nature–man. Consequently, the term urbanity became an essential aspect of this year's programming for the Long Film Night. The selection was drawn from direct submissions and in collaboration with interfilm and the Urban Research Program. The Long Film Night presents a three hours program of short narrative, experimental and documentary films.

    Interfilm as a film distribution offers ca. 300 films for rentals. Theme oriented short film programs and programme pictures are the main focus of the program. In addition, the nerve centre at Tempelhofer Damm organizes the annual short film festival interfilm.

    Urban Research brings together films of artists who work with experimental and documentary means on issues of urbanity and public space. Since 2005, Klaus W. Eisenlohr is dedicated to this program and selection as part of the contemporary art and media platform Directors Lounge.

    - Zwischen vier und sechs, Corinna Schnitt – Deutschland 6:25
    - K.I.L.L., Thorsten Fleisch – Deutschland 3:40
    - Abwärts, Gerhard Tietz – Deutschland 6:26
    - Mehmet, Ulrike Böhnisch – Türkei 11:00
    - Whirr, Timo Katz – Deutschland 2:23
    - jenen, die..., Christian Schnalzger – Deutschland 14:35
    - Daily, Astrid Menze – Deutschland 1:00
    - Funkel, Patrik Metzger – Deutschland 15:24
    - pavement, Aline Helmcke – Deutschland 1:27
    - Die Selbstheilung meines Fahrrades, Dagie Brundert – Deutschland 3:31
    - Von Karstadt, Petra Dumpe – Deutschland 36:00
    - Peter Grosshauser »Entschleunigung«, Nico Hertweck – Deutschland 6:26
    - Tale of ordinary Sadness, Jonathan Peters – Deutschland 4:00
    - Blumenthal, Karola Schlegelmilch – Frankreich 7:30
    - "für dich", Hanna Salzer – Deutschland 7:00
    - Der Himmel über dem Alexanderplatz, Klaus W. Eisenlohr – Deutschland 12:00
    - Collosiaeus Urbanus Polyphagus, Doris Freigofas – Deutschland 3:00
    - Macht Strukturen, Verena Grimm – Mexico 2:31
    - Hello Antenna, Anna Samoylovich/Veronika Samartseva, – Deutschland 4:00
    - homo ludens, Thilo Droste/Petra Lottje, – Deutschland 0:90
    - En Construction, Julie Meyer – Frankreich/Deutschland 4:30
    - Unsere Grenzen, Thomas Adamicka – Deutschland 21:00

    http://www.48-stunden-neukoelln.de/2009/de/ortinfo.html?p=291
    http://www.interfilm.de/
    http://richfilm.de/DL2009/framesIndex.html
    http://directorslounge.net/

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  • Tate Modern course: The Futurist Film

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    The Futurist Film
    Led by Karen Mirza and Brad Butler from no.w.here
    Saturday 4 July 2009, 11.00–17.00
    Saturday 11 July 2009, 10.00–17.00

    The futurists loved film. They saw film as the art form that was best suited to capturing the complex sensibility of their time.

    Participants in this practical workshop will explore the ideas of the Futurist Cinema Manifesto, look at contemporary practice inspired by them and end up making their own short films.

    On day one, no.w.here tutors and participants view historical and contemporary work by Paul Sharits, Samuel Beckett, Nicky Hamlyn, David Dye, Tony Conrad and Steve Farrer amongst others. After a visit to the Futurism exhibition, a practical session devoted to shooting techniques with standard 8 and 16 mm cine cameras will follow. Participants will use these cameras to film in the afternoon.

    Between sessions participants will be encouraged to use one of the aims of the Manifesto as an inspiration for making a short film. This work will be screened on day two, followed by further opportunities to practice shooting and developing film at no.w.here lab. All participants plus family and friends are invited to a screening of their film creations in the Starr Auditorium at Tate Modern on 17 July.

    This workshop is open to beginners and experienced practitioners.
    Tate Modern  East Room
    £90 (£70 concessions), booking recommended
    Price includes lunch on day one
    For tickets book online or call 020 7887 8888.

