Events

  • Barbara Hammer: Incorporating ‘The Lesbian Museum’ and ‘The Hidden Hammer’

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    Barbara HammerBarbara Hammer: Incorporating ‘The Lesbian Museum’ and ‘The Hidden Hammer’
    Saturday August 25th, 2012, 15h
    Red Lecture Theatre, Summerhall
    1 Summerhall, Edinburgh EH9 1PL

    Co curated with Jeremy Fernanado, Jean Baudrillard Fellow at the European Graduate School and Fellow of Tembusu College at The National University of Singapore.

    Fresh from retrospectives at the Tate , MoMA and Jeu De Paume, the acclaimed pioneer of queer cinema Barbara Hammer speaks at Summerhall on the body of work that has made her an internationally celebrated artist and feminist. A key figure in American experimental film, she is credited with producing the earliest avant-garde films that openly address lesbian life and sexuality. She has made up to 80 films to date and continues to exhibit as a visual and performance artist Her work remains fundamentally influential to contemporary artists exploring daring and experimental thought and film.

    A sneak peek of Barbara Hammer at the Jeu De Paume Gallery in Paris : https://vimeo.com/44533833

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  • Breaking Ground: 60 Years of Austrian Experimental Cinema

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    Arnulf Rainer (Peter Kubelka, 1960)Breaking Ground: 60 Years of Austrian Experimental Cinema
    August 17 - September 22, 2012
    UCLA Film & Television Archive - Billy Wilder Theater
    10899 Wilshire Boulevard, Los Angeles, CA 90024

    Austria’s avant-garde film tradition, arising at mid-century (and thus, relatively later than those of other Western nations) has been among the most sustained and radical of such traditions. As with other Austrian arts, it is a response (in part) to past national decadence and entrenched conservatism; its repository of cutting-edge experimental film and video works is uniquely impressive and progressive, fracturing into ever-newer distinctions.

    The programs in this series have been constructed from avant-garde films and videos produced between 1955 and 2010 in which virtually every technique and genre imaginable is employed, from formalist and structuralist works by such globally renowned figures as Peter Kubelka, Peter Tscherkassky and Martin Arnold, to the radical work by performance-based artists such as VALIE EXPORT, Mara Mattuschka, Kurt Kren and the Viennese actionists, as well as the boundary-breaking contemporary output of artists including Siegfried A. Fruhauf, Johann Lurf and Virgil Widrich.

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  • Ben Rivers: Shorts

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    This Is My Land (Ben Rivers, 2006)Ben Rivers: Shorts
    Saturday August 4th, 16:10h
    Sunday August 5th, 2012 18:40h
    Thursday August 9th, 2012 18:40h
    BFI Southbank
    Belvedere Road, South Bank, London SE1 8XT

    Dates: 

    Saturday, August 4, 2012 - 16:10

    Venue: 

    BFI Southbank - London, United Kingdom
  • Luke Fowler: All Divided Selves

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    All Divided Selves (Luke Fowler, 2011)Luke Fowler: All Divided Selves
    Friday, July 27th, 19h
    Flat Time House
    210 Bellenden Road, London SE15 4BW, UK

    A lyrical collage of film about R.D. Laing completed in 2011. Using footage from the Flat Time House archive amongst multiple other sources, Luke Fowler's film focuses on one of the key characters in the history of Better Books.

    The film concentrates on archival representations of radical psychiatrist RD Laing and his colleagues as they struggled to acknowledge the importance of considering social environment and disturbed interaction in institutions as significant factors in the aetiology of human distress and suffering. RD Laing was associated with the art and poetry gatherings at Better Books and his controversial psychiatric writings and methods considerably influenced the creative practices of the artists involved at Better Books. All Divided Selves reprises the vacillating responses to these radical views and the less forgiving responses to Laing's latter career shift; from eminent psychiatrist to enterprising celebrity. A dense, engaging and lyrical collage- Fowler weaves archival material with his own filmic observations including footage from a SIGMA gathering with John Latham and others at Brazier's Park in 1964.

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  • Black Sun Cinema

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    Spare Bedroom (Frans Zwartjes, 1969)Black Sun Cinema: A Day of Experimental Film
    Sunday, August 12 2012, 13:30h
    Triskel Christchurch, Tobin St.,Cork, Ireland

    Presented in association with Triskel Christchurch, Black Sun, Cork's weirdo/outer limits music/film event, is presenting a day of unsettling experimental film, a host of rare cinematic shadows flickering mysteriously at the darker fringes of the mind. On the afternoon of Sunday August 12th, adventurous souls seeking haven from the harsh summer light will find sanctuary in Triskel’s Christchurch Cinema as three programmes of hauntingly dreamlike avant-garde visions fall through the church’s muffled darkness to take possession of all present:

