Tags: Alexandre Larose

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Sonic Cinema: Films of Pure Energy

By Marcos Ortega on Mon, 25/11/2019 - 10:01

Hypnotic and visceral, Sonic Cinema is a wild hypersensory experience. The films in this program explore the outer limits of perception, embodiment and cognition using experimental animation techniques, chemical interventions, powerful soundtracks, magnetic pulsations and beyond. Raw intensity and pure energy into the ontology of the moving image.
Dates:
Tuesday, November 26, 2019 - 19:00
Venue:
Uplink - Tokyo, Japan
Millennium Film Journal No. 70 Launch Screening

By Anonymous on Tue, 05/11/2019 - 13:26

The Millennium Film Journal is celebrating the launch of its Fall 2019 issue (no. 70, "Body Memory") with a launch screening at Anthology Film Archives, November 20th at 7:30pm. Featuring work from the New Red Order, Shana Moulton, Ardele Lister, and a 35mm print of Alexandre Larose's "Brouillard #14".
Dates:
Wednesday, November 20, 2019 - 19:30
Venue:
Anthology Film Archives - New York, Estados Unidos
Sonic Cinema: Films of Pure Energy

By Marcos Ortega on Mon, 14/10/2019 - 06:25

Hypnotic and visceral, Sonic Cinema is a wild hypersensory experience. The films in this program explore the outer limits of perception, embodiment and cognition using experimental animation techniques, chemical interventions, powerful soundtracks, magnetic pulsations and beyond. Raw intensity and pure energy into the ontology of the moving image.
Dates:
Friday, October 18, 2019 - 21:00
Venue:
Synesthesia - New York , United States
34th Hamburg International Short Film Festival

By Sarah Adam on Tue, 22/05/2018 - 10:36

The 34th edition of the Hamburg International Short Film Festival hits the screen from June 5th till June 11th 2018. The Hamburg International Short Film Festival celebrates short films as an independent art form, while offering an opportunity for film makers from all over the world to get in touch with an eager audience and with each other.
Dates:
Tuesday, June 5, 2018 (All day) to Monday, June 11, 2018 (All day)
X-Ray: Space

By Anonymous on Wed, 30/11/2016 - 03:09

In this third installment of the X-Ray series hosted by the Department of Media Art of Ghent's Royal Academy of Fine Arts (KASK), guest curator Sebastian Buerkner (UK) together with Courtisane personally presents a program featured around spatiality.

Buerkner's computer animated work guides us through an ambiguous universe of abstract interiors, stylized forms and fluid color fields. He situates his films Triband and The Chimera of M within an experimental context that misleads viewers in its spatiality, with work by Ken Jacobs (Capitalism: Slavery), Blake Williams (Red Capriccio), Takashi Ito (Spacy) and Alexandre Larose (Brouillard Passage #14).

Dates:
Thursday, December 1, 2016 - 20:30 to 22:00
Venue:
KASKcinema - Ghent, Belgium
Hybridity and the Performative Hand-made: Montreal Independent Cinema

By Anonymous on Thu, 01/09/2016 - 03:27

filmkoop wien presents:
Hybridity and the Performative Hand-made: Montreal Independent Cinema

Sonya Stefan presents current Montreal filmmakers and video creators who are exploring hybrid techniques and the hand-made. Each artist defines their own unique process, either by hands-on film, video manipulation or via performance-based techniques such as Hamish Fulton-esque walking trajectories shot along a man-made path leading to a lake. Experimental and animation works make up this program.

Dates:
Monday, September 12, 2016 - 19:00 to 21:30
Venue:
filmkoop wien - Vienna, Austria
7th (S8) Mostra de Cinema Periférico: New Impressionists

By Marcos Ortega on Mon, 23/05/2016 - 09:41

(S8) Mostra de Cinema Periférico celebrates its seventh edition in A Coruña from June 1 to 5. This time the festival will hold a special edition under the tilte of "New Impressionists", bringing together both emergent and veteran filmmakers whose work engages the experimentation with light and its pictorial qualities. Probing the limits of sensory perception and subjectivity, this group of filmmakers has signed some of the most visually stimulating works made in recent years. This is the case of Canadian filmmaker Stephen Broomer that will present a fine selection of his 16mm works. Films in which the colors and textures evoke the work of the original Impressionists, and in which the author uses fast sweeps, collisions and movements that challenge the eye, and make imagine the filmmaker operating the camera as if you ran a box light with the ways of action painting.

Dates:
Wednesday, June 1, 2016 (All day) to Sunday, June 5, 2016 (All day)
Hues of the Spectrum Rise from View

By Marcos Ortega on Thu, 15/10/2015 - 10:40

Museo de Arte Moderno Buenos Aires and Media City Film Festival / Underground Mines present: Hues of the Spectrum Rise from View, with works by Joyce Wieland, Daïchi Saïto, Alexandre Larose, Chris Kennedy and others. Introduction by Oona Mosna and dialogue with Malena Szlam and Andrés Denegri, in-person. Curated by Oona Mosna.

Presented in partnership with the Canadian Filmmakers Distribution Centre, Toronto.

Dates:
Friday, October 16, 2015 - 19:00
Venue:
Museo de Arte Moderno de Buenos Aires (MAMBA) - Buenos Aires, Argentina
The Situated Cinema Project; in camera

By Anonymous on Wed, 02/09/2015 - 13:57

The Situated Cinema Project; in-camera is a portable micro-cinema commissioned by Toronto-based media arts exhibition group Pleasure Dome to celebrate their 25th anniversary. Created by Halifax-based filmmaker Solomon Nagler with architects Thomas Evans and Jonathan Mandeville of passage studio, the structure features “pilgrimage”—an experimental 16mm film loop created by Nagler and his artistic collaborator Alexandre Larose. From September 10-20, the Situated Cinema will travel to three Toronto locations, hosted by the Toronto International Film Festival®, 8-11 Gallery and Artscape Youngplace. As it travels, the architectural structure of the cinema will intervene in the city, creating unexpected situations where chance encounters and dislocated spaces forge new relationships between the spectatorial body and the urban landscape. Inseparable from its context, the Situated Cinema Project; in-camera explores intersections of film and architecture through a rejection of conventional cinematic representation, reinventing the cinema space as temporary and mobile.

Dates:
Thursday, September 10, 2015 (All day)
Friday, September 11, 2015 (All day)
Saturday, September 12, 2015 (All day)
Sunday, September 13, 2015 (All day)
Monday, September 14, 2015 (All day)
Tuesday, September 15, 2015 (All day)
Wednesday, September 16, 2015 (All day)
Thursday, September 17, 2015 (All day)
Friday, September 18, 2015 (All day)
Saturday, September 19, 2015 (All day)
Sunday, September 20, 2015 (All day)
HABITAT: Experimental Visions of Montreal

By Marcos Ortega on Sun, 15/02/2015 - 03:02

This screening gathers together six decades of artists’ films that collectively refract the diverse nature of Montreal’s unique urban environment. From distinctive architectural markers like Habitat ‘67, Parc du Mont-Royal and Place Ville Marie to anonymous snowscapes, moon plays, and back alley explorations, these works compose a fluid, unfixed cinematic city that is at once dystopic and utopic, eerily empty and actively engaged, brutish and brimming with life.

Films by: Julian Biggs, Alexandre Larose, Arthur Lipsett, Daïchi Saïto, Michael Snow, Malena Szlam, and more.

Curated by Leo Goldsmith & Brett Kashmere for SCMS 2015

Dates:
Thursday, March 26, 2015 - 20:00
Venue:
La Sala Rossa - Montreal, Canada

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