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  • Experimental Filmclub: Selfportraits

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    Experimental Filmclub: Self-portraits
    Sunday 28th June / The Odessa Club / Dublin / 5pm / Doors: 7 euro (5 euro concession)

    Experimental cinema is known for its rigorous investigation of the properties and possibilities of the film medium. But, given the intimate and homemade nature of most experimental filmmaking practices, it can also facilitate a rigorous investigation of the properties and possiblities of oneself. While none of the films in this programme are “self-portraits” in any conventional sense, all employ their authors’ own bodies as visual subjects, and explore human experiences of love, grief and loneliness that are extremely personal to their creators. This rootedness in personal experience can make them, in a way, more accessible than more purely formal experimental works. But it also presents a danger: that we will view these works primarily in terms of their autobiographical import rather than their powers as an aesthetic experience.

    In seeking to address this, the films in this programme have been selected to cover a range of distinct formal approaches to self-reflection through cinema. Each offers a reinterpretation and expansion of what “portraying oneself” through cinema might be and might lead to. If the resonance and power of these films is strengthened by the impression of unflinching honesty and self-revelation that they share, it is ultimately the different ways in which they are stylistically organised that ensures their impact—rather than the (in some cases, quite ambiguous and tenuous) relation of the films to the specific facts of their authors’ lives.

    More information

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  • Directors Lounge: Barbara Rosenthal

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    Directors Lounge cordially invites you:
    Barbara Rosenthal – 33 existential videos
    Thursday, 25 June 2009 21:00 Uhr

    Z-Bar
    Gartenstraße 2
    10115 Berlin-Mitte

    Barbara Rosenthal
    humorous conceptual poetry-and.performance shorts
    Including World Premiere of “Dead Heat”

    Barbara Rosenthal’s work, on one hand many-fold and widespread over media such as performance, artists’ books, photography, installations and video, on the other hand shows continued commitment in her field and consistency over several decades. If you need proof that art can be genuinely political, even if the artist does not calling themself a “political activist”, or possibly even moreso because they do not, then look at Rosenthal’s work. The collection of her video work over 30 years, a part of which will be presented at Directors Lounge, may possibly be best compared with a witty book of aphorisms. It’s altogether irresistible, it’s thoughtful, and it’s funny, absurd, and at the same time, serious, absolutely. And that’s what she wants to be taken for.

    You may find Dada, Surrealism or Fluxus in her work, all of which has been overdone with and overused by contemporary artists. However, if you tried to interpret her that way, you would still not come to terms with Barbara’s work.
    And if we have a closer look, there may be one strategy (of many) we can recognize: Very often, the artist finds ideas, or encounters situations, and takes them just too literally. By these and other techniques, daily life and its absurdities as mirrored in her work become an arena for thoughts revealing truth (yes!), and the negative consequences of abstractedness in live and politics.

    Barbara Rosenthal demands close attention and precise reception from her audience, those who like to follow her track of thoughts and perceptions. Her humour never transmits sarcasm; rather, it is as gentle as the jokes we know from those Zen Masters quizzing their favourite pupil. For example, in “How Much Does The Monkey Count?” that is all they do, Barbara and the monkey she ventriloquizes compete by counting numbers. Or like, when the absurdity of reading the listings of societies from the New York City phonebook turns into a critical statement without her adding anything to it. Or, in another example, when the artist is whispering “forbidden” secrets about a sexual attraction, which reveal less of herself but of the repressing side of political (and sexual) correctness.

    The screening will almost be a retrospective as it shows a range of the artist’s earliest (nicely digitally re-mastered) and most recent work. Having said all that, we are happy that Barbara Rosenthal is coming to Berlin exclusively for this screening. And she will be available to the audience, for questions and answers, or at least more thought-nourishing quizzes.
    (Klaus W. Eisenlohr)

    Links:
    http://www.dirctorslounge.net
    http://www.richfilm.de/filmUpload/1-framesBarbaraR.html
    http://www.z-bar.de

    Artist’s Links:
    http://www.emedialoft.org/artistspages/barbararosenthal.htm
    http://the-artists.org/artist/Barbara-Rosenthal

    Press Release (PDF download):
    http://netzspannung.org/cat/servlet/CatServlet/$files/439381/BR_BerlinJune09PressReleaseZBarENG.pdf

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  • Directors Lounge Berlin at PICTURA (Dordrecht)

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    Exhibition: 6-14 June 2009
    Screening: Friday 12 June 2009

