slow emergency siren, ongoing: Accessing Handsworth Songs
slow emergency siren, ongoing: Accessing Handsworth Songs
edited by Sarah Hayden with contributions from Clive Nwonka, Elaine Lillian Joseph, Sarah Hayden, Care-fuffle Collective
slow emergency siren, ongoing: Accessing Handsworth Songs
edited by Sarah Hayden with contributions from Clive Nwonka, Elaine Lillian Joseph, Sarah Hayden, Care-fuffle Collective
Todo libro como este —una colección de ensayos hecha sobre, con, alrededor o en compañía de algo—es una empresa a la vez didáctica y literaria. En Una luz revelada. El cine experimental argentino, Pablo Marín describe imágenes y sonidos a la vez que define y redefine conceptos que se encontraban esparcidos, aventurando palabras donde antes había silencios.
“This handful of interviews originated at A Coruña’s (S8) Mostra de Cinema Periférico.
Drama and myth frame the life and death of Maya Deren. Born in Kiev in 1917, at the start of the Russian Revolution, she died forty-four years later in New York City. In her brief life, she established herself as a pioneering experimental filmmaker, prolific writer, accomplished photographer, and crusader for a personal and poetic cinema. With its dreamy circular narrative and enigmatic imagery, her first film, Meshes of the Afternoon (1943), has inspired generations of artists, filmmakers, and poets.
The first collection of critical writing on the work of experimental filmmaker Hollis Frampton. Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton’s work.
This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it.
New exploration of how the moving image mediates our relationship to and understanding of landscapes. The focus is on artists’ film and video and draws on work from the 1970s to the present day. An informed, personal view from a high profile author considering if appreciation of nature’s aesthetics undermines commitment to ecology.
In activity in Recife between 2011 and 2015, the Bcubico was configured as an important field of exhibition and sharing of different contemporary art forms, also interested for the image in movement related to the experimental cinema, videoart and other expressions.
“This book is a echo manifest of the dynamics of space as a field of experience, but also a place of excellence of presentations through texts, testimonials, stories, and photos” as Barrus points out.
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