Focus on Film: Study Day on Artists' Film and Video in Scotland
Saturday, November 7^th 2009, 9:30 - 16:30
Hawthornden Lecture Theatre, National Gallery Complex, The Mound, Edinburgh

Organised in collaboration with the National Galleries of Scotland, this lively and informative study day brings together past, present and future perspectives on artists’ film and video in Scotland. It celebrates the Dean Gallery’s current exhibition ‘RunningTime: Artist Films in Scotland 1960 to Now’.

The programme features presentationsand discussions by Francis McKee, George Clark, Stephen Partridge,Bryony McIntyre and David Curtis, with talks and screenings by the artists Dalziel & Scullion and Matt Hulse. More details can be found on the Diversions website (www.diversionsfilmfestival.co.uk).

This is a free event. To register please contact [email protected] with your name, organisation,email address and telephone number.

Scratch Projection
Jürgen Reble: Materia Obscura
Tuesday 03 November 2009, 20:30h, 6€

This work is based on some excerpts of the film "Instabile Materie" which I realized in 1995. Sorce material were handprocessed 16mm film stripes which I covered with chemicals. In this so called "chemograms" the used substances mostly salts became moulding shapes. Years later I digitized parts of the film frame by frame in high resolution and started with the computer to slow down the speed just to analyse the sequence of events. So arose a morphology of the film emulsion with the embeded substances and a bizarre, strange world full of magic revealed.

Cinéma Action Christine
4, rue Christine
75006 Paris
FRANCE

The London Film Festival has just added repeat screenings of Gustav  Deutsch's FILM IST. A GIRL AND A GUN and the HOLLIS FRAMPTON: HAPAX  LEGOMENA programme. Tickets are on sale now.

LONDON FILM FESTIVAL: ARTISTS’ FILM & VIDEO REPEAT SCREENINGS
London BFI Southbank
Thursday 29 October 2009, at 4pm, NFT2

FILM IST. a girl & a gun
Gustav Deutsch | Austria 2009 | 97 min

Taking its cue from DW Griffith via J-L Godard, the latest instalment  of the FILM IST series is a five-act drama in which reclaimed footage  is interwoven with aphorisms from ancient Greek philosophy. Beginning  with the birth of the universe, it develops into a meditation on the  timeless themes of sex and death, exploring creation, desire and  destruction by appropriating scenes from narrative features, war  reportage, nature studies and pornography. The Earth takes shape from  molten lava, and man and woman embark upon their erotic quest. For  this mesmerising epic, Deutsch applies techniques of montage, sound  and colour to resources drawn from both conventional film archives and  specialist collections such as the Kinsey Institute and Imperial War  Museum. Excavating cinema history to tease new meanings from diverse  and forgotten film material, he proposes new perspectives on the cycle 
of humanity. The film’s integral score by long-term collaborators  Christian Fennesz, Burkhardt Stangl and Martin Siewert incorporates  music by David Grubbs, Soap&Skin and others.

Tickets: £7 / £6 concessions
www.bfi.org.uk/lff/node/392

...

Thursday 29 October 2009, at 6:30pm, NFT3
HOLLIS FRAMPTON: HAPAX LEGOMENA

Hollis Frampton, a key figure of the American avant-garde, was an  artist and theoretician whose practice closely resonates with  contemporary discourse. The series of seven films known as HAPAX  LEGOMENA is, alongside ZORNS LEMMA, one of his most distinguished  achievements, and will be presented in its entirety on new  preservation prints. Predating MAGELLAN, the ambitious ‘metahistory’ 
of film left unfinished by his early death in 1984, HAPAX LEGOMENA  traces Frampton’s own creative progression from photographer to  filmmaker. It dissects sound/image relationships, incorporates early  explorations of video and television, and looks forward to digital  media and electronic processes. Though notoriously rigorous,  Frampton’s films are infused with poetic tendencies and erudite wit, 
sustaining a dialogue with the materials of their making, and the  viewer’s active participation in their reception.

