Sarah Pucill’s films and photographs explore the mirroring and merging we seek in the Other; a sense of self which is transformative and fluid. Her work is concerned with the idea that as subjects we are not separate.
Blind Light is filmed in the artist's London loft. The presence of camera, studio and artist/performer are registered through image and sound, the loss of the former filling out the presence of the latter. In this way the physicality of object, space and
Fall In Frame opens with the image of a young woman looking at herself and her camera in the mirror, each revealed as she unwraps a sheet to uncover the lens. She sets up the filming space by staging both set and camera and manipulates the light by handli
"Patrick Bokanowski, the artist-alchemist of celluloid, employsan extraordinary range of technical invention - combing live-action with optical experiments, drawing, performance, painting, and animation - to conjure magical forays into a parallel universe
Evoking comparisons as various as Lynch's Eraserhead, Kubrick's 2001, Alexander Sokurov's cinema, and Hieronymous Bosch, this mesmerising feature creates a labyrinthine, Kafka-esque halfworld of chambers and baroque, macabre characters, all connected by a
"To record a poetic inspiration in tis truest form without concern for conventionnal formalism." M. Raysse
"I'm an escape artist. I aspire to travel in the fifth dimension, to speak unknown languages, to discover the next stage in the evolution of thought. I construct structural parables that allude to the possibility of there being more to the universe than i
"Hallelujah the Hills is a gloriously funny and far-out farce about two great big overgrown boy scouts who pratfall in love with the same girl. The weirdest, wooziest, wackiest screen comedyS a slapstick poem, an intellectual hellzapoppin, a gloriously fr
"Jules Engel's films, uniquely among the leading exponents of abstract animation, exhibit a thoroughly Post-Modern sensibility: witty, eclectic, versatile, literate but accessible, classical but popular."
--Dr. William Moritz
The edition arsenal experimental has taken on the task of initiating new discussions and of putting experimental film back on its feet. And in three languages: in that of the film, that of the idea, and in the language of empathy.
Christine Noll B
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