Events

  • First Thought, Best Thought: A Compendium of Camera Roll Films

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    Using a single hundred-foot roll of 16mm film to create an unedited camera-roll film -- fresh from the lab and onto the screen -- has a certain appeal to me. Partly it’s the practical aspect of DIY efficacy that comes with circumventing the costly steps of post-production. With editing there is something diluted from this raw power of the pure, unadulterated footage, no matter how masterfully the material is pruned and refashioned. Perhaps the phrase of Allen Ginsberg, Chogyam Trungpa, and others, “First thought, best thought” expresses this energy present in the camera-roll film?

    Dates: 

    Friday, December 4, 2015 - 19:00 to Saturday, December 5, 2015 - 18:55

    Venue: 

    Filmmakers Co-op - New York, United States
  • Nathaniel Dorsky: Film Stills

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    Every shot is the narrative and the narrative is every shot.” from “Devotional Cinema” by Nathaniel Dorsky

    Peter Blum is pleased to announce an exhibition of photographic works by Nathaniel Dorsky. Film Stills is the first exhibition of the artist’s work at Peter Blum Gallery on view at 20 West 57th Street, New York. There will be an opening reception on Thursday November 19, from 6 to 8 p.m. The exhibition runs through January 9, 2016.

    Nathaniel Dorsky’s photographs extract intimate moments of observation from his acclaimed silent films. This exhibition features a suite of 30 archival pigment prints that distill the poetic spatial layering of the films. If Dorsky’s films are like a waking dream, then the film stills are a memory of that dream—a crystallization of the meditative state achieved by the moving image and an absolute value by which to measure the fleetingness of our collective existence.

    Dates: 

    Thursday, November 19, 2015 (All day) to Saturday, January 9, 2016 (All day)

    Venue: 

    Peter Blum Gallery - New York, Estados Unidos
  • In Vino Veritas: Secrets of the Intoxicated Life

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    Drugs have been used to access the spiritual dimensions of existence in many cultures since the dawn of civilization.  Artists have likewise sought to escape the confines of the rational mind through the use of substances that expand the senses, alter perception, and suspend the repression of the conscious mind. And others, eager to subvert the conventions of a prevailing culture, have hoped to achieve liberation and even Enlightenment by modifying how they thought.  In Vino Veritas: Secrets of the Intoxicated Life will explore the heights and depths of consciousness to reveal truths inaccessible to the sober.

    Dates: 

    Saturday, November 21, 2015 - 20:00 to Sunday, November 22, 2015 - 19:55

    Venue: 

    The Sunview Luncheonette - New York, Estados Unidos
  • DIM Cinema: Almanac (Circa 1970)

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    In 1970, a unique project was commissioned by the Stills Division of the National Film Board of Canada: fifteen West Coast artists -- many of them using a camera for the first time -- were invited to create a series of photographic booklets that were later compiled into an anthology. The B.C. Almanac(h) C-B artists conceived the book as an exhibition, and designed the accompanying exhibition as a 3-D version of the book’s production. To bring to light this forgotten event in the history of West Coast media art, Presentation House Gallery has reprinted the anthology and remounted the exhibition, along with works from the period by artists featured in the book.

    Dates: 

    Monday, November 23, 2015 - 19:30

    Venue: 

    DIM Cinema - Vancouver, Canadá
  • Leslie Thornton. Aesthetics of uncertainty

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    For four decades, the reputed American artist Leslie Thornton (1951) has created a complex and penetrating body of films and videos, characterised by constant displacement or by their interstitial positioning. Some traits of a work that resists comfortable classifications are the questioning of borders and the overlapping between resources and supports; the continual exploration of the possibilities afforded by changing technology; critical investigation into notions of narration and representation; interrogation of the closed or completed work and, consequently, postponement of its semiotic closure. In fact, many of her pieces are conceived as series of episodes in constant development and have been re-made and re-structured over the decades, as is the case of the classic Peggy and Fred in Hell (1984-2015) —a milestone in contemporary experimental cinema— or The Great Invisible (2002-), both presented here in their most recent version.

    Dates: 

    Sunday, November 15, 2015 (All day) to Thursday, November 19, 2015 (All day)

    Venue: 

    Gólem Alhondiga - Bilbao, Spain
  • FILM IMPLOSION! Experiments in Swiss Cinema and Moving Images

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    As the first exhibition dedicated to experimental Swiss cinema, Film Implosion! sheds light on a little known aspect of art history in Switzerland. It presents a wide panorama of genre practices within the medium of cinema more specifically, but also video work, from the 1960ʼs to today. Through formal interventions directly on the celluloid, various in-situ installations, unconventional documentaries, political, feminist, animated, and fiction films, all these artists challenged the traditional codes of cinema.

    For the past four years, and with the help of the SNF (Swiss National Fund), researchers François Bovier, Adeena Mey, Fred Truniger, and Thomas Schärer have been investigating experimental cinema in Switzerland. From this considerable excavating and mapping work, stems Fri Artʼs proposal for the firstever exhibition on this subject.   For the most part unseen, some 70 artworks, in digital or 16-mm format and signed by artists ranging from Fredi M. Murer, Dieter Meier, Carole Roussopoulos, Dieter Roth, HHK Schoenherr, Hannes Schüpbach, or Peter Stämpfli will be shown. The exhibition will also include video works, installations, and para-filmic objects spanning 50 years of radical creativity.

    Dates: 

    Saturday, November 21, 2015 (All day) to Sunday, February 21, 2016 (All day)

    Venue: 

    Fri Art Kunsthalle - Fribourg, Switzerland
  • FICXLAB 2015

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    FICXLAB, the Gijón International Film Festival section devoted to experimental film & video returns next November 20-28  with a programme that combines both the work of audiovisual artists and filmmakers. Organized by LABoral, with the collaboration of Lumière Magazine this edition includes screenings of seminal works by R.Bruce Elder and Robert Nelson, as well as programmes dedicated to the work of Nathaniel Dorsky, Helga Fanderl, João Maria Gusmão & Pedro Paiva or José Val del Omar, among others.

    Dates: 

    Friday, November 20, 2015 (All day) to Saturday, November 28, 2015 (All day)

    Venue: 

  • OFFoff-ON: Kozakis & Vaneigem / Kozakis & Savitskaya / Abrantes & Schmidt / Humbert & Penzel

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    A Moment of Eternity in the Passage of Time is a black-and-white video projection with images by visual artist Nicolas Kozakis and text by philosopher and writer Raoul Vaneigem. The work was shot in Mount Athos, a remote mountain and peninsula in northern Greece, which is home to a number of Greek Orthodox monasteries. Access to the area is restricted to few visitors and women are not allowed. Apart from being a holy place, it is also one of escape and meditation for those who manage to gain access. The video unfolds in an undisclosed location, by the sea. A sad-faced, lone immigrant construction worker goes about the task of building a traditional stone house, at his own pace, stopping now and then to smoke a cigarette and contemplate the magnificent, totally still sea view. His task is facilitated by a few donkeys, ancient labourers which have now become all but obsolete from the modern workforce.

    Dates: 

    Wednesday, November 18, 2015 - 20:30

    Venue: 

    OFFoff Cinema - Ghent, Bélgica
  • Scratch Projection: Björn Kämmerer vs Johann Lurf

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    Of German origin, Björn Kämmerer lives and works in Vienna. Alongside Johann Lurf, they are part of the young Austrian guard that reinvents the cinematic language using brilliantly different media and mediums. Their films have been awarded many prizes at international festivals and this session will be a rare opportunity to compare their work and exchange views.

    Dates: 

    Tuesday, November 17, 2015 - 20:30

    Venue: 

    Studio des Ursulines - Paris, Francia
  • Film, Paper, Sound: Performance works by Sarah Halpern

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    Microscope Gallery is very pleased to present an evening of moving image and sound performance works by Sarah Halpern in connection with her current solo exhibit "The Changing Room".

    The artist's 35mm film strip and vocal performance pieces in "Film, Paper, Sound" reflect themes of transformation, dualism, and the differences in individual perception and are related to the works on view at the gallery. In the new 35mm film strip projection collage "Watch" Halpern correlates time to magic tricks combining images from clippings about Houdini's graphic notes explaining how certain tricks are performed, recent pocket watch collector's catalogues, and fragments of texts from books about early cinema technology. The second piece "Strip" is a projection through a complete molted snake skin, which the artist found in a garden, stretched across a film strip.

    Dates: 

    Monday, November 16, 2015 - 19:30

    Venue: 

    Microscope Gallery - New York, Estados Unidos

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