    Exhibition:
    Jens Lüstraeten – 15 Minutes of Fame – DE 2007 15mins DV Loop
    Zhenchen Liu –  Under Construction - F 2007 10mins  – DV Loop
    Ian Flitman – Hackney Girl – UK 2008, Flash Movie
    Jani Ruscica – Batbox, Beatbox –  FIN 2008, Double projection on free hanging screen from two sides
    Lucia Nimcova – Exercise SK 2007 5:54 min
    Eytan Heller – Love Sum Game IL 2006; 4:30 min

    Screening:
    Charlotte Ginsborg - The Mirroring Cure UK 2006  27 min
    Caecilia Tripp US 2004  – The Making of Americans USA 18:42 min - In cooperation with Rattapallax, New York
    Ben Russell - Black and White Trypps #3 - USA, 2007; 11min
    Masha Godovannaya - Untitled No.1 RUS 2005, 4 min super8 on video,
    Telemach Wiesinger - Augenblicke #26, 41 u. 48 , DE 2008, 10 min
    Andreas Rost - Solo für Ramallah DE 2005 5 min, DV
    Berit Hummel – Weites Land, 10:38, DE 2007, HDTV,

    Selection of Berlin International Directors Lounge
    Curated by Klaus W. Eisenlohr

    Directors Lounge Berlin at Pictura in Dordrecht

    PICTURA, one of the oldest artist organizations in Holland has her own Directors Lounge, which in fact, was inspired by Directors Lounge Berlin. A visit of the director of PICTURA, Jeanne van der Horst at Directors Lounge 2009 in Berlin gave the inspiration for a visit and presentation in Dordrecht.

    On this occasion, and in the tradition of Directors Lounge both in Berlin and Dordrecht, the curator Klaus W. Eisenlohr put together a program with an emphasis in his field of attention, Urban Research. The selection was drawn from the main program of Directors Lounge, from his own program Urban Research, and from the program of Rattapallax, New York. Directors Lounge, which had its fifth anniversary this year, has actually become quite influenced by the theme of Urban Research, which is part of the program for now 3 years. On the other hand, Directors Lounge’s mission, to be an open platform and to bring together media arts, video installation and experimental film, genres, which have been well established in arts but separated for decades will be well presented through this exhibition and screening at PICTURA.
    (Klaus W. Eisenlohr)

    PICTURA
    Artist Organisation
    Voorstraat 190
    Dordrecht
    Netherlands
    http://www.pictura.nl
    http://www.richfilm.de/filmUpload/1-framesDLDordrecht.html
    http://directorsloungeblog.tumblr.com/post/117053850/pictura

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  • Tank TV: Thomas Hirschhorn June 8-30

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    Now Showing: Thomas Hirschhorn
    8th - 30th June 2009

    tank.tv is extremely pleased to collaborate with Thomas Hirschhorn on his ‘Bijlmer Spinoza Festival’.
    New videos from the festival, created by Thomas Hirschhorn and the Bijilmer community, will be uploaded daily to www.tank.tv.

    This is an art-project in complete exaggeration, in overcapacity but also in love : in the love for art, the love for philosophy and the love for working for a “non-exclusive audience”.
    Thomas Hirschhorn

    See the daily changing show here.

    For more information please visit www.thebijlmerspinozafestival.nl
    www.tank.tv

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  • Nicky Hamlyn, London 16 & 25-26 June

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    Reverberations # 4: Nicky Hamlyn
    Tuesday 16 June 2009, from 7pm

    In the fourth edition of our Reverberations series, presented as part of "Cut & Splice: Living Rooms", renowned UK artist and writer Nicky Hamlyn will critique his locational approach to filmmaking though a talk, film screening and new expanded film/sound performance with Conor Kelly.

    Using sound and 16mm film recorded and developed prior to, and during the evening, Hamlyn and Kelly's performance will use the site-specificity of Wilton's Music Hall to address questions of time and recording, representation and presentation.The evening will also include a screening of 'room films' selected by Hamlyn including work by Peter Gidal and Vincent Grenier.

    Professor Nicky Hamlyn studied fine art at Reading University and has made over forty films, videos and installations since then. His films have been shown at festivals and screenings around the world and his book Film Art Phenomena was published by the BFI in 2003. He is senior lecturer in Video Arts Production and Visual Theory at University for the Creative Arts, Maidstone, and a visiting lecturer at the Royal College of Art. His recent work has been concerned with exploring and trying to refine the relationship between the camera and its profilmic.

    Conor Kelly is an artist who has made a number of site-specific installations that have been shown internationally at various spaces and galleries. His work explores the fundamental relationship between sound and video image; the visual recording of the physical world often being used as a template for the production of a musical or sound-based score. He is senior lecturer in Photography and Video Arts at University for the Creative Arts, Maidstone. He is represented by Green On Red Gallery, Dublin.

    at

    Wilton's Music Hall
    Graces Alley, off Ensign Street, London, E1 8JB
    Nearest Tube: Tower Hill / Aldgate East

    FREE admission, booking essential.
    Telephone: 020 7729 4494
    Email: <[email protected]>

    www.wiltons.org.uk
    www.soundandmusic.org
    www.no-w-here.org.uk

    Nicky Hamlyn Workshop: Room Films
    Thursday 25 & Friday 26 June 2009, from 10.30am to 4.30pm

    Taking its cue from Hamlyn's Reverberations event, this two-day practical workshop with the artist will take a look at his locational approach to filmmaking by investigating and experimenting with the notion of 'room films'. The spatial and psychological dimensions of interior spaces and rooms have been an enduring subject of many experimental filmmakers including Hamlyn himself, Peter Gidal, Mirza/Butler, Vincent Grenier and Michael Snow.

    Participants will learn how to operate a Bolex 16mm camera from one of the masters of the medium and will experiment with the way it may be used as a thinking tool to explore interior space. They will then go on to look at how their footage can be shaped further in the lab through the creative and unconventional use of no.w.here's contact printer - a machine commonly used to create graded 16mm film prints.

    All materials will be provided in the cost, and no prior experience is necessary.

    at

    no.w.here
    316-318 Bethnal Green Road, London, E2 0AG
    Nearest Tube: Bethnal Green

    Fee: £80 / £60 members & concessions
    Telephone: 020 7729 4494
    Email: <[email protected]>

    www.no-w-here.org.uk

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  • Robert Beavers - London June 2

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    Robert Beavers
    London Birkbeck Cinema
    Tuesday 2 June 2009, at 7pm

    Please join us for a rare screening of Robert Beavers’ films, which will be followed by a Q&A with the artist.

    “Robert Beavers has created a body of poetic work that is meticulously composed, yet sensuous and astoundingly beautiful. Shot largely in Italy and Greece and then edited in Switzerland, Beavers’ elegantly lyrical films draw on European landscape, art, and architecture to deeply explore aural and visual perception and the filmic medium itself. Musical, metaphorical, and magical, these films aspire to convey, as the artist says, ‘the serenity of a thought without words.’” (Kathy Geritz, Pacific Film Archive)

    - Early Monthly Segments
    Robert Beavers, 1968-70/2002, 16mm, colour, silent, 33 minutes
    Filmed in Switzerland, West Berlin, and Greece.
    “EARLY MONTHLY SEGMENTS collects studies shot between 1968 and 1970 and was completed in 2002 (this unhurried artist finishes pieces over a span of decades). In it, he begins to articulate his distinct cinematic lexicon: close examinations of Mediterranean light, the elaborate use of mattes and colour filters as cinematic punctuation, associative editing and visual rhymes, and a variety of in-camera effects.” (Ed Halter, Village Voice)

    - The Stoas
    Robert Beavers, 1991-97, 16mm, colour, sound, 22 minutes
    Filmed in Greece (Athens & Gortynia)
    “THE STOAS commences as a beige-brown study in haunted urban space: the back alley of some anonymous metropolis, its rusted metal infrastructure and cardboard detritus. Partway in, sunlit green washes over the frame, as the setting shifts to a lush mountain stream. Splendours of light, leaf and running water dazzle the eye, while an ancient stone bridge reiterates Beavers’ pull toward the past and his penchant for half circle shapes. Interspersed throughout is an emblematic image: a pair of hands lit up in the foreground of utter darkness. They make a gesture of movement, one over the other, and a sign of measure, empty space held between. Whatever else it says, THE STOAS is a hushed testament to the adventure of consciousness, the eternal drama of perception, selection, patience and skill.” (Nathan Lee, The New York Sun)

    - Pitcher Of Colored Light
    Robert Beavers, 2000-07, 16mm, colour, sound, 23 minutes
    Filmed in Falmouth, Massachusetts.
    “I have filmed my mother’s house and her garden. The shadows play an essential part in the mixture of loneliness and peace that exists here. The seasons move from the garden into the house, projecting rich diagonals in the early morning or late afternoon. Each shadow is a subtle balance of stillness and movement and shows the vital instability of space. Its special quality opens a passage to the subjective. A voice within the film speaks to memory. The walls are screens through which I pass to the inhabited privacy. We experience a place through the perspective of where we come from and hear another’s voice through our own acoustic. The sense of place is never separate from the moment.” (Robert Beavers)

    at

    Birkbeck Cinema
    41-43 Gordon Square, London, WC1H 0PD
    Nearest Tube: Euston / Euston Square / Russell Square

    Tickets: £3, email <[email protected]> to reserve
    Free admission to Birkbeck students

    www.birkbeckcinema.com

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  • Clive Holden's Utopia Suite - June 5-27

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    WNDX, in collaboration with PLATFORM, presents Clive Holden's UTOPIA SUITE DISCO - Fri June 5 to Sat June 27 (admission is free and all are welcome)

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    OPENING RECEPTION AND BIG DISCO PARTY Friday June 5 at 8 PM at PLATFORM (100 Arthur)

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    CLIVE HOLDEN ARTIST TALK Saturday June 6 at 2 PM at Cinematheque (100 Arthur)

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    Plus, on Thursday June 4 at 7 PM, Clive Holden will introduce Astra Taylor's "Examined Life" at Cinematheque. This film is an invigorating exploration of the driving forces behind contemporary philosophy. (Plays with Holden's short diptych "Mean", which is a part of the greater UTOPIA SUITE)

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    Participate in Y.O.U.: YOUR OWN UTOPIA Q: What would Manitoba look like today if Louis Riel had succeeded? http://you.utopiasuite.com/

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    Writer, filmmaker (Trains of Winnipeg), vernacular philosopher and visual artist Clive Holden has fashioned a utopia machine entitled UTOPIA SUITE DISCO - a 'suite' of short stories and quasi-fictional essays, short films, cinema based art installations, visual music, photo booklets and utopian lectures.

    UTOPIA SUITE is a multi-year project which began with two launch events in 2008, in Toronto at Images Festival and in Amsterdam in a co-presentation by the Holland Festival and the International Film Festival Rotterdam. The core conceit at the heart of UTOPIA SUITE is that hope (utopianism) begets movement (cinema) which begets hope and so on, creating positive cycles.

    The utopian space created by the project and the utopian conversation the project foments, are considered very much a part of the project. A central area of exploration in Utopia Suite is the relationship between still and moving images, especially their cultures and conversations. In a time of rapid change with many new lenses and therefore new perspectives, what can each culture learn from each other?

    Clive Holden's main UTOPIA SUITE project collaborator is Rotterdam-based composer Oscar van Dillen. Their work focuses on another formal goal of the project: to experiment with cinema as music, to hear moving images as much as see them and to learn more about film's next phase through music. This imaginative film/video installation comments on and challenges the notion of utopia.

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    WNDX acknowledges the generous support of the Manitoba Arts Council and PLATFORM Centre for Photographic and Digital Arts for enabling us to bring this program to Winnipeg.

    We also acknowlege the ongoing support of the Canada Council for the Arts, as well as the Winnipeg Film Group.

    www.wndx.org

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  • Tank tv: Alice Anderson 15th May - 7th June

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    Prompt Book (Alice ANderson, 2005)

    Tank.tv : Alice Anderson 15th May - 7th June

    “Years after years I’m constructing a “Perpetual Novel”. All my work is an autobiographical fiction that I developed over time. Most of my works (sculptures, drawings, films) deals with the notion of Time, which is the canvas of Memory and we all know that memory is “THE” master piece of fiction…”
    Interview with Gillian Mc Iver for ARTSPEAK 2009

    Films on tank.tv:
    “The Dolls' Day” / A girl without a name goes back into her parents' past to seek revenge, 2008.
    “Bluebeard” / A blue-bearded woman falls in love with a young man attached to his mother by a cord, 2007.
    “Recollection” / A mother punishes her daughter in a tower called Melancholia, 2006.
    “Prompt Book” / A mother suggests her daughter jump out of the window, 2005.
    “The Idiot Of Evenville” / A 12 year old girl poisoning her parents, 2004.
    Alice Anderson's Journal / ongoing series, 2005

    See the works by Alice Anderson here.

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