This session presents two of Marjorie Keller’s most important films, Misconception and Daughters of Chaos, personal musings on the female experience, both intimate and everyday, constructed from domestic footage subjected to complex editing experiments and the correspondence between image and sound.
Marjorie Keller died prematurely in 1994 at the age of 43, leaving over 25 films in 8 mm and 16 mm and a series of critical texts about the kind of cinema that interested her, such as a book about childhood in the work of Brakhage, Cocteau and Cornell, and incomplete research into experimental film by women, from pioneers like Germaine Dulac, Maya Deren and Carolee Schneemann to the young generation of her contemporaries, represented by Peggy Ahwesh, Su Friedrich and Leslie Thornton.
