Azul Profundo : Memorias de Futuro de un Entre-Vivir Cinematográfico / Deep Blue : Future Memories of a Living’s Cinematic In-Between

Valoración: 

Promedio: 4 (3 votos)

In Azul Profundo Sebastian Wiedemann plunges into the transorganic space of Blue, a cinematic state of complete communion with the depths of Nature’s cosmological memory. Blue as guideline into a cinema of receptive profusion and total connection with one's intrinsic sensorial capacities. Deep Blue as cinematic wild experience and experiment of thinking, as a radical adventure into the potential of an unexpected speculative scenario where the verb to blue gains uncountable affective tonalities. How to conjugate the blue, how blueing the world in infinite directions and senses is the lure of this performative film, as a vitalist and minor gesture 

each issue of this book is handsewn + editioned
(limited run of 50)

Words by Sebastian Wiedemann
Artwork by Anike Laurita
Design + Production by Bretta C. Walker 
Translation by Jhonny Calle
Edited by Jean-Jacques Martinod

Sebastian Wiedemann is a Colombian moving-image artist currently based in São Paulo. His works investigate liminal intersections animated through experimental cinema and philosophy, aware of a possibility for thought-cinema as living poetic ecology. His works have screened in venues around the world. In 2015 his film "Los (De)pendientes" was included in the Artforum’s list of the best films of the year and won the Special Prize of the Jury at Fronteira Film Festival, Brazil. In 2017 his film “Abismo” was included in the research project and film series Ism Ism Ism: Experimental Cinema in Latin America, conceived by Los Angeles Filmforum as part of the Pacific Standard Time: LA/LA initiative.  He is also editor and curator of the online platform Hambre | espacio de cine experimental which focuses on critical experiments seeking dialogue with new tendencies in Latin American avant-garde cinema and where he has edited the books “La Radicalidad de la Imagen. Des-bordando latitudes latinoamericanas. Sobre algunos modos del cine experimental,” (2016) and “Pensamientos migrantes: Lo que las imágenes nos fuerzan a pensar. Intersecciones cinematográficas” ( to be released, 2019)

Datos de Google Books: 

Categoría: 

Esta página web no es una tienda. Las publicaciones aquí listadas lo son únicamente para información y referencia. Cuando la publicación sea de distribución limitada se incluirán enlaces a puntos de venta.

Añadir nuevo comentario

Filtered HTML

  • Replaces [VIDEO::http://www.youtube.com/watch?v=someVideoID::aVideoStyle] tags with embedded videos.
  • Use [fn]...[/fn] (or <fn>...</fn>) to insert automatically numbered footnotes.
  • Las direcciones de las páginas web y las de correo se convierten en enlaces automáticamente.
  • Etiquetas HTML permitidas: <a> <em> <strong> <cite> <blockquote> <code> <ul> <ol> <li> <dl> <dt> <dd> <br> <p> <br/> <u> <img> <hr>
  • Saltos automáticos de líneas y de párrafos.
  • Use <bib>citekey</bib> or [bib]citekey[/bib] to insert automatically numbered references.
  • This creates an in line reference to another publication.

Plain text

  • No se permiten etiquetas HTML.
  • Las direcciones de las páginas web y las de correo se convierten en enlaces automáticamente.
  • Saltos automáticos de líneas y de párrafos.
CAPTCHA
Queremos saber si eres humano

Datos

Autor: 

Sebastian Wiedemann

Precio: 

18 USD

Editor: 

Fecha de publicación: 

Miércoles, Agosto 28, 2019

Idioma: 

Spanish, English