Microscope is very pleased to present True Fairy Tales, an online screening program of works in video, film, stop motion animation, 3D animation, AI, and augmented reality by Kenneth Anger, Tessa Hughes-Freeland, Tomi Omololu-Lange, Jonas Mekas, Michelle Nguyen, Anne Spalter, Ziyang Wu, and Ezra Wube centered around the topic of fairytales.
As an extension of her exhibition at Matadero's Nave 0, Cineteca hosts AR, FOGO, TERRA, ÁGUA, a carte blanche in which the Brazilian artist Ana Vaz (Brasilia, 1986) puts her own work in dialogue with a personal history of cinema in which claims a poetic-physics of impurity. From Bruce Baillie to Toshio Matsumoto, through the new Latin American cinemas and the North American avant-garde, Vaz invites us on an elementary journey - air, fire, earth, water - for a personal and political, artistic and ethnographic cinema.
P. Adams Sitney | A Half-Century of Showing Avant-garde Cinema | Conference and Screening with commentary
Elías Querejeta Zine Eskola has suggested that the specialist should choose an ideal programme that might illustrate his 50 years as a programmer, curator, critic and spectator.
Dates:
Tuesday, March 13, 2018 - 19:00 to Wednesday, March 14, 2018 - 18:55
In this session, in the framework of the exhibition "1,000 m2 of Desire. Architecture and Sexuality", we see three essential pieces of US experimental film. Barbara Rubin, Kenneth Anger and Jack Smith film their respective transgressive visions of the body and desire located in the space of pure fantasy.
Introduction: Toward a new history of the experimental cinema
Part one. Origins of the American avant-garde cinema, 1920-1959. - The first American film avant-garde, 1919-1945 / Jan-Christopher Horak - Notes on the new American cinema / Jonas Mekas - The woman filmmaker in the New York avant-garde / Lauren Rabinovitz - Women in the avant-garde: Germaine Dulac, Maya Deren, Agnès Varda, Chantal Akerman, and Trinh T. Minh-ha / Agnès Varda
Since 1985, publisher Paris Expérimental has become a singular meeting point between experimental cinema and its history. With around fifty landmark publications and events, this publishing house has contributed in France to the knowledge and recognition of experimental film forms that have often been marginalised.
Dates:
Wednesday, November 25, 2015 - 14:00 to Thursday, November 26, 2015 - 20:55