‘Hapax legomena are, literally, ‘things said once’ … The title  brackets a cycle of seven films, which make up a single work composed  of detachable parts … The work is an oblique autobiography, seen in  stereoscopic focus with the phylogeny of film art as I have had to  recapitulate it during my own fitful development as a  filmmaker.’ (Hollis Frampton)

(NOSTALGIA)
Hollis Frampton | USA 1971 | 36 min
As a sequence of photographs is presented and slowly burned, a narrator recounts displaced anecdotes related to their production,  shifting the relationship between words and images.

POETIC JUSTICE
Hollis Frampton | USA 1972 | 31 min
A ‘film for the mind’ in which the script is displayed page by page  for the viewer to read and imagine.

CRITICAL MASS
Hollis Frampton | USA 1971 | 16 min
Frampton’s radical editing technique disrupts and amplifies the  already impassioned argument of a quarrelling couple.

TRAVELLING MATTE
Hollis Frampton | USA 1971 | 34 min
‘The pivot upon which the whole of HAPAX LEGOMENA turns’ uses early  video technology to interrogate the image.

ORDINARY MATTER
Hollis Frampton | USA 1972 | 36 min
This ‘headlong dive’ from the Brooklyn Bridge to Stonehenge is a burst  of exhilarated consciousness.

REMOTE CONTROL
Hollis Frampton | USA 1972 | 29 min
‘A ‘baroque’ summary of film’s historic internal conflicts, chiefly  those between narrative and metric/plastic montage; and between  illusionist and graphic space.’

SPECIAL EFFECTS
Hollis Frampton | USA 1972 | 11 min
Stripping away content leaves only the frame. ‘People this given  space, if you will, with images of your own devising.’

HAPAX LEGOMENA has been preserved through a major cooperative effort  funded by the National Film Preservation Foundation and undertaken by  Anthology Film Archives, MoMA, the New York University Moving Image  Archiving and Preservation Program, and project conservator Bill Brand.

Tickets: £9
www.bfi.org.uk/lff/node/410

at

THE TIMES BFI 51st LONDON FILM FESTIVAL
www.bfi.org.uk/lff

BFI Southbank
Belvedere Road, London, SE1 8XT
Nearest Tube: Waterloo / Embankment

Box office: 020 7928 3232
Book online or in person at BFI Southbank

If all advance tickets for screenings are sold out, keep trying for  daily late ticket releases.
Tickets are held back for delegates so it is often possible to get tickets at the last minute, or queue for returns.

Human Emotion Video Installation:
20-25 October 2009, 10h00 – 12h30 | 14h00 – 17h00

Presentation | Vídeo Projection:
22 October 2009, 21h00h - 24h00

A group of creative authors from the most varied geographical and cultural ground outfitted with the infinite possibility of video art express the complex strength that identifies us as human beings: the emotions. Provided by the exquisite extensive video collection of the Human Emotion Project, founded and directed by the South African artist Alison Williams, a roll of forty works selected by the Portuguese commissioner of the HEP group will compose an eclectic audiovisual program to be held at the José Malhoa Museum from 20 to 25th October, with a special gathering in the evening of 22nd of October of 2009.

The evening session of 22nd October will be lighten by the accredited Art Professor and Filmmaker Fernando Galrito as guest speaker and also by the inclusion in the screening program of student works from of the High School of Arts and Design of Caldas da Rainha (ESAD.CR) that this way are associated to the event.

The presentation evening hosted by the José Malhoa Museum of the Museums and Conservation Institute (MJM-IMC.IP), in partnership with the Human Emotion Project (HEP) and the High School of Arts and Design of Caldas da Rainha (IPLESAD. CR) will take place at 21h00h and will be extended up to the 24h00.
During the entire schedule of the Human Emotions Video Art event (from 20 to 25 October) all works selected (HEP and ESAD.CR) will be rolling in the Multimedia Room in a rotational format at the opening hours of the museum.