    American underground legend James Fotopoulos’ feature The Nest (2003) “offers up a bleak and cryptically funny assault on suburban anomie… Fotopoulos creeps around the edges of character and drama, conjuring moods of paranoia and dread that suggest the carefully ordered routines of daily life are a kind of opiate administered by sinister forces. Shooting in harsh 16mm color, Fotopoulos renders The Nest in a typically Spartan, forbidding style that makes it seem as though he is some extraterrestrial visitor photographing humans for the first time.” (Scott Foundas, Variety) Ideal mind-warping viewing for admirers of David Lynch who think they’ve seen everything…

    Frans Zwartjes is arguably Holland’s preeminent experimental filmmaker. His highly stylised, poetically claustrophobic films achieve a unique level of sensual intimacy in their renditions of sexual and domestic tension, and voyeurism. These wordless works draw on performance art but are equally distinguished by their oneiric visuals, disconcerting editing rhythms and hypnotically minimal sound design. Once Zwartjes has caressed the surface of your eyeballs, you will never see cinema in the same way again. Black Sun will present a mini-retrospective of five of his most accomplished short films from the late ‘60s and early ‘70s.

    And three of Ireland’s most uncompromising contemporary experimental filmmakers, Rouzbeh Rashidi, Dean Kavanagh and Black Sun film programmer Maximilian Le Cain will be on hand to present a series of their more disturbing short films. Strange atmospheres, tense self-portraits, troubled meditations on the ghostly power of cinema itself… Filmmaking at its most eerie and obliquely personal.

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  • Ben Rivers: Shorts

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    This Is My Land (Ben Rivers, 2006)Ben Rivers: Shorts
    Saturday August 4th, 16:10h
    Sunday August 5th, 2012 18:40h
    Thursday August 9th, 2012 18:40h
    BFI Southbank
    Belvedere Road, South Bank, London SE1 8XT

    This new LUX touring programme brings together five early shorts by Ben Rivers - The Coming Race; This Is My Land; A World Rattled of Habit; Origin of the Species, Ah, Liberty - which together present a series of portraits of unconventional lives - of people existing, to varying degrees, in wilderness or isolation. River's films are compassionate and elliptical, ambigious documents of both the reality of life outside urban norms and our own Romantic preconceptions of a life beyond bounds. The programme includes This Is My Land, Rivers' first portrait of Jake Williams, later the subject of Two Years at Sea.

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  • Desmontaje al día

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    ¿Dónde está el espíritu? (Oriol Sánchez, 2005)Desmontaje al día
    Programa comisariado por Eugeni Bonet
    Miércoles, 25 de Julio de 2012 a las 20h
    Cines Maldà: C/ Pi 5, 08002 Barcelona (Barrio Gótico)
    Entrada: 4€

    Hamaca regresa con el ciclo “El Vídeoarte en la Gran Pantalla” en los Cinemes Maldà de Barcelona, que inauguramos el próximo miércoles 25 de Julio a las 20h con un programa comisariado por Eugeni Bonet.

    Programa:
    - El fin de las imágenes (Raúl Bajo, 2008)
    - Dreamtime (Félix Fernández, 2008)
    - Cine Doré (Diana Larrea, 2004)
    - ¿Dónde está el espíritu? (Oriol Sánchez, 2005)
    - Mira el árbol (Fernando Baños, 2009)
    - Dramatis Personae (LABORATORIUM, 2005)
    - La cosa nuestra (María Cañas, 2006)
    - Vigila, te estamos sonriendo (Rogelio López Cuenca, 2008)
    - The Homogenics (Gerard Freixes, 2010)
    - Send Me A Copy (Albert Alcoz, 2011)
    - Valors esperats: 2 + 1 = < f (x) > = f (x) ² (x) dx 2 + 2 (Benet Rossell, 1978/2006)
    - Virtual Nothing (Joan Leandre & Archivos Babilonia, 2011)

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  • Universal Studio Presents: The Loitering Presence of a Rational Actor

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    Universal Studio Presents: The Loitering Presence of a Rational Actor
    July 23 - August 5, 2012, 15-22h
    163 Eldridge St., New York, NY.

    Imagine a game with two actors, both accomplices in a crime. Each one is placed in a separate cell and both are given the option of cooperating or defecting. To determine the cause of their actions, the observing agent might try and analyze the goals or objectives, the alternatives, the consequences and choices. If both defect, they lose or gain very little, but not as much as the "cheated" actor whose cooperation is not returned. The actors sit and wait. Different methods may be used to tell this story or give an account of the event, whether true or fictitious. The observer sits and listens.

    The Loitering Presence of a Rational Actor is a two-week screening program featuring eleven artists working with film and video. A single work will be screened continuously for eight hours each day. Walk-in visitors will be able to sit and spend time viewing the work in its entirety from whatever point of entry. Textual support material will be available. Sometimes the artist will be present.

    Participating Artists:
    Mauricio Arango, Johanna Billing, Ergin Çavusoglu, Tamar Guimarães, Raymond Taudin Chabot, Simon Gush, Edward Kihn, Wojciech Kosoma, Mark Lewis, collectif_fact, Annelore Schneider & Claude Piguet

    Organized by Mike Crane and the Automatic Moving Co.

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