Black Sun Cinema

By on


No votes yet

Spare Bedroom (Frans Zwartjes, 1969)Black Sun Cinema: A Day of Experimental Film
Sunday, August 12 2012, 13:30h
Triskel Christchurch, Tobin St.,Cork, Ireland

Presented in association with Triskel Christchurch, Black Sun, Cork's weirdo/outer limits music/film event, is presenting a day of unsettling experimental film, a host of rare cinematic shadows flickering mysteriously at the darker fringes of the mind. On the afternoon of Sunday August 12th, adventurous souls seeking haven from the harsh summer light will find sanctuary in Triskel’s Christchurch Cinema as three programmes of hauntingly dreamlike avant-garde visions fall through the church’s muffled darkness to take possession of all present:

American underground legend James Fotopoulos’ feature The Nest (2003) “offers up a bleak and cryptically funny assault on suburban anomie… Fotopoulos creeps around the edges of character and drama, conjuring moods of paranoia and dread that suggest the carefully ordered routines of daily life are a kind of opiate administered by sinister forces. Shooting in harsh 16mm color, Fotopoulos renders The Nest in a typically Spartan, forbidding style that makes it seem as though he is some extraterrestrial visitor photographing humans for the first time.” (Scott Foundas, Variety) Ideal mind-warping viewing for admirers of David Lynch who think they’ve seen everything…

Frans Zwartjes is arguably Holland’s preeminent experimental filmmaker. His highly stylised, poetically claustrophobic films achieve a unique level of sensual intimacy in their renditions of sexual and domestic tension, and voyeurism. These wordless works draw on performance art but are equally distinguished by their oneiric visuals, disconcerting editing rhythms and hypnotically minimal sound design. Once Zwartjes has caressed the surface of your eyeballs, you will never see cinema in the same way again. Black Sun will present a mini-retrospective of five of his most accomplished short films from the late ‘60s and early ‘70s.

And three of Ireland’s most uncompromising contemporary experimental filmmakers, Rouzbeh Rashidi, Dean Kavanagh and Black Sun film programmer Maximilian Le Cain will be on hand to present a series of their more disturbing short films. Strange atmospheres, tense self-portraits, troubled meditations on the ghostly power of cinema itself… Filmmaking at its most eerie and obliquely personal.

Although best known as an experimental music event, Black Sun is also Cork’s only year-round platform for screening experimental film. For over two years, Black Sun’s film programmes have given Cork an all-too-rare taste of the more far-out side of cinema. It has established an impressive track record of world-class film programming, introducing Irish audiences to the work of several major underground filmmakers for the first time.

This is the first of what will become regular Black Sun events devoted exclusively to film.

Programme 1:  Irish Underground
- Schema (Maximilian Le Cain, 2012)
- The Man in Autumn (Dean Kavanagh, 2010)
- Good Evening (Dean Kavanagh, 2012)
- Homo Sapiens Project 92 (Rouzbeh Rashidi, 2012)
- The Hamilton Cell (Maximilian Le Cain, 2009)
- Homo Sapiens Project 71 (Rouzbeh Rashidi, 2012)

Programme 2:  Frans Zwartjes
- Birds (1968)
- Visual Training (1969)
- Spare Bedroom (1969)
- Spectator (1970)
- Living (1971)

Programme 3:
- The Nest (James Fotopoulos, 